Churchill S Literary Allusions

This unique resource will be an enormous aid and impetus to Churchill studies. It lists over 600 works, with annotations, and includes sections listing an additional 5,900 entries covering book reviews, significant articles, and chapters from books. Separate author and title indexes will allow the user to locate specific entries. The book's aim is to direct students, researchers, and bibliophiles to the entire corpus of works about Churchill.

Literary Allusion in Harry Potter builds on the world-wide enthusiasm for J. K. Rowling’s series in order to introduce its readers to some of the great works of literature on which Rowling draws. Harry Potter’s narrative techniques are rooted in the western literary tradition and its allusiveness provides insight into Rowling’s fictional world. Each chapter of Literary Allusion in Harry Potter consists of an in-depth discussion of the intersection between Harry Potter and a canonical literary work, such as the plays of Shakespeare, the poetry of Homer, Ovid, the Gawain-poet, Chaucer, Milton and Tennyson, and the novels of Austen, Hardy and Dickens. This approach aims to transform the reader’s understanding of Rowling’s literary achievement as well as to encourage the discovery of works with which they may be less familiar. The aim of this book is to delight Potter fans with a new perspective on their favourite books while harnessing that enthusiasm to increase their wider appreciation of literature.

“An interesting and at times surprising account of Churchill's tastes as a reader…many of [these] nuggets will be new even to Churchill junkies.”—TheWall Street Journal This strikingly original book introduces a Winston Churchill we haven’t known before. Award-winning author Jonathan Rose explores Churchill’s careers as statesman and author, revealing the profound influence of literature and theater on Churchill’s personal, carefully composed grand story and the decisions he made throughout his political life. In this expansive literary biography, Rose provides an analysis of Churchill’s writings and their reception (he won the Nobel Prize for Literature in 1953 and was a best-selling author), and a chronicle of his dealings with publishers, editors, literary agents, and censors. The book also identifies an array of authors who shaped Churchill’s own writings and politics: George Bernard Shaw, H. G. Wells, Margaret Mitchell, George Orwell, Oscar Wilde, and many more. Rose investigates the effect of Churchill’s passion for theater on his approach to reportage, memoirs, and historical works. Perhaps most remarkably, Rose reveals the unmistakable influence of Churchill’s reading on every important episode of his public life, including his championship of social reform, plans for the Gallipoli invasion, command during the Blitz, crusade for Zionism, and efforts to prevent a nuclear arms race. Finally, Rose traces the significance of Churchill’s writings to later generations of politicians—among them President John F. Kennedy as he struggled to extricate the U.S. from the Cuban Missile Crisis. “Immensely enjoyable…This gracefully written book is an original and textured study of Churchill’s imagination.”—The Washington Post

A WALL STREET JOURNAL SUMMER PICK A WASHINGTON POST BESTSELLER Warrior and writer, genius and crank, rider in the British cavalry’s last great charge and inventor of the tank, Winston Churchill led Britain to fight alone against Nazi Germany in the fateful year of 1940 and set the standard for leading a democracy at war. With penetrating insight and vivid anecdotes, Gretchen Rubin makes Churchill accessible and meaningful to twenty-first-century readers by analyzing the many contrasting views of the man: he was an alcoholic, he was not; he was an anachronism, he was a visionary; he was a racist, he was a humanitarian; he was the most quotable man in the history of the English language, he was a bore. Like no other portrait of its famous subject, Forty Ways to Look at Winston Churchill is a dazzling display of facts more improbable than fiction. It brings to full realization the depiction of a man too fabulous for any novelist to construct, too complex for even the longest narrative to describe, and too significant ever to be forgotten.

Demonstrates how proverbs and to a lesser extent proverbial expressions, have played a significant role in political life during the 20th century. Takes as major examples the speeches and writings of Adolf Hitler, Winston Churchill, and Harry Truman to show how proverbs can be brought into the service of most any ideology. Also traces the use of proverbs and their cartoon analogues during the five decades of Cold War propaganda, and proverbial slurs against Native Americans and Asian Americans. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR

A nuanced portrait of a great historical figure considered everything from a “God-haunted man” to a “stalwart nonbeliever” What did faith mean to Winston Churchill? Churchill was far from transparent about his religious beliefs and never regularly attended church services as an adult, even considering himself “not a pillar of the church but a buttress,” in the sense that he supported it “from the outside.” But Gary Scott Smith assembles pieces of Churchill’s life and words to convey the profound sense of duty and destiny, partly inspired by his religious convictions, that undergirded his outlook. Reflecting on becoming prime minister in 1940, he wrote, “It felt as if I were walking with destiny, and that all my past life had been but a preparation for this hour and for this trial.” In a similarly grand fashion, he described opposing the Nazis—and later the Soviets—as a struggle between light and darkness, driven by the duty to preserve “humane, enlightened, Christian society.” Though Churchill harbored intellectual doubts about Christianity throughout his life, he nevertheless valued it greatly and drew on its resources, especially in the crucible of war. In Duty and Destiny, Smith unpacks Churchill’s paradoxical religious views and carefully analyzes the complexities of his legacy. This thorough examination of Churchill’s religious life provides a new narrative structure to make sense of one of the most important figures of the twentieth century.

Although now celebrated as a world-leading playwright, Caryl Churchill has received little attention for her socialism, which has been frequently overlooked in favour of emphasising gendered identities and postmodernist themes. Churchill’s Socialism examines eight of Churchill’s plays with reference to socialist theories and political movements. This well-researched and dynamic new book reframes Churchill’s work, positioning her plays within socialist discourses, and producing persuasive political readings of her drama that reflect much more of the political challenge that the plays pose. It additionally explores her uneasy relationship with postmodernism, which presents itself particularly in Churchill’s later plays. The book contains a very helpful chapter on socialist contexts, which outlines some of the key events, debates, and movements during the late 1960s up until the early 2000s. This chapter also offers an incisive critique of the easy acceptance by some socialists of a postmodernist rejection of grand narratives and political agency. An in depth examination of the rarely explored interconnections of utopianism and theatre, forms another chapter, where all eight of Churchill’s plays, Light Shining in Buckinghamshire, Vinegar Tom, Top Girls, Fen, Serious Money, Mad Forest, The Skriker, and Far Away, are introduced. The plays are then discussed in pairs in a further four chapters with reference to communist historiography, the class/gender intersection, the end-of-history thesis, ecocritical challenges and postmodernism.