Christianity Conflict And Renewal In Australia And The Pacific

Christianity, Conflict, and Renewal in Australia and the Pacific uncovers critical dilemmas that Christians face when they desire to renegotiate longstanding spiritual practices. It highlights the key role that Christianity plays in the Australia-Pacific region as a motivating force for spiritual, political, and economic renewal.

Christianity has transformed many times in its 2,000-year history, from its roots in the Middle East to its presence around the world today. From the mid-twentieth century onward the presence of Christianity has increased dramatically in Asia, Africa, and Latin America, and the majority of the world’s Christians are now nonwhite and non-Western. The Encyclopedia of Christianity in the Global South traces both the historical evolution and contemporary themes in Christianity in more than 150 countries and regions. The volumes include maps, images, and a detailed timeline of key events. The phrases “Global Christianity” and “World Christianity” are inadequate to convey the complexity of the countries and regions involved—this encyclopedia, with its more than 500 entries, aims to offer rich perspectives on the varieties of Christianity where it is growing, how the spread of Christianity shapes the faith in various regions, and how the faith is changing worldwide.

Over the last few decades, Christianity’s center of gravity has moved from the global north to the global south. While church buildings in Western Europe are being closed or sold, new megachurches are filled with believers in Africa and Latin America. Charismatic movements practice the Christian religion in new ways, challenging the established churches and society at large on all continents. This scholarly examination of contemporary World Christianity takes a fresh perspective on Christianity as a cultural, political, and social force in our time. It provides up-to-date regional surveys, gives ample attention to the fastest growing branch of Christianity, the Pentecostal movement, and focuses sharply on Catholicism, which with a wide margin is the world’s largest denomination. Furthermore, it explores how the Christian religion accommodates as well as challenges political, social, economic, and cultural developments.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

In Fijians in Transnational Pentecostal Networks, Karen J. Brison examines the Harvest Ministry, an independent Fijian Pentecostal church that sends Fijian and Papua New Guinean missionaries to East Africa, Southeast Asia, Europe and elsewhere. After studying the ministry’s main church in Suva for several years, Brison visited its missionaries and their local partners in East Africa and Papua New Guinea. The result of those visits, this book provides an unusual insight into Pentecostal churches in the global south, arguing that they seldom produce novel visions of Christianity and world inequality. It also offers new perspectives, by situating Pacific island churches within a global community and by examining social class formation, which is increasingly important in the Pacific. Pentecostalism has a consistent culture all over the world, but shared themes take on different meanings in the face of local concerns. In Fiji, Pentecostal churches are part of middle-class projects constructing leadership roles and highlighting transnational ties for a growing group of indigenous urban professionals. In Papua New Guinea, church leaders promote the idea that youths with blocked aspirations are tough and humble and therefore make invaluable missionaries. In East Africa, Pentecostal churches are part of a networking strategy that entrepreneurial individuals see as essential to survival. As these local groups each use Pentecostalism to advance their own agenda, they endorse Euro-American racial stereotypes and ideologies about social evolution and progress.

The most comprehensive study of regional politics in Oceania produced to date. Drawing on a range of interdisciplinary sources and providing a systematic account of major issues facing the region, this book will appeal to anyone engaged in any aspect of regional studies in Oceania and beyond.

Sound, music and storytelling are important tools of resistance, resilience and reconciliation in creative practice from protracted conflict to post-conflict contexts. When they are used in a socially engaged participatory capacity, they can create counter-narratives to conflict. Based on original research in three continents, this book advances an interdisciplinary, comparative approach to exploring the role of sonic and creative practices in addressing the effects of conflict. Each case study illustrates how participatory arts genres are variously employed by musicians, arts facilitators, theatre practitioners, community activists and other stakeholders as a means of 'strategic creativity' to transform trauma and promote empowerment. This research further highlights the complex dynamics of delivering and managing creativity among those who have experienced violence, as they seek opportunities to generate alternative arenas for engagement, healing and transformation.

Small islands have received growing attention in the context of climate change. Rising sea-levels, intensifying storms, changing rainfall patterns and increasing temperatures force islanders to deal with and adapt to a changing climate. How do they respond to the challenge? What works, what doesn’t – and why? The present volume addresses these questions by exploring adaptation experiences in small islands across the world’s oceans from various perspectives and disciplines, including geography, anthropology, political science, psychology, and philosophy. The contributions to the volume focus on political and financial difficulties of climate change governance; highlight the importance of cultural values, local knowledge and perceptions in and for adaptation; and question to what extent mobility and migration constitute sustainable adaptation. Overall, the contributions highlight the diversity of island contexts, but also their specific challenges; they present valuable lessons for both adaptation success and failure, and emphasise island resilience and agency in the face of climate change.