Circus Parade

Children delight and wonder at the colourful sights and sounds of a parade. This simple, lively poem captures the excitement and anticipation of watching a circus parade. Young readers are invited to march to the beat of the music with all the usual suspects--acrobats, street vendors, musicians and clowns--as they make their way down the main street of town.Ages 3-6

Milwaukee was home to the Great Circus Parade for almost 30 years. Beginning in 1963 and continuing until 1972, the parade became an annual tradition, except in 1967 when the event was cancelled because of civil unrest. Revived on a smaller scale in 1980, the parade traveled between Baraboo and Chicago until it returned to Milwaukee in 1985. Each year, it grew in size and scope, gaining national prominence. The old-fashioned circus parade became an event of mammoth proportions, requiring an army of volunteers working behind the scenes.

Sketches based on personal experience with the life and people of a traveling circus.

Circus Parade originally published in 1927, presents the sordid but albeit fascinating side of life traveling with a small-time circus life during the 1920s in America. From "The Moss-Haired Girl" to "Whiteface" the clown, Tully paints a vivid picture of each of these troubled characters that make up his daily experience in the circus. Circus Parade was one of Tully's most successful books, both commercially and critically. This is by no means a romantic story about a boy joining the circus. Tully knows too well its seamier side. Instead, he paints a picture of life at the edges-earthy, wolfish, and brutal. Fans of Jack London, Jack Kerouac, John Steinbeck, Charles Bukowski, and hard-boiled writers of the 1930s will find a kindred spirit in Jim Tully.

Milwaukee was home to the Great Circus Parade for almost 30 years. Beginning in 1963 and continuing until 1972, the parade became an annual tradition, except in 1967 when the event was cancelled because of civil unrest. Revived on a smaller scale in 1980, the parade traveled between Baraboo and Chicago until it returned to Milwaukee in 1985. Each year, it grew in size and scope, gaining national prominence. The old-fashioned circus parade became an event of mammoth proportions, requiring an army of volunteers working behind the scenes.

This is a new release of the original 1955 edition.

183 rare photographs and posters (10 in full color) from 1850s to 1920s. Ornate wagons and chariots, brass bands, elephants, camels, lions, clowns, jugglers, cowboys, Indians, much more. Authentic Americana. Detailed captions. Introduction.

This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry. Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade. Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.