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The book that began the #1 New York Times bestselling Maze Runner series is now a major motion picture, as well as its sequel, The Scorch Trials, from Twentieth Century Fox! Read The Maze Runner like never before with this enhanced movie tie-in edition. This special edition includes: · Clips from the movie. · Individual character introductions. · Behind-the-scenes interviews with the cast, featuring the star of MTV’s Teen Wolf, Dylan O’Brien, as Thomas; Kaya Scodelario as Teresa; Aml Ameen as Alby; Will Poulter as Gally; and Thomas Brodie-Sangster as Newt. · A walk-and-talk tour of the set with author James Dashner and director Wes Ball. · An interview with James Dashner · A full-color insert featuring thrilling photos from the film. · The movie trailer, never-before-seen footage, and more! Nice to meet ya, shank. Welcome to the Glade. Outside the towering stone walls that surround the Glade is a limitless, ever-changing maze. It’s the only way out—and no one’s ever made it through alive. Everything is going to change. Then a girl arrives. The first girl ever. And the message she delivers is terrifying. Remember. Survive. Run. Praise for the Maze Runner series: A #1 New York Times Bestselling Series A USA Today Bestseller A Kirkus Reviews Best Teen Book of the Year An ALA-YASLA Best Fiction for Young Adults Book An ALA-YALSA Quick Pick "[A] mysterious survival saga that passionate fans describe as a fusion of Lord of the Flies, The Hunger Games, and Lost."—EW.com “Wonderful action writing—fast-paced…but smart and well observed.”—Newsday “[A] nail-biting must-read.”—Seventeen.com “Breathless, cinematic action.”—Publishers Weekly “Heart pounding to the very last moment.”—Kirkus Reviews “Exclamation-worthy.”—Romantic Times [STAR] “James Dashner’s illuminating prequel [The Kill Order] will thrill fans of this Maze Runner [series] and prove just as exciting for readers new to the series.”—Shelf Awareness, Starred "Take a deep breath before you start any James Dashner book."-Deseret News

This Chronology of the Cinema, of which we propose here the first volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments, starting from the birthdates of the pioneers and inventors who preceded the Lumière brothers to reach until the year 2015, with the goal to offer the readers a global perspective on its birth, evolution and diffusion over time. This first volume covers the period going from 1830 to 1960. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. Across its three volumes, this Chronology offers information on more than 3000 persons. The second section, titled "Movies", lists the most relevant movies made during the year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on more than 3000 films. The third section, titled "Events", reports the main events in the history of cinema as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (cinema schools, censorship offices, festivals), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals here considered are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival,Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival.

DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div

Awarded Best Popular Culture Cryptid Book of the Year in the Top Ten Best Cryptozoology Books of the 2017 by America's Premiere Cryptozoologist Loren Coleman (at cryptozoonews)! Enter, if you dare, the realm of Cryptid Cinema(tm)...the Movie-land of Sasquatch, Bigfoot, Bayou Beasts, Backwoods Bogeymen and Bloodwater Brutes! From filmland's fear & fun-filled real & 'reel' history, SWAMP THING artist & CONSTANTINE co-creator Stephen R. Bissette (Rondo Award 'Monster Kid Hall of Fame' winner, 2012) presents an astonishing, fully-illustrated menagerie of monstrosities, curiosities, and wild & woolly weirdos from the 1950s to the present day! In these pages, you'll find celluloid and TV incarnations of 'real world' cryptids like the Yeti, Sasquatch, and the Jersey Devil, 'reel world' critters from THE KILLER SHREWS to the Demogorgon of STRANGER THINGS, and all manner of bizarre swamp-and-bayou beings from the Gillman to the Nutria-Man, from the reviled CREATURE to the revelatory THE SHAPE OF WATER. CRYPTID CINEMA(tm) covers cryptid appearances in TV series from ONE STEP BEYOND to STRANGER THINGS (offering a complete 'study & viewing guide' to the first season), as well as comic books, toys, action figures, and other media. In these pages, you'll meet a host of eccentric creators like (and the creations of) H.P. Lovecraft, Ron & June Ormond, Jerry Warren, Arthur C. Pierce, Virgil W. Vogel, Janos Prohaska, and others, on up to today's trail-blazers like Kevin Smith, Stefan Avalos, Lance Weiler, and the Duffer Brothers! This isn't a comprehensive guide or history book-it is an illustrated celebration of Cryptid Cinema(tm) via in-depth essays on a few favorite (and often long-forgotten) film fiends, designed and written for older readers (there is some mature content in this first volume, given the nature of the 1960s and 1970s Bigfoot novels, movies and comics). Independent filmmakers and low-budget 'grindhouse' and drive-in exploitation features are given special attention, as are the first-ever Bigfoot documentaries. Read about the stop-motion animation 'amateur' movie that could, EQUINOX; the behind-the-scenes secrets of the rare direct-to-video Upper New York State gem THE GLASSHEAD; the backstories behind the Swedish-American extraterrestrial Yeti opus TERROR IN THE MIDNIGHT SUN, the made-in-Florida Walking Catfish-Man epic ZAAT (aka BLOOD WATERS OF DR. Z), and the surgically-created Walrus-Man movie, TUSK! This jam-packed 245-page extravaganza is just the first in a series of books on Cryptid Cinema(tm) and Paleo Pop(tm) Culture from an author and artist who knows & loves monsters!

"Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories."-Publisher website.

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.