Chinese Lives

3000 years of Chinese history presented through the lives of ninety-six illustrious participants from all periods and all parts of the country China is the most populous country on earth, with the longest history of any modern nation. Here, the full range of Chinese cultural and scientific achievements, as well as its military conquests, wars, rebellions, and political and philosophical movements, are told through the eyes of real people who created or were involved in them. The subjects include emperors and empresses, concubines, officials and political figures, rebels, exiles, philosophers, writers and poets, artists, musicians, scientists, military leaders, and committed pacifists. From Fu Hao, an early warrior lady of the thirteenth century BC, to the late twentieth-century leader Deng Xiaoping, their careers, achievements, misdeeds, disasters, punishments, ideas and love stories make this an unforgettable read. Illustrated with portraits, paintings, written documents, bronzes, sculptures, and location maps, and written in an authoritative yet accessible style, Chinese Lives provides the perfect introduction to China’s history and her peoples.

A mosaic of lives and voices illustrating the history of the Chinese Communist Party over the last hundred years.

In 1984 the authors travelled around China interviewing people to form a composite picture of the modern descendents of the Peking Man -- hence the original Chinese title of the collection, Peking Man (Beijingren). The interviews which were always intended to form a book, started to appear in 1984 as a regular column in the New York Chinese-language newspaper China daily news. At the beginning of 1985 the first 58 pieces were republished simultaneously in 5 different literary magazines in China. A round hundred of the pieces appeared in book form in China in August 1986.

This graphic novel traces the development of the modern Chinese state while the author chronicles the trials and tribulations of the Chinese everyman as he embraces the new order in childhood, serves in the military and with agricultural labor, and becomes a member of the Communist Party.

This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.

Taiwan’s working class has been shaped by Chinese tradition, by colonialism, and by rapid industrialization. This book defines that class, explores that history, and presents with sensitive honesty the life experiences of some of its women and men. Hill Gates first provides a solid and informative introduction to Taiwan’s history, showing how mainland China, Japan, the convulsions of twentieth-century wars, and the East Asian economic expansion interacted in forming Taiwanese urban life. She introduces nine individuals from Taiwan’s three major ethnic groups to tell the stories of their lives in their own words. The narrators include a fortuneteller, a woman laborer, and a retired air force mechanic. A former spirit medium and a janitor are among the others who speak.

In Dreams of Flight, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neotraditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.

Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.