Chivalry And Romance In The English Renaissance

A reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth centuries, and what it says about contemporary attitudes to the medieval.

"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--

The great story motifs of romance were transmitted directly from the Middle Ages to the age of print in an abundance of editions. Spenser and Shakespeare assumed a familiarity with them and therefore exploited it, with new texts aimed at both elite and popular audiences

Excerpt from The University of Pennsylvania: The Vogue of Medieval Chivalric, Romance During the English Renaissance In order to understand the history of the medieval romances during the first hundred years after the advent of printing, it is necessary to glance at their reputation in England during the period immediately preceding that event. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.