Chinese Discourses On The Peasant 1900 1949

Shows how Chinese intellectuals with varying politics envisioned the peasantry and its role in changing society during the first half of the twentieth century. Xiaorong Han explores how Chinese intellectuals envisioned the peasantry and its role in changing society during the first half of the twentieth century. Politically motivated intellectuals, both Communist and non-Communist, believed that rural peasants and their villages would be at the heart of change during this long period of national crisis. Nevertheless, intellectuals saw themselves as the true shapers of change who would transform and use the peasantry. Han uses intellectuals’ writings to provide a comprehensive look at their views of the peasantry. He shows how intellectuals with varying politics created images of the peasant—a supposed contemporary image and an ideal image of the peasant transformed for political ends, how intellectuals theorized on the nature of Chinese rural life, and how intellectuals conceived their own relationships with peasants. Xiaorong Han is Assistant Professor of History at Butler University.

Robin Hood–style revolutionary Wei Baqun is often described as one of China's "three great peasant leaders," alongside Mao Zedong and Peng Pai. In his home county of Donglan, where he started organizing peasants in the early 1920s, Wei Baqun came to be considered a demigod after his death—a communist revolutionary with supernatural powers. So much legend has grown up around this fascinating figure that it is difficult to know the truth from the tale. Presenting Wei Baqun's life in light of interactions between his local community and the Chinese nation, Red God is organized around the journeys he made from his multiethnic frontier county to major cities where he picked up ideas, methods, and contacts, and around the three revolts he launched back home. Xiaorong Han explores the congruencies and conflicts of local, regional, and national forces at play during Wei Baqun's lifetime while examining his role as a link between his Zhuang people and the Han majority, between the village and the city, and between the periphery and the center.

The Historical Dictionary of Modern China (1800-1949) offers a concise but comprehensive examination of the political, military, economic, social, and cultural development of modern China. Instead of focusing merely on the political elites of China, this reference covers a variety of significant persons, including women and ethnic minorities; new historical concepts; cultural and educational institutions; and economic activities. Drawing on newly-available records, including a large mass of governmental and family archives, the narratives presented reveal new facts, offer a new interpretation in accordance with China's modernization process during the late Qing period, and a revisionist perspective on the Republican history. The chronology records not only political and military events but also other experiences of the Chinese people. The bibliography gives prominence to current literature on China's drive towards modernization and appendixes provide the reader with detailed information on China's cultural and economic transformation.

This book offers historical and comparative analyses of changes in agrarian society forced by the globalization of capitalism, and the implications of these changes for human welfare globally. The book gives special attention to recent economic development and urbanization in the People s Republic of China which have had a major impact on contemporary transformations globally. Case studies from South and Southeast Asia, Africa and Latin America in turn place these transformations in a comparative global perspective. The contributors include distinguished scholars from the UN, PRC, India, Zimbabwe, and Latin America who are also active in policy issues."

A powerful work of grassroots history, tracing China's rural-urban divide back to the policies of Mao Zedong, which pitted city dwellers against villagers.

The role of the peasant in society has been fundamental throughout China's history, posing difficult, much-debated questions for Chinese modernity. Today, as China becomes an economic superpower, the issue continues to loom large. Can the peasantry be integrated into a new Chinese capitalism, or will it form an excluded and marginalized class? Alexander F. Day's highly original appraisal explores the role of the peasantry throughout Chinese history and its importance within the development of post-socialist-era politics. Examining the various ways in which the peasant is historicized, Day shows how different perceptions of the rural lie at the heart of the divergence of contemporary political stances and of new forms of social and political activism in China. Indispensable reading for all those wishing to understand Chinese history and politics, The Peasant in Postsocialist China is a new point of departure in the debate as to the nature of tomorrow's China.

This comprehensive volume traces the Chinese military and its experiences over the past 2,500 years, describing clashes with other kingdoms and nations as well as internal rebellions and revolutions. As the first book of its kind, China at War: An Encyclopedia expands far beyond the conventional military history book that is focused on describing key wars, battles, military leaders, and influential events. Author Xiaobing Li—an expert writer in the subjects of Asian history and military affairs—provides not only a broad, chronological account of China's long military history, but also addresses Chinese values, concepts, and attitudes regarding war. As a result, readers can better understand the wider sociopolitical history of the most populous and one of the largest countries in the world—and grasp the complex security concerns and strategic calculations often behind China's decision-making process. This encyclopedia contains an introductory essay written to place the reference entries within a larger contextual framework, allowing students to compare Chinese with Western and American views and approaches to war. Topics among the hundreds of entries by experts in the field include Sunzi's classic The Art of War, Mao Zedong's guerrilla warfare in the 20th century, Chinese involvement in the Korean War and Vietnam War, and China's nuclear program in the 21st century.

Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth had often crossed the increasing gap between the city and the countryside, which made the act of “going to the countryside” a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of “down to the villages” movements during the 1960s and 1970s. What, then, was the special significance of “going to the countryside” before that era? Going to the Countryside deals with the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys to Yan’an, the revolutionary “going down to the people” as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, “going to the countryside” entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, generated new forms of cultural production, revealed a fundamental epistemic shift in modern China, and ultimately created a new aesthetic, social, and political landscape. As a critical response to the “urban turn” in the past few decades, this book brings the rural back to the central concern of Chinese cultural studies and aims to bridge the city and the countryside as two types of important geographical entities, which have often remained as disparate scholarly subjects of inquiry in the current state of China studies. Chinese modernity has been characterized by a dual process that created problems from the vast gap between the city and the countryside but simultaneously initiated constant efforts to cope with the gap personally, collectively, and institutionally. The process of “crossing” two distinct geographical spaces was often presented as continuous explorations of various ways of establishing the connectivity, interaction, and relationship of these two imagined geographical entities. Going to the Countryside argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments.