Chronicles Through The Centuries

Offers a history of the interpretation of Chronicles in theology, worship, music, literature and art from the ancient period to the present day, demonstrating its foundational importance within the Old Testament Explores important differences between the same topics and stories that occur in Chronicles and other biblical books such as Genesis and Kings, including the pious depiction of David, the clear correlation between moral behavior and divine reward, and the elevation of music in worship Examines the reception of Chronicles among its interpreters, including rabbis of the Talmud, Jerome, Martin Luther, Johann Sebastian Bach, Cotton Mather, and others, Features broad yet comprehensive coverage that considers Jewish and Christian, ancient and modern, and secular and pop cultural interpretations Organizes discussions by verse to illuminate each one’s changing meaning across the ages

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.

In Florence in the fourteenth and early fifteenth centuries, the essentially medieval values of the age of Dante were transformed into the intellectual attitudes characteristic of the early Renaissance. Mr Green examines this change as it was reflected in the works of the city's vernacular chroniclers. These merchant historians evolved out of the traditional universal chronicle of the Middle Ages an embryonic form of the modern history, exemplified at the beginning of the fifteenth century by the Istoria di Firenze of Goro Dati. In the course of this transition from chronicle to history, the world-view expressed by the chronicle - which assumed that all that happened contributed to a divinely inspired historical plan - yielded before a more selective conception of the significance of events as possible natural causes of change. At the same time, the ideals underlying the medieval sense of cosmic order, with their other worldly overtones, gave way before the more secular, humanist values of the emerging Renaissance.

The multivolume series Mosaics of Time offers for the first time an in-depth analysis of the Roman Latin chronicle traditions from their beginnings in the first century BC to their end in the sixth century AD. For each chronicle it presents a comprehensive introduction, edition, translation, and historical and historiographical commentary. Chronicles seem to be everywhere in ancient and medieval history. Now for the first time, R. W. Burgess and Michael Kulikowski present a diachronic study of chronicles, annals, and consularia from the twenty-fifth century BC to the twelfth century AD, demonstrating the origins and interlinked traditions of the oldest and longest continuing genre of historical writing in the Western world. This introductory volume of Mosaics of Time provides both the detailed context for the study of the Latin chronicle traditions that occupies the remaining three volumes of this series as well as a general study of chronicles across three millennia from the ancient Egyptian Palermo Stone to the medieval European chronicle of Sigebert of Gembloux and beyond. The work is an essential companion to ancient and medieval history, historiography, and literary studies.

Byzantine chronicles have traditionally been regarded as a somewhat inferior form of Byzantine history writing, especially in comparison with 'classicizing' historians. The aim of many of these papers is both to rescue the reputation of the Byzantine chroniclers, especially Malalas and Theophanes, and also to provide some examples of how these two chroniclers in particular can be exploited usefully both to reveal aspects of the past itself, notably of the period of Justinian, and also of how the Byzantines interpreted their own past, which included on occasions rewriting that past to suit altered contemporary needs. For the period of Justinian in particular, proper attention to aspects of the humble Byzantine chronicle can also help achieve a better understanding of the period than that provided by the classicizing Procopius with his emphasis on war and conquest. By considering more general aspects of the place of history-writing in Byzantine culture, the papers also help explain why history remained such an important aspect of Byzantine culture.

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