Choral Director S Complete Handbook

A complete sourcebook for choral directors of all levels, as well as choral methods classes. Contains 211 warm-ups with information on usage, photos illustrating correct posture and vowel formation, and a well organized index to make finding the right warm-up a snap. Belongs in every choral director's library.

The Show Choir Handbook is a resource for current and future music educators who administer show choirs. With most literature on the topic either out of date or focused on the teaching techniques limited to vocal jazz, instructors are in dire need of a resource that addresses music produced by publishers and choral arrangers.

Now you can be a more effective choral director by learning new techniques for Pop, Jazz, and Show Choirs. This new book contains hundreds of ideas, concepts, techniques, musical examples, recorded tracks, references, and bibliographic entries. There is no other Pop, Jazz, and Show Choir techniques book as comprehensive as the new Popular Choral Handbook by Dr. Scott Fredrickson.Here Is What You Get:• 319 Pages• 300 References and Cites• 173 Musical Examples• 83 Recorded Tracks (downloaded)• 504 Bibliographic Entries

Practical strategies & expert guidance on leading a first-rate choral ensemble, with tips & techniques for successful auditions, schedules, rehearsals, concerts, budgets, fund-raising, publicity, & more.

Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.

Carl Weber takes readers back to church in his latest drama-filled novel, the much-anticipated sequel to the New York Times bestseller, The Choir Director. It's been three years since Aaron Mackie succeeded in helping his friend and mentor, Bishop T.K. Wilson, dig his ministry out of financial ruin. Aaron is also responsible for re-energizing the almost defunct choir into something special. His success has drawn national attention, and he's on the verge of signing a huge recording contract. With his life in order, Aaron decides the time is right to propose to Tia Gregory, the church secretary who caught his eye and inspired him to shed his Tiger Woods-like tendencies to become a one-woman man. The stage is set for what might be the wedding of the year, but quickly becomes the disaster of the year when Aaron is left at the altar without explanation. Now, during his own hour of need, Aaron turns to the bishop for help. Unfortunately, the line he asks T. K. to cross will force the bishop to choose between faith and friendship, or as he puts it, "between heaven and hell." As the investigation into Tia's disappearance continues, the two men are challenged in ways they never imagined.

The Confident Choir is an exploration of conditions affecting the confidence levels in singers of all levels to create an accessible synthesis of the psychological models and offer practical confidence-building strategies for conductors, teachers, community musicians, and workshop leaders. Michael Bonshor combines his experience as a singing teacher and choral director with a series of in-depth interviews that give an intimate depiction of the challenges faced by the contemporary choral singer. These insights provide the basis for a range of suggested techniques to bolster confidence and reduce anxiety in the group-singing context. This book is primarily designed as a guide for leaders of amateur group singing activities and is relevant to choirs of all sizes and genres. The content will appeal to singers, teachers, and choir leaders; students and scholars in the fields of choral research, community music, music psychology, and adult education; and educators training the musical leaders of the future.