Chourmo

Second in the renowned Marseilles trilogy following Total Chaos, “one of the masterpieces of modern noir” (Michael Dirda, The Washington Post). This second novel in Izzo’s acclaimed Marseilles trilogy is a touching tribute to the author’s beloved city, in all its color and complexity. Fabio Montale is an unwitting hero in this city of melancholy beauty. Montale has left a police force marred by corruption, xenophobia, and greed. But getting out is not going to be so easy. When his cousin’s son goes missing, Montale is dragged back onto the mean streets of a violent, crime-infested Marseilles. To discover the truth about the boy’s disappearance, he infiltrates a dangerous underworld of mobsters, religious fanatics, crooked cops, and ordinary people driven to extremes by desperation. “Noir at its finest.” —The Times Literary Supplement “Izzo, who died in 2000, is more than adept at noir conventions—gritty light, sudden switches of scene, the pervasive rot of cynicism, which sullies even the best intentions. But what makes his work haunting is his extraordinary ability to convey the tastes and smells of Marseilles, and the way memory and obligation dog every step his hero takes.” —The New Yorker “Like the best American practitioners in the genre, Izzo refrains from any sugarcoating of the city he depicts or the broken and imperfect men and women who people it.” —Publishers Weekly “This hard-hitting series captures all the world-weariness of the contemporary European crime novel, but Izzo mixes it with a hero who is as virile as he is burned out.” —Booklist

An ex-cop takes on the mafia in the blockbuster novel that kicks off the Marseilles trilogy with what “may be the most lyrical hard-boiled writing yet” (The Nation). In Jean-Claude Izzo’s “Mediterranean noir” mysteries, the city of Marseilles is explosive, breathtakingly beautiful, and deadly. Total Chaos introduces readers to Fabio Montale, a disenchanted cop who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. Ugo, Manu, and Fabio grew up together on the mean streets of Marseilles where friendship means everything. They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe’s toughest and most violent city. When Manu is murdered and Ugo returns from abroad to avenge his friend’s death, only to be killed himself, it is left to the third in this trio, Det. Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He’s going to find their killer no matter the consequences. “One of the masterpieces of modern noir.” —The Washington Post “Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep.” —Time Out New York “The holy grail of noir fiction . . . a fast paced and stylishly told modern tragedy.” —NB Magazine

A journey through the history, cultures, and societies of Marseille. There are many Marseilles, or at least many versions of Marseille: seaside village, haven of gangsters, gateway to the East, city of immigrants and outcasts. It is by turns the dull bourgeois provincial town where nothing ever happens and the mysterious unknowable city of the Mediterranean. In Marseille Mix, William Firebrace explores the many Marseilles, the invented and the actual. Leading readers down narrow streets, through undulating terrain that seems at once, or serially, Italian, Greek, Levantine, and North African, Firebrace traces the history and culture of Marseille through landscapes, buildings, food, films, literature, and criminology. In seven chapters, in writing that is by turns essay, narrative, description, list, recipe, glossary, and conversation, Firebrace investigates the city’s defining mix. He tells stories of famous Marseillais, including Marcel Pagnol and Antonin Artaud, and famous visitors, including the dying Arthur Rimbaud and Walter Benjamin (who wrote about one visit in “Hashish in Marseille”). He describes the brief period when Marseille was the point of departure for European refugees fleeing the Nazis and the city’s mixture of desperation and decadence during the Vichy regime. He visits the basilica of Notre Dame de la Garde and gazes down from its terrace at the panoramic view: an agglomeration of neighborhoods and landscapes that became a city.

The first systematic account of crime fiction as a global genre, offering unprecedented coverage of distinct traditions across the world.

The final novel from the author of the Marseilles trilogy. “A bleak, affecting tale about a man on the skids, despairing of love’s ability to heal” (Publishers Weekly). Rico has been banished to society’s margins; he has neither a roof over his head nor a steady income on which to depend. When a friend and fellow vagabond dies of exposure after a night spent in the Paris metro, Rico decides to flee the northern cold for his beloved south, for Marseilles and the warmth of the Mediterranean. Diverted and hindered along the way, he suffers the vagaries of human cruelty and pettiness, and is warmed by occasional, fleeting instances of human tenderness. His return to the Mediterranean is simultaneously a homecoming and a pilgrimage in search of lost love, innocence, and humanity. From the celebrated author of the Marseilles trilogy, this is both an affecting on-the-road novel and a tender exploration of love’s power to both heal and destroy. “Our last true romantic, Jean-Claude Izzo transmits warmth to his readers, as if granting them a mouthful of pure love. A Sun for the Dying is beautiful, like a black sun, tragic and desperate.” —Le Point (France) “Like a chanson by Jacques Brel or Charles Aznavour, Izzo’s harsh, honed prose perfectly embodies that Gallic genius for balancing bleak unsentimentality with intense, frank emotion, making this a likely hit not just with fans of noir (including Izzo’s own Marseilles trilogy) but also with devotees of Charles Bukowski, Hubert Selby Jr., and other great modern tragedians.” —Booklist (starred review)

In Experiments with Empire Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of knowing the colonial and postcolonial world. Focusing on novels, films, and ethnographies that combine fictive elements and anthropological methods and modes of thought, Izzo shows how empire gives ethnographic fictions the raw materials for thinking beyond empire's political and epistemological boundaries. In works by French surrealist writer Michel Leiris and filmmaker Jean Rouch, Malian writer Amadou Hampâté Bâ, Martinican author Patrick Chamoiseau, and others, anthropology no longer functions on behalf of imperialism as a way to understand and administer colonized peoples; its relationship with imperialism gives writers and artists the opportunity for textual experimentation and political provocation. It also, Izzo contends, helps readers to better make sense of the complicated legacy of imperialism and to imagine new democratic futures.

From the internationally bestselling thriller writer who has been compared to Thomas Harris, the third and final novel in the Caselli and Torre Series—a web of betrayals and shocking violence in which the series’ brilliant detectives must, if they want to live, figure out what is real and what is imagined. Reeling from a deadly bombing in Venice and her investigative partner Dante’s disappearance, Detective Colomba Caselli retreats to the rural countryside outside Rome to nurse her wounds. When an apparently autistic teenager appears in her yard, covered in blood, he leads her to a brutal crime scene where nothing is what it seems. As Colomba gets pulled into the investigation and the body count continues to grow, she is implicated in the violence. She is convinced that a powerful villain is working in the shadows to cause the carnage and frame her, but the only person who can help her is Dante—and he hasn’t been seen in over a year and is presumed dead. Colomba is sure he’s alive and out there somewhere, but will she find him before it’s too late? And can she clear her name and be free of the far-reaching legacy of the villain known as the Father... Bursting with action, ingeniously plotted, and filled with one unexpected twist after another, Kill the King is a shocking and satisfying conclusion to this breathtakingly original crime series.