Chu Ju S House

One girl too many . . . When a girl is born to Chu Ju's family, it is quickly determined that the baby must be sent away. After all, the law states that a family may have only two children, and tradition dictates that every family should have a boy. To make room for one, this girl will have to go. Fourteen-year-old Chu Ju knows she cannot allow this to happen to her sister. Understanding that one girl must leave, she sets out in the middle of the night, vowing not to return. With luminescent detail, National Book Award-winning author Gloria Whelan transports readers to China, where law conspires with tradition, tearing a young woman from her family, sending her on a remarkable journey to find a home of her own.

Matt is six years old when he discovers that he is different from other children and other people. To most, Matt isn't considered a boy at all, but a beast, dirty and disgusting. But to El Patron, lord of a country called Opium, Matt is the guarantee of eternal life. El Patron loves Matt as he loves himself - for Matt is himself. They share the exact same DNA. As Matt struggles to understand his existence and what that existence truly means, he is threatened by a host of sinister and manipulating characters, from El Patron's power-hungry family to the brain-deadened eejits and mindless slaves that toil Opium's poppy fields. Surrounded by a dangerous army of bodyguards, escape is the only chance Matt has to survive. But even escape is no guarantee of freedom… because Matt is marked by his difference in ways that he doesn't even suspect.

Reveals cultural paradigms and historical prejudices regarding the role of birthing and women in the reproduction of society. Using newly discovered and excavated texts, Constance A. Cook and Xinhui Luo systematically explore material culture, inscriptions, transmitted texts, and genealogies from BCE China to reconstruct the role of women in social reproduction in the ancient Chinese world. Applying paleographical, linguistic, and historical analyses, Cook and Luo discuss fertility rituals, birthing experiences, divine conceptions, divine births, and the overall influence of gendered supernatural agencies on the experience and outcome of birth. They unpack a cultural paradigm in which birth is not only a philosophical symbol of eternal return and renewal but also an abiding religious and social focus for lineage continuity. They also suggest that some of the mythical founder heroes traditionally assumed to be male may in fact have had female identities. Students of ancient history, particularly Chinese history, will find this book an essential complement to traditional historical narratives, while the exploration of ancient religious texts, many unknown in the West, provides a unique perspective into the study of the formation of mythology and the role of birthing in early religion. Constance A. Cook is Professor of Chinese at Lehigh University and the author of Death in Ancient China: The Tale of One Man’s Journey. Xinhui Luo is Professor of Chinese Ancient History at Beijing Normal University, China.

"When Mai's family discovers that Vietnam government soldiers will soon apprehend her father and grandmother, the family slips away in the night. They trudge through the swamps of the Mekong Delta toward the sea. The gut-wrenching trip to Hong Kong is just another step toward a new life, which the family eventually finds. Whelan's characters are distinctive, and her story is riveting, haunting, and memorable, reflecting the human virtues of determination, hope, love, and courage in the face of the most devastating of circumstances and injustices."--Booklist.

"If this book were a house, the rooms would be filled with warmth, family, and friendship." --Erin Entrada Kelly, author of the Newbery Medal winner Hello, Universe; The Land of Forgotten Girls; and Blackbird Fly A coming-of-age story that explores culture and family, forgiveness and friendship, and what makes a true home. Perfect for fans of Wendy Mass and Joan Bauer. Lou Bulosan-Nelson has the ultimate summer DIY project. She's going to build her own "tiny house," 100 square feet all her own. She shares a room with her mom in her grandmother's house, and longs for a place where she can escape her crazy but lovable extended Filipino family. Lou enjoys her woodshop class and creating projects, and she plans to build the house on land she inherited from her dad, who died before she was born. But then she finds out that the land may not be hers for much longer. Lou discovers it's not easy to save her land, or to build a house. But she won't give up; with the help of friends and relatives, her dream begins to take shape, and she learns the deeper meaning of home and family. AN NPR BEST BOOK OF THE YEAR A KIRKUS REVIEWS BEST BOOK OF THE YEAR "Equal parts girl-heart, muscle and know-how for today's reader. Endearing to the end." --Rita Williams-Garcia, Newbery-Honor-and-Coretta-Scott King -Award-winning author of the National Book Award Finalist Clayton Byrd Goes Underground "Warm, funny and affirming. As we get to know Lou, her extended Filipino family, and friends, the door opens into her life and, ultimately, her home." --Lisa Yee, author of the Millicent Min trilogy, The Kidney Hypothetical, the DC Super Hero Girls series, and other books "There couldn't be a hero more determined, resourceful or lovable than Lucinda Bulosan-Nelson. Her big dream of a tiny house is irresistible." --Tricia Springstubb, author of Every Single Second, What Happened on Fox Street, Moonpenny Island, and the Cody series "I fell in love with Lou and her wonderful extended family. This story may be about a tiny house, but it has an enormous heart." --Kate Messner, author of The Exact Location of Home

Jimmy and Clara Blair see a strange kite fly over Kitty Hawk, North Carolina, when they meet the kite's owners, Orville and Wilbur Wright, they help them achieve their dream of human flight.

The runaway bestseller that has sold over one million copies internationally, Kim Jiyoung, Born 1982 is the most important book to have come out of South Korea since Han Kang’s The Vegetarian. Kim Jiyoung is the most common name for Korean women born in the 1980s. Kim Jiyoung is representative of her generation: At home, she is an unfavoured sister to her princeling little brother. In primary school, she is a girl who has to line up behind the boys at lunchtime. In high school, she is a daughter whose father blames her for being harassed late at night. In university, she is a good student who doesn’t get put forward for internships by her professor. In the office, she is an exemplary employee who is overlooked for promotion by her manager. At home, she is a wife who has given up her career to take care of her husband and her baby. Kim Jiyoung is depressed. Kim Jiyoung has started to act out. Kim Jiyoung is her own woman. Kim Jiyoung is insane. Kim Jiyoung’s husband sends her to see a psychiatrist. This is his clinical assessment of the everywoman in contemporary Korea.

When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Then, a bad time comes. People wearing red armbands shut down the schools, smash store signs, and search houses. Baba is sent away, and Tai Shan goes to live with Granny Wang. Though father and son are far apart, they have a secret way of staying close. Every day they greet each other by flying their kites???one red, and one blue???until Baba can be free again, like the kites. Inspired by the dark time of the Cultural Revolution in China, this is a soaring tale of hope that will resonate with anyone who has ever had to love from a distance.