Cinema Sewer

From the New York Times bestselling author of Little Brother, Cory Doctorow, comes Pirate Cinema, a new tale of a brilliant hacker runaway who finds himself standing up to tyranny. Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In the dystopian near-future Britain where Trent is growing up, this is more illegal than ever; the punishment for being caught three times is that your entire household's access to the internet is cut off for a year, with no appeal. Trent's too clever for that too happen. Except it does, and it nearly destroys his family. Shamed and shattered, Trent runs away to London, where he slowly learns the ways of staying alive on the streets. This brings him in touch with a demimonde of artists and activists who are trying to fight a new bill that will criminalize even more harmless internet creativity, making felons of millions of British citizens at a stroke. Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven't entirely reckoned with the power of a gripping movie to change people's minds.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

On the night of October 10, 2008, Johnny Altinger, 38 and single, was heading to his first date with a woman he had met online. Soon after, Johnny's friends received strange emails and computer messages from him, boasting of his new girlfriend and her plans to treat him to an extended tropical holiday. 'I've got a one way ticket to heaven,' he wrote, 'and I'm never coming back.' He was never seen again. Two weeks earlier, aspiring filmmaker Mark Twitchell, a young father with a devotion to the television series Dexter, began a three-day shoot for his latest short film. His horror story featured a serial killer who impersonates women on an online dating site to lure unsuspecting men to his suburban kill room. But was his script actually the blueprint for a real-life murder? And what of Twitchell's other writings, including the elaborate and shocking document titled S.K. Confessions? Was it a diary detailing his dark transformation into a would-be serial killer? Combining sharp journalistic insight, meticulous research, and a powerfully gripping narrative,The Devil's Cinemais the definitive account of the notorious 'Dexter Killer,' a case and trial that captured the world's attention. Steve Lillebuen takes us deep into the extraordinary police investigation and the lives of everyone involved, while unveiling never-before-revealed details, all drawn from extensive and exclusive interviews - including months of contact with the killer himself. Moving from the police station to the courtroom, from the surface calm of suburbia to the surreal glamour of Hollywood, The Devil's Cinemais a compelling, multi-faceted story of dangerous obsessions pushed to extremes.

Dazzling, highly stylised, excessively violent and brimming with sex, blaxploitation films enjoyed a brief but memorable moment in motion picture history. Never before, and never since, have so many African-American performers been featured in films, not in bit parts, but in name-above-the title starring roles. Here's a new and appreciative look back at a distinctly American motion picture phenomenon, the first truly comprehensive examination of the genre, its films, its trends and its far-reaching impact, covering more than 240 Blaxploitation films in detail. This is the primary reference book on the genre, covering not just the films' heyday (1971-1976) but the entire decade (1970-1980). Includes: film posters and ads

The celebrated underground smash that is Cinema Sewer the magazine has been transformed and mutated into CINEMA SEWER: THE BOOK - and following the outstanding popularity of the first six books, VOLUME SEVEN has been unleashed onto a now far-less-unsuspecting world! A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history. Issues 30 and 31 of Robin Bougie's celebrated independent magazine are revisited in this seventh wild FAB Press volume, along with an additional 80 pages of never-before-seen interviews, rants, comics, hard-to-find classic movie advertising, and graphic illustrations by Bougie and his talented friends from both the comic book and animation industries. Regardless of whether readers are just discovering the world of classic porn, horror, and exploitation movies, or if they're long time fans, they'll find plenty to get excited about, as they gleefully slosh around in the filth of the Cinema Sewer!

A pioneering work of film criticism by the founder of the Film Department at the Museum of Modern Art in New York. Barry's insightful and passionate writing offers a unique perspective on the golden age of Hollywood cinema. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.

An irreverent, unexpurgated account of Carty's fight against censorship which helped clear the way for the belated emergence of the now thriving Irish film industry. Drawing on a cast of hundreds including John Huston, Andy Warhol, Mary Robinson, Nei

By and large, Sweden's place in film history is secure and prominent. Swedish films are associated with Ingmar Bergman's successful and high-quality works. However, another breed of Swedish film is notorious for its laissez-faire attitude towards nudity and relaxed sexuality. Produced in the back yard of the Swedish film industry, these sexually daring films join countless sensational movies that deal with shocking or taboo subjects - street punks, space aliens, hard drugs and drunken Vikings. Ekeroth delves into Swedish culture and returns with an overview of 'Sensationsfilms'.