Christodora

“A sprawling account of New York lives under the long shadow of AIDS, it deals beautifully with the drugs that save us and the drugs that don’t.”—The Guardian (Best Books of the Year) In this vivid and compelling novel, Tim Murphy follows a diverse set of characters whose fates intertwine in an iconic building in Manhattan’s East Village, the Christodora. The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protestors of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself. “A rich and complicated New York saga . . . Christodora has the scope of other New York epics, such as Bonfire of the Vanities, The Goldfinch and City on Fire.”—Newsday

“A sprawling tale of love, family, duty, war, and displacement. It is above all a stinging indictment of the ill-fated war in Iraq.” —Khaled Hosseini, #1 New York Times–bestselling author The bright and driven daughter of a Boston-area Irish-Arab family, Rita Khoury charts herself an ambitious path through Harvard to one of the best newspapers in the country. She is posted in cosmopolitan Beirut and dates a handsome Palestinian would-be activist. But when she is assigned to cover the America-led invasion of Baghdad in 2003, she finds herself unprepared for the warzone. Her lifeline is her interpreter and fixer Nabil al-Jumaili, an equally restless young man whose dreams have been restricted by life in a deteriorating dictatorship, not to mention his own seemingly impossible desires. As the war tears Iraq apart, personal betrayal and the horrors of conflict force Rita and Nabil out of the country and into twisting, uncertain fates. What lies in wait will upend their lives forever, shattering their own notions of what they’re entitled to in a grossly unjust world. Epic in scope, by turns satirical and heartbreaking, and speaking sharply to America’s current moment, Correspondents is a whirlwind story about displacement from one’s own roots, the violence America promotes both abroad and at home, and the resilience that allows families to remake themselves and endure even the most shocking upheavals. “[An] emotionally resonant, time-hopping page turner . . . Explores immigration, the effects of U.S. intervention, and the long arc of war.” —Huffington Post “An exploration of family, identity, and the price of war.” —Newsday “A surprisingly moving war novel alert to global violence and politics but thriving on the character level.” —Kirkus Reviews (starred review)

EW's 50 Most Anticipated Books of 2020 - O Magazine's "31 LGBTQ Books That'll Change the Literary Landscape in 2020" - BookRiot's "Most Anticipated LGBTQ Books of 2020" - Lambda Literary's "Most Anticipated LGBTQ Books of May 2020" - Salon's "Best and boldest new must-read books for May" - BookPage's "19 can't-miss reads from independent publishers" - Garden & Gun's "Best Books of May" - Logo NewNowNext's "11 Queer Books We Can't Wait to Read This Spring" A stunning novel about the bounds of family and redemption, shines light on an overlooked part of the AIDs epidemic when men returned to their rural communities to die, by Lambda Literary Emerging Writer Award-winning author Carter Sickels. Small-town Appalachia doesn't have a lot going for it, but it's where Brian is from, where his family is, and where he's chosen to return to die. Set in 1986, a year after Rock Hudson's death brought the news of AIDS into living rooms and kitchens across America, Lambda Literary award-winning author Carter Sickels's second novel shines light on an overlooked part of the epidemic, those men who returned to the rural communities and families who'd rejected them. Six short years after Brian Jackson moved to New York City in search of freedom and acceptance, AIDS has claimed his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape. The Prettiest Star is told in a chorus of voices: Brian's mother Sharon; his fourteen-year-old sister, Jess, as she grapples with her brother's mysterious return; and the video diaries Brian makes to document his final summer. This is an urgent story about the politics and fragility of the body, of sex and shame. Above all, Carter Sickels's stunning novel explores the bounds of family and redemption. It is written at the far reaches of love and understanding, centering on the moments where those two forces stretch toward each other and sometimes touch.

Independent Publishers Awards (IPPY) Silver Medalist in LGBT+ Fiction The eclectic stories in this collection are bound by the threads of desire in its many forms, above all, the desire for love and a place of safety in a world where being Black and gay can thwart the fulfillment of that longing. The characters are complex, driven, difficult, and even, at times, unsympathetic, but always compelling. In other words: fully rounded human beings living complicated lives. A proud Black woman who escaped her rural, impoverished town returns after the collapse of her marriage and faces the scorn of those she left behind. A middle-aged gay man finds his loneliness temporarily relieved by the arrival of a stray cat. An unhappily married woman becomes enmeshed in her bisexual husband's attempt to create a ménage à trois with a much younger man. A 16-year-old boy discovers the power of his sexuality when he embarks upon a dangerous seduction. Two Black men, one mature and rich, the other young and struggling, are drawn into a contentious affair by their shared love of opera. The legendary blues singer Glady Bentley crashes up against the barriers of race and gender when she gets caught up in a police raid. Kiss the Scars on the Back of My Neck is a masterful collection of stories by a gifted writer who has fully hit his stride.

The roles that Christodora House has played from 19th-century settlement house to its newest forms Settlement house workers helped transform the lives of thousands of people despite lack of funding, the influenza epidemic of 1918, economic depressions, and two World Wars. Many of these houses still exist in the original neighborhoods where they confront the problems of today and advocate for their communities. Christodora House, founded in 1897 as “The Young Women’s Settlement,” played an important role in the life of immigrants and other residents on the Lower East Side of Manhattan. For over 50 years, residents and volunteers at Christodora House provided classes, clubs, recreational activities, and medical and dental clinics for thousands of New Yorkers, and then continued to operate programs out of public housing and other locations for more than two decades. The building at 143 Avenue B, now housing condominiums, has had a tumultuous history since 1948 but still stands, towering over its tenement neighborhood in the East Village. Christodora Inc. is now a nonprofit foundation with offices in Midtown Manhattan, whose staff works with underserved New Yorkers, including youth in the public school system, carrying on a long, distinguished history of service to the city and country.

From the author of the “lyrical and compelling” (USA Today) novel A Good American comes a powerful story of two friends and the unintended consequences of friendship, loss, and hope. For Robert Carter, life in his coastal Maine hometown is comfortably predictable. But in 1976, on his first day of eighth grade, he meets Nathan Tilly, who changes everything. Nathan is confident, fearless, impetuous—and fascinated by kites and flying. Robert and Nathan’s budding friendship is forged in the crucible of two family tragedies, and as the boys struggle to come to terms with loss, they take summer jobs at the local rundown amusement park. It’s there that Nathan’s boundless capacity for optimism threatens to overwhelm them both, and where they learn some harsh truths about family, desire, and revenge. Unforgettable and heart-breaking, Setting Free the Kites is a poignant and moving exploration of the pain, joy, and glories of young friendship.

From 1912 to 1940, social worker Harry Hopkins committed himself to the ideal of government responsibility for impoverished Americans. This look at Hopkins' life and social work career broadens our understanding of the political and cultural currents that led to the Social Security Act of 1935, the bedrock of the American welfare state. Hopkins' experiences as an advocate and administrator of work relief and widows' pensions in New York City during the Progressive Era informed his contribution to welfare legislation during the New Deal years. Written by his granddaughter June Hopkins, this book not only clarifies the emergence of welfare policy but sheds considerable light on the present welfare debate. It also illuminates the life of one of the most influential Americans of the twentieth century.