Chimes At Midnight

Among the films inspired by Orson Welles's lifelong involvement with Shakespeare, the greatest is Chimes at Midnight (1966). It is a masterly conflation of the Shakespearean history plays that feature Falstaff, the great comic figure played by Welles himself in the film. For Welles, the character was also potentially tragic: the doomed friendship between Falstaff and Prince Hal becomes an image of the end of an age. To this epic subject Welles brings the innovative film techniques that made him famous in Citizen Kane, The Lady from Shanghai,"and Touch of Evil. This volume offers a complete continuity script of Chimes at Midnight, including its famous battle sequence. Each shot is described in detail and is keyed to the original Shakesperian sources, thus making the volume an invaluable guide to Welles as an adaptor and creator of texts. The first complete transcription of the continuity script of Chimes is accompanied by the editor's critical introduction on Welles's transformation of Shakespeare; a special interview with Keith Baxter, one of the film's principal actors, which discusses its production history; reviews and articles; and a biographical sketch of Welles, a filmography, and a bibliography.

New York Times-bestselling October Daye series • Hugo Award-winning author Seanan McGuire • "Top of my urban-paranormal series list!" —Felicia Day Things are starting to look up for October "Toby" Daye. She's training her squire, doing her job, and has finally allowed herself to grow closer to the local King of Cats. It seems like her life may finally be settling down...at least until dead changelings start appearing in the alleys of San Francisco, killed by an overdose of goblin fruit. Toby's efforts to take the problem to the Queen of the Mists are met with harsh reprisals, leaving her under sentence of exile from her home and everyone she loves. Now Toby must find a way to reverse the Queens decree, get the goblin fruit off the streets--and, oh, yes, save her own life. And then there's the question of the Queen herself, who seems increasingly unlikely to have a valid claim to the throne....To find the answers, October and her friends will have to travel from the legendary Library of Stars into the hidden depths of the Kingdom of the Mists--and they'll have to do it fast, because time is running out.

Still unable to reach 1930, the TARDIS places the Doctor and Charley into an Edwardian household, in 1906. There they meet the servants of Edward Grove who seems to keep his workers in a constant state of bewilderment and terror. When the scullery maid is found murdered, it falls to the famous amateur sleuth known as the Doctor to solve the mysteries. The only trouble is, the household keep shifting into different moments in time. This story, akin in mood to the popular ITV series Sapphire and Steel, has been written by playwright Robert Shearman, who was responsible for the critically acclaimed The Holy Terror in 2000. This story takes place after the TV movie.

FOR FANS OF LEE CHILD, ELMORE LEONARD, AND JAMES PATRICK HUNT. Years ago police detective Kevin McClain was captured and tortured when he was an airborne ranger in Somalia. Now, years later, the mutilation murder of a homeless man brings back a flood of unpleasant memories. At the same time, FBI agent Felicia Knight is busy tracking down a terrorist cell purportedly set to strike in our nation's capital on the eve of the presidential election. What neither McClain nor Knight realizes is the two cases are secretly connected by a sinister plot more diabolical and far reaching than either of them can imagine. As their investigations coalesce, they find themselves in a desperate race against the clock to try and prevent our nation's capital from being engulfed in a cloud of death and destruction. "A fine crime novel, thanks to Black's sharply drawn characters and unexpected plot twists." - Booklist

Life was very ordinary for ten-year-old Robyn Silver. The often-ignored middle child in a big family, the most excitement she had was the dash to the dinner table to reach the last slice of pizza. Until. she begins to see creepy creatures around her town - creatures that are invisible to everyone else. And when her school is forced to decamp to mysterious Grimdean House and she meets its equally mysterious owner, Mr Cryptorum, Robyn finds herself catapulted headfirst into an extraordinary adventure - with more excitement than she could possibly have imagined. Be careful what you wish for.

It's been said that for any event, there are an infinite number of possible outcomes. Our choices determine which outcome will follow, and therefore all possibilities that could happen do happen across countless alternate realities. In these divergent realms, known history is bent, like white light through a prism -- broken into a boundless spectrum of what-might-have-beens. But in those myriad universes, what might have been...is what actually happened. THE CHIMES AT MIDNIGHT: In a continuum where Spock died during childhood, an Andorian named Thelin became Captain Kirk's stalwart friend and first officer. But at the moment of Khan's final defeat, history takes an even stranger turn, and the emerging potential of Project Genesis is revealed as the galaxy's greatest hope...and its most ominous threat. A GUTTED WORLD: Terrorist Kira Nerys -- from a Bajor that was never liberated -- may hold the key to winning a war that has engulfed half the galaxy. But with the Romulans and the Klingons at each other's throats, and the Federation pulled into the conflict, even victory may not bring salvation. BRAVE NEW WORLD: Dr. Noonien Soong's dream has been realized: androids are now woven inextricably into the fabric of the Federation, revolutionizing Starfleet and transforming the quality of humanoid life. But when Soong's long-missing breakthrough creation, Data, mysteriously resurfaces, civilization reaches a crossroads that could lead to a bright new future, or to ruin.

At the age of twenty-five, Orson Welles (1915–1985) directed, co-wrote, and starred in Citizen Kane, widely regarded as the greatest film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. What Ever Happened to Orson Welles?: A Portrait of an Independent Career challenges the conventional wisdom that Welles’s career after Kane was a long decline and that he spent his final years doing little but eating and making commercials while squandering his earlier promise. In this intimate and often surprising personal portrait, Joseph McBride shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period in the United States (1970–1985), when McBride knew and worked with him. McBride reports on Welles's daringly experimental film projects, including the legendary 1970–1976 unfinished film The Other Side of the Wind, Welles’s satire of Hollywood during the “Easy Rider era”; McBride gives a unique insider perspective on Welles from the viewpoint of a young film critic playing a spoof of himself in a cast headed by John Huston and Peter Bogdanovich. To put Welles’s widely misunderstood later years into context, What Ever Happened to Orson Welles? reexamines the filmmaker’s entire life and career. McBride offers many fresh insights into the collapse of Welles’s Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile. An enlightening and entertaining look at Welles's brilliant and enigmatic career as a filmmaker, What Ever Happened to Orson Welles? serves as a major reinterpretation of Welles’s life and work. McBride clears away the myths that have long obscured Welles’s later years and have caused him to be falsely regarded as a tragic failure. McBride’s revealing portrait of this great artist will change the terms of how Orson Welles is understood as a man, an actor, a political figure, and a filmmaker.

In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?