Chuck Klosterman Iv A Decade Of Curious People And Dangerous Ideas

Chuck Klosterman has become the pop culture commentator of his time. Now, our favourite popular phenomenon offers new introductions, outros, segues, and footnotes around a collection sure to enlarge his following. Chuck Klosterman IV is divided into three parts: Part I: Things That Are True showcases Chuck's best profiles and trend stories from the past decade. Billy Joel, Metallica, Val Kilmer, U2, Radiohead, Wilco, The White Stripes, Steve Nash, 50 cent - they're all here, complete with behind-the-scenes details and ingenious analysis. Part II: Things That Might Be True assembles the best of opinion pieces that brim with a characteristic candor - always interesting, often infuriating, occasionally insane. Now fortified with twenty new hypothetical questions. Part III: Things That Are Not True At All offers an unpublished short story. While semi-autobiographical, it features a woman who falls out of the sky and lands on a man's car.

A bestselling pop culture guru and author of "Sex, Drugs, and Cocoa Puffs" takes a unique look at his career in journalism, in this collection of work that includes the legendary chicken McNuggets experiment and an uncensored profile of Britney Spears.

Coming off the breakthrough success of Sex, Drugs, and Cocoa Puffs and Killing Yourself to Live, bestselling pop culture guru Chuck Klosterman assembles his best work previously unavailable in book form—including the groundbreaking 1996 piece about his chicken McNuggets experiment, his uncensored profile of Britney Spears, and a previously unpublished short story—all recontextualized in Chuck’s unique voice with new intros, outros, segues, and masterful footnotes. Chuck Klosterman IV consists of three parts: Things That Are True—Profiles and trend stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, the White Stripes, Steve Nash, Morrissey, Robert Plant—all with new introductions and footnotes. Things That Might Be True—Opinions and theories on everything from monogamy to pirates to robots to super people to guilt, and (of course) Advancement—all with new hypothetical questions and footnotes. Something That Isn’t True At All—This is old fiction. There’s a new introduction, but no footnotes. Well, there’s a footnote in the introduction, but none in the story.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

With an exhaustive knowledge of popular culture and an effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, breakfast cereal, serial killers, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). Sex, Drugs and Coca Puffs is ostensibly about movies, sport, television, music, books, video games and kittens, but really it's about us. All of us.

The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.

New York Times bestselling author of The Nineties and “one of America’s top cultural critics” (Entertainment Weekly) Chuck Klosterman’s debut novel brilliantly captures the charm and dread of small-town life—soon to be a major motion picture starring Ed Harris, Vanessa Hudgens, and Henry Golding! Somewhere in rural North Dakota, there is a fictional town called Owl. They don’t have cable. They don’t really have pop culture, but they do have grain prices and alcoholism. People work hard and then they die. But that’s not nearly as awful as it sounds; in fact, sometimes it’s perfect. Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. A history teacher, she gets free booze and falls in love with a self-loathing bison farmer. Widower and local conversationalist Horace Jones has resided in Owl for seventy-three years. They all know each other completely, except that they’ve never met. But when a deadly blizzard—based on an actual storm that occurred in 1984—hits the area, their lives are derailed in unexpected and powerful ways. An unpretentious, darkly comedic story of how it feels to exist in a community where local mythology and violent reality are pretty much the same thing, Downtown Owl is “a satisfying character study and strikes a perfect balance between the funny and the profound” (Publishers Weekly).

The bestselling author of "Sex, Drugs, and Cocoa Puffs" returns with an all-original nonfiction collection of questions and answers about pop culture, sports, and the meaning of reality.