Chicago Cub Shot For Love The A Showgirl S Crime Of Passion And The 1932 World Series

"In the summer of 1932, with the Cubs in the thick of the pennant race, Billy Jurges broke off his relationship with Violet Popovich to focus on baseball. The famously beautiful showgirl took it poorly, marching into his hotel room with a revolver in her purse. Both were wounded in the ensuing struggle, but Jurges refused to press charges. Even without their star shortstop, Chicago made it to the World Series, only to be on the wrong end of Babe Ruth's legendary Called Shot. Using hundreds of original sources, Jack Bales profiles the lives of the ill-fated couple and traces the ripple effects of the shooting on the Cubs' tumultuous season"--Back cover.

In the summer of 1932, with the Cubs in the thick of the pennant race, Billy Jurges broke off his relationship with Violet Popovich to focus on baseball. The famously beautiful showgirl took it poorly, marching into his hotel room with a revolver in her purse. Both were wounded in the ensuing struggle, but Jurges refused to press charges. Even without their star shortstop, Chicago made it to the World Series, only to be on the wrong end of Babe Ruth's legendary Called Shot. Using hundreds of original sources, Jack Bales profiles the lives of the ill-fated couple and traces the ripple effects of the shooting on the Cubs' tumultuous season.

Interviews with the author of My Dog Skip and North Toward Home

William Weaks Morris was a writer defined in large measure by his Southern roots. A seventh generation Mississippian, he grew up in Yazoo City frequently reminded of his heritage. Spending his college years at the University of Texas and at Oxford University in England gave Morris a taste of the world and, at the very least, something to write home about. This volume is a comprehensive reference work dealing with Willie Morris’ life and works. It is also a literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The principal focus is on Morris’ literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip.

In the summer of 1932, at the beginning of the turbulent decade that would remake America, baseball fans were treated to one of the most thrilling seasons in the history of the sport. As the nation drifted deeper into the Great Depression and reeled from social unrest, baseball was a diversion for a troubled country—and yet the world of baseball was marked by the same edginess that pervaded the national scene. On-the-field fights were as common as double plays. Amid the National League pennant race, Cubs’ shortstop Billy Jurges was shot by showgirl Violet Popovich in a Chicago hotel room. When the regular season ended, the Cubs and Yankees clashed in what would be Babe Ruth’s last appearance in the fall classic. After the Cubs lost the first two games in New York, the series resumed in Chicago at Wrigley Field, with Democratic presidential candidate Franklin Roosevelt cheering for the visiting Yankees from the box seats behind the Yankees’ dugout. In the top of the fifth inning the game took a historic turn. As Ruth was jeered mercilessly by Cubs players and fans, he gestured toward the outfield and then blasted a long home run. After Ruth circled the bases, Roosevelt exclaimed, “Unbelievable!” Ruth’s homer set off one of baseball’s longest-running and most intense debates: did Ruth, in fact, call his famous home run? Rich with historical context and detail, The Called Shot dramatizes the excitement of a baseball season during one of America’s most chaotic summers.

Marking the centenary of the birth of Laszlo Moholy-Nagy (1895–1946), this book offers a new approach to the Bauhaus artist and theorist’s multifaceted life and work—an approach that redefines the very idea of biographical writing. In Laszlo Moholy-Nagy, Louis Kaplan applies the Derridean deconstructivist model of the "signature effect" to an intellectual biography of a Constructivist artist. Inhabiting the borderline between life and work, the book demonstrates how the signature inscribed by "Moholy" operates in a double space, interweaving signified object and signifying matter, autobiography and auto-graphy. Through interpretative readings of over twenty key artistic and photographic works, Kaplan graphically illustrates Moholy’s signature effect in action. He shows how this effect plays itself out in the complex of relations between artistic originality and plagiarism, between authorial identity and anonymity, as well as in the problematic status of the work of art in the age of technical reproduction. In this way, the book reveals how Moholy’s artistic practice anticipates many of the issues of postmodernist debate and thus has particular relevance today. Consequently, Kaplan clarifies the relationship between avant-garde Constructivism and contemporary deconstruction. This new and innovative configuration of biography catalyzed by the life writing of Moholy-Nagy will be of critical interest to artists and writers, literary theorists, and art historians.

Shortlisted for the Financial Times and Goldman Sachs Business Book of the Year Prize 2008 The Snowball is the first and will be the only biography of the world's richest man, Warren Buffett, written with his full cooperation and collaboration. Combining a unique blend of "The Sage of Omaha's" business savvy, life story and philosophy, The Snowball is essential reading for anyone wishing to discover and replicate the secrets of his business and life success. Warren Buffett is arguably the world's greatest investor. Even as a child he was fascinated by the concept of risk and probability, setting up his first business at the age of six. In 1964 he bought struggling Massachusetts textile firm Berkshire Hathaway and grew it to be the 12th largest corporation in the US purely through the exercise of sound investing principles - a feat never equalled in the annals of business. Despite an estimated net worth of around US$62 billion, Buffett leads an intriguingly frugal life taking home a salary of only £50,000 a year. His only indulgence is a private jet, an extravagance he wryly acknowledges by calling it "The Indefensible". In 2006, he made the largest charitable donation on record, with most of it going to the Bill & Melinda Gates Foundation. The Snowball provides a comprehensive, richly detailed insight one of the world's most extraordinary and much loved public figures.

The first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover.