China S Ninja Connection

Lost in modern myth, false history and general misinterpretation, the Ninja have been misrepresented for many years. More recently, a desire for a more historical view of the ninja has become a popular theme in the history/martial arts community and Antony Cummins is the primary driving force behind that movement. In Search of the Ninja is based upon the Historical Ninjutsu Research Team's translations of the major ninja manuals and consists of genuinely new material. Little historical research has been done on the Ninja of Japan. Here for the first time the connection of the famous Hattori family warriors with the Ninja is explained. The Samurai versus Ninja myth is dispelled. The realities of Ninja skills are analysed. How did a Ninja work underwater when mining castle walls? How can a bird be used to set fire to the enemy's camp? The book explores newly discovered connections to ancient Chinese manuals, lost skills and the 'hidden' Zen philosophy that the Ninja followed. In Search of the Ninja is the first and only historical look at the shinobi of ancient Japan.

In Beyond “The Chinese Connection,” Crystal S. Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Anderson examines such cultural productions as novels (Frank Chin’s Gunga Din Highway [1999], Ishmael Reed’s Japanese By Spring [1992], and Paul Beatty’s The White Boy Shuffle [1996]); films (Rush Hour 2 [2001], Unleashed [2005], and The Matrix trilogy [1999-2003],) and Japanese animation (Samurai Champloo [2004]), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferal, Anderson traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange. Ultimately, this book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first—and certainly most popular—works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American and Asian youth in the 1970s. Lee’s films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production.

Upon its premiere in 1992, Midway’s Mortal Kombat spawned an enormously influential series of fighting games, notorious for their violent “fatality” moves performed by photorealistic characters. Targeted by lawmakers and moral reformers, the series directly inspired the creation of an industrywide rating system for video games and became a referendum on the wide popularity of 16-bit home consoles. Along the way, it became one of the world’s most iconic fighting games, and formed a transmedia franchise that continues to this day. This book traces Mortal Kombat’s history as an American product inspired by both Japanese video games and Chinese martial-arts cinema, its successes and struggles in adapting to new market trends, and the ongoing influence of its secret-strewn narrative world. After outlining the specific elements of gameplay that differentiated Mortal Kombat from its competitors in the coin-op market, David Church examines the various martial-arts films that inspired its Orientalist imagery, helping explain its stereotypical uses of race and gender. He also posits the games as a cultural landmark from a moment when public policy attempted to intervene in both the remediation of cinematic aesthetics within interactive digital games and in the transition of public gaming spaces into the domestic sphere. Finally, the book explores how the franchise attempted to conquer other forms of media in the 1990s, lost ground to a new generation of 3D games in the 2000s, and has successfully rebooted itself in the 2010s to reclaim its legacy.

The first complete translation of the ultimate Ninja manual—a comprehensive guide to the arts of the ninja, including espionage, warfare, assassination, and more In 1676, a ninja named Fujibayashi collected and combined information from the ninja clans of Iga—regarded to be the homeland of the ninja—and compiled it into an authoritative book. Known as The Bansenhukai, Fujibayashi's book has now been translated into English by the Historical Ninjutsu Research Team and is widely considered to be the ‘bible’ of ninjutsu, the arts of the ninja. The Book of Ninja begins with an in-depth introduction to the history of Fujibayashi's scripture. The teachings themselves, appealingly rendered in this translation, then take us into the secrets of guerrilla warfare and espionage. We learn how to become the ultimate spy, whether through a network of spies or by hiding in plain sight. Through the stealth and concealment tactics of night-time infiltration, through weapon and tool building skills, and through mission planning, we can learn much both about warfare and about adopting the right mindset for tackling our own inner and outer enemies. Adding to the mix for the spycraft lover, there are sections on capturing criminals, performing night raids, making secret codes and signs, and even techniques for predicting the weather, and using an esoteric Buddhist system of divination. An exciting and engaging tome of lost knowledge, The Book of Ninja is the final say in the world of the ninja and the ultimate classic for samurai and ninja enthusiasts alike.

Lost in modern myth, false history and general misinterpretation, the Ninja have been misrepresented for many years. More recently, a desire for a more historical view of the ninja has become a popular theme in the history/martial arts community and Antony Cummins is the primary driving force behind that movement. In Search of the Ninja is based upon the Historical Ninjutsu Research Team’s translations of the major ninja manuals and consists of genuinely new material. Little historical research has been done on the Ninja of Japan. Here for the first time the connection of the famous Hattori family warriors with the Ninja is explained. The Samurai versus Ninja myth is dispelled.The realities of Ninja skills are analysed. How did a Ninja work underwater when mining castle walls? How can a bird be used to set fire to the enemy’s camp? The book explores newly discovered connections to ancient Chinese manuals, lost skills and the ‘hidden’ Zen philosophy that the Ninja followed. In Search of the Ninja is the first and only historical look at the shinobi of ancient Japan.

Extensively revised and expanded, The New Essential Guide to Hong Kong Movies includes over 670 film reviews, a poster gallery, and a look at the key studios that made Hong Kong cinema so amazing, along with insights into the Hong Kong movie industry written by global superstar Jackie Chan and Hong Kong film stars Cynthia Rothrock, and Vincent Lyn. Rick Baker and Ken Miller have curated a huge selection of reviews of kung fu and swordplay films, gangster flicks, crime dramas, action, horror, fantasy, erotic, and assorted Category III films, sharing their love for these distinctive, kinetic, and sometimes utterly bizarre Hong Kong genre productions with an infectious enthusiasm.