Chinese History And Literature

The studies contained in this volume arose over the last thirty years. Originally the range of the materials I intended to include in my selection was very much wider. Publishing difficulties, however, have obliged me to curtail them to something less than half the planned content. At first I intended to include all the studies I supposed might be of interest to readers and represent contributi ons still of some significance for research in this domain of Oriental scholarship. When the necessity arose to limit the contents I gave preference to the standpoint of thematic completeness rather than to what would be of interest to the general reader. Thus in this volume I have confined myself to two them atic fields only-Old Chinese literature and studies dealing with mediaeval storytellers' productions-hua-pen. I have excluded the whole complex of historical studies and all studies relating to the new literature. I am now preparing, on the principal historical theme on which I was engaged already in the period of my studies in Prague under Prof. J. Bidlo, and then in 1928 till 1930, with Prof. B. Karlgren in Sweden and Prof. G. Haloun in Halle, in Germany, a more compendious study in which I hope to sum up the results of my research, and I also intend to publish a volume of selected studies dealing with the New Chinese literature at some later date.

The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.

"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.

Chinese History and Literature: New Ways to Examine China's Past collects important studies on Chinese history and literature studies conducted by the academics at East China Normal University (ECNU) in recent years. The book covers topics including the study of Chinese Economic History, 'Jiangnan Identity' in Chinese history and literature, a new study on the cause of the great proscription, the artistic presentation of a tragic character, among others. This book is the second volume in the WSPC-ECNU Series on China. The WSPC-ECNU Series showcases the significant contributions to scholarship in social sciences and humanities studies about China. The Series is jointly launched by World Scientific Publishing, the most reputable English academic publisher in Asia, and ECNU, a top University in China with a long history of exchanges with the international academic community. /remove Sample Chapter(s)Chapter 1: The Challenges to the Study of Chinese Economic History: On the Problématique of The Great Divergence: China, Europe, and the Making of Modern World Economy /remove

Featuring over 140 Chinese and non-Chinese contributors, this landmark volume, edited by David Der-wei Wang, explores unconventional forms as well as traditional genres, emphasizes Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences, and offers vibrant contrasting voices and points of view.

Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.

Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.