Cinderella Goes To The Morgue

'Her detective novels are hilarious - less about detecting than delighting, with absurd farce and a wonderful turn of phrase . . . Nancy Spain was bold, she was brave, she was funny, she was feisty. I owe her a great deal' Sandi Toksvig When Prince Charming is murdered and the principal dancer hits the bottle, amateur sleuths Miriam Birdseye and Natasha Nevkorina come to the rescue. Sacrificing their Christmas plans for the sake of art and detecting, they join the pantomime. As ex-thespians, they know the show must go on - though the cast shrinks with each rehearsal. Can the indomitable detective duo discover the murderer before the final curtain falls? Fast paced and festive, this comic crime classic from Nancy Spain will keep you on the edge of your seat.

Cinderella’s transformation from a lowly, overlooked servant into a princess who attracts everyone’s gaze has become a powerful trope within many cultures. Inspired by the Cinderella archive of books and collectables at the University of Bedfordshire, the essays in this collection demonstrate how the story remains active in various different societies where social and family relationships are adapting to modern culture. The volume explores the social arenas of dating apps and prom nights, as well as contemporary issues about women’s roles in the home, and gender identity. Cinderella’s cultural translation is seen through the contributors’ international perspectives: from Irish folklore to the Colombian Cenicienta costeña (Cinderella of the coast) and Spanish literary history. Its transdisciplinarity ranges from fashion in Charles Perrault and the Brothers Grimm’s publications to a comparison of Cinderella and Galatea on film, and essays on British authors Nancy Spain, Anne Thackeray Ritchie and Frances Hodgson Burnett.

The superb classic memoir from a dazzlingly eccentric and endlessly fascinating author and feminist icon - a woman very much ahead of her time - including her time spent on the glorious island of Skiathos 'A happy, hilarious book' Daily Express Nancy Spain was one of the most celebrated - and notorious - writers and broadcasters of the 50s and 60s. Witty, controversial and brilliant, she lived openly as a lesbian (sharing a household with her two lovers and their various children) and was frequently litigated against for her newspaper columns - Evelyn Waugh successfully sued her for libel... twice. Nancy Spain had a deep love of the Mediterranean. So it was no surprise when, in the 1960s, she decided to build a place of her own on the Greek island of Skiathos. With an impractical nature surpassed only by her passion for the project, and despite many obstacles, she gloriously succeeded. This classic memoir is infused with all Spain's chaotic brilliance, zest for life and single-minded pursuit of a life worth living. Perfect for fans of A PLACE IN THE SUN and ESCAPE TO THE COUNTRY 'Full of fun, and that zest of intelligence that never left her' Sunday Times

This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.

This Cinderella goes from ashes to ashes in the new Victorian-era Fairy Tale Fatal Mystery by the author of Snow White Red-Handed . . . Variety hall actress Ophelia Flax’s plan to reunite her friend Prue with her estranged—and allegedly wealthy—mother, Henrietta, is met with a grim surprise. Not only is the marquise’s Paris mansion a mouse-infested ruin, but Henrietta has inexplicably vanished, leaving behind an evasive husband, two sinister stepsisters, and a bullet-riddled corpse in the pumpkin patch decked out in a ball gown and one glass slipper—a corpse that also happens to be a dead ringer for Prue. Strangely, no one at 15 rue Garenne seems concerned about who plugged this luckless Cinderella or why, so the investigation is left to Ophelia and Prue. It takes them through the labyrinthine maze of the Paris Opera, down the trail of a legendary fairy tale relic, into the confidence of a wily prince charmless, and makes them vulnerable to the secrets of a mysterious couturière with designs of her own on Prue’s ever-twisting family history.