Choke Hold

Finalist for the 2018 National Council on Crime & Delinquency’s Media for a Just Society Awards Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction) A 2017 Washington Post Notable Book A Kirkus Best Book of 2017 “Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men.” —The Washington Post “The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander’s The New Jim Crow . . . .” —The New York Times Book Review “Powerful . . . deeply informed from a legal standpoint and yet in some ways still highly personal” —The Times Literary Supplement (London) With the eloquence of Ta-Nehisi Coates and the persuasive research of Michelle Alexander, a former federal prosecutor explains how the system really works, and how to disrupt it Cops, politicians, and ordinary people are afraid of black men. The result is the Chokehold: laws and practices that treat every African American man like a thug. In this explosive new book, an African American former federal prosecutor shows that the system is working exactly the way it's supposed to. Black men are always under watch, and police violence is widespread—all with the support of judges and politicians. In his no-holds-barred style, Butler, whose scholarship has been featured on 60 Minutes, uses new data to demonstrate that white men commit the majority of violent crime in the United States. For example, a white woman is ten times more likely to be raped by a white male acquaintance than be the victim of a violent crime perpetrated by a black man. Butler also frankly discusses the problem of black on black violence and how to keep communities safer—without relying as much on police. Chokehold powerfully demonstrates why current efforts to reform law enforcement will not create lasting change. Butler's controversial recommendations about how to crash the system, and when it's better for a black man to plead guilty—even if he's innocent—are sure to be game-changers in the national debate about policing, criminal justice, and race relations.

INSIDE THE WORLD OF MIXED MARTIAL ARTS - AND MURDER... Angel Dare went into Witness Protection to escape her past -- not as a porn star, but as a killer who took down the sex slavery ring that destroyed her life. But sometimes the past just won't stay buried. When a former co-staris gunned down, it's up to Angel to get his son, a hotheaded MMA fighter, safely through the unforgiving Arizona desert, shady Mexican bordertowns, and the seductive neon mirage of Las Vegas...

This meticulously crafted and searing critique of pro wrestling is unlike any wrestling book published: Chokehold is a penetrating description of pro wrestlings dark side, a secret underworld of deception, exploitation and greed. The storyteller is Big Jim Wilson, All-American football player and survivor of seven years in the NFL, who was promised wealth and the world championship as pro wrestler. Instead, Jim Wilson found a surprisingly lucrative sports entertainment industry built on a pyramid of secrets that included abusive control of its performers and a long history of illegal business practices and corruption of politicians and state athletic commissions. Chokehold describes and documents the abuses that Jim Wilson witnessed and endured blacklisting, strong-arm tactics, homosexual blackmail, defiance of the U.S. Justice Department and bribery of TV executives and arena managers. Chokehold is an explosive indictment of the pro wrestling industrys business practices as well as a thoughtful proposal for pro wrestlings reform. This book is not a conventional expos of pro wrestlings orchestrated stunts, gimmicks and blade jobs. Instead, it is an unprecedented examination of pro wrestlings less visible cons outside the ring -- its hidden manipulation of wrestlers with broken promises and broken bones and a backstage power of the pencil that writes scripts for wrestler stardom or extinction. Chokehold describes a secret slice of the wrestling life where traveling troupes of heels and babyfaces understand how they got into the game, but cannot find a way up or out. This is the story of why and how the big guys almost always lose. Chokehold is part autobiography and part pro wrestling history. Written in wrestlespeak (the industrys insider argot), it is dedicated to the memory of the older boys whose broken bodies and shattered lives should have taught us something. In addition to Jim Wilsons experiences in The Business, this book reviews significant but forgotten episodes in the wrestling industrys long history of gangland tactics. The industrys infamous blacklist is revisited by revealing the dozens of wrestlers from the past whose names were on it. The industrys history of predatory promotional wars in California, Georgia, Texas and Virginia is told with FBI reports obtained through a Freedom of Information Act request. From court documents, this book names compromised state athletic commissions, TV station managers and local politicians from wrestlings viewpoint, the best that money could buy. There are many famous wrestling names in this book --Gorgeous George, Lou Thesz, Jack Brisco, the Funk brothers, Dusty Rhodes, Bruiser Brody, Bill Watts and others. Another is The Sheik (Eddie Farhat), who says: There aint no nice guys in this business. There aint no people theres dollars! Another is Jim Wilsons tag team partner Thunderbolt Patterson who warned Jim, The wrestling business takes advantage of anybody who has any notoriety or ability. You got to understand that wrestlers are worse than whores. They are pimped. They use you as long as they possibly can or as long as you dont complain. When you complain, they get rid of you. Another is Jim Wilsons friend The Magnificent Zulu (Ron Pope) who summarizes his career this way: Its such a crooked business. The guys [wrestlers] are a bunch of crooks. They steal from the marks and the promoters steal from them. The guys [wrestlers] want to be stars! Theyll do anything theyll cut throats for it. Actually, wrestlers dont have to be paid. All they need is a couple of six packs of beer a night and a nice looking ring rat with a good body. Or, drugs and a ring rat. Its not the money. Its being a star! Its the glory and the pussy! This book confronts the wrestling industrys traditional practice of punishing wrestlers who refuse

A radical guide to the language of policing This field guide arms activists—and indeed anyone concerned about police abuse—with critical insights that ultimately redefine the very idea of policing. When we talk about police and police reform, we speak the language of police legitimation through euphemism. So state sexual assault becomes “body-cavity search,” and ruthless beatings “non-compliance deterrence.” In entries such as “police dog,” “stop and frisk,” and “rough ride,” the authors expose the way “copspeak” suppresses the true meaning and history of law enforcement. In field guide fashion, they reveal a world hidden in plain view. The book argues that a redefined language of policing might help us chart a future that’s free. Including explanations of newsmaking terms such as “deadname,” “kettling,” and “qualified immunity,” and a foreword by leading justice advocate Craig Gilmore.

Why learn chokes? A martial artist or street fighter who believes that he can survive solely on powerful punches and kicks may be in for a rude awakening when the fight ends up in a clinch on the concrete--where knockout power is tougher to generate--or the attacker turns out to be high as a kite, crazed and immune even to the pain of broken bones. Simply put, when striking isn't working, you need to be able to go to the one sure fight ender: the choke. Author Burton Richardson's broad experience in the martial arts includes instructor's credentials in Jeet Kune Do Concepts, Filipino kali (under Guro Dan Inosanto) and Kali Ilustrisimo, as well as a black belt in Brazilian jiu-jitsu. In this incredibly detailed volume filled with hundreds of step-by-step photos, he gives you the best techniques he knows for ending fights quickly by demonstrating a wide variety of quick and effective chokes. When you need to knock the fight out of someone fast, these chokes will become your go-to moves.

Drawing on his personal fascinating story as a prosecutor, a defendant, and an observer of the legal process, Paul Butler offers a sharp and engaging critique of our criminal justice system. He argues against discriminatory drug laws and excessive police power and shows how our policy of mass incarceration erodes communities and perpetuates crime. Controversially, he supports jury nullification—or voting “not guilty” out of principle—as a way for everyday people to take a stand against unfair laws, and he joins with the “Stop Snitching” movement, arguing that the reliance on informants leads to shoddy police work and distrust within communities. Butler offers instead a “hip hop theory of justice,” parsing the messages about crime and punishment found in urban music and culture. Butler’s argument is powerful, edgy, and incisive.

After suffering a trauma that would eventually shape his outlook on life, Jeremy Little finishes high school and leaves for Boston. He becomes obsessed with martial arts training, eventually opening his own school. Things seem to be looking up until one of his students kills a gay man. The resulting publicity destroys Jeremy's business and he returns home where he is forced to confront his old demons.