Citizen Jane

Tom O'Donnell had been living off the graces of Jane Alexander for six years. He regaled her with his wit, charm, and tales of oversea adventure. He also borrowed money extensively for home business operations and future investments.But Tom O'Donnell was more than just a con man. He would do anything for money--even murder Jane's 88-year-old aunt. After he fled with over $10,000 of her money, Jane was determined to put him behind bars.This is her story.

The True Story of a devious killer and the average woman who did what the police couldn't do. A terrible crime is made all the more unfathomable when the least likely suspect is accused, and a woman must put aside her grief to aid the police before the chance at justice is lost forever. These are circumstances in which one extraordinary woman finds herself entwined in "Citizen Jane," a Hallmark Channel Original Movie which tells the true story of the lone woman who refused to let a killer escape, even at the risk of her own life. Jane Alexander had it all: A wonderful family, personal and financial success and a deep romance with Tom O'Donnell. A family friend for 25 years prior to their romance, Tom helped Jane cope with the death of her husband, and captivated her wit his charming, unflappable personality. But Jane's picturesque life came crashing down around her the morning she received the news that her beloved aunt had been murdered. Slowly, astonishingly, the evidence began to point to the last person Jane would ever believe capable of such an act: Tom. As she began to comprehend the unfathomable, the depth of his deceit grew, as she realized he had fled with tens of thousands of dollars of her money, forcing her to sell her possessions and move into a dilapidated old house. Their investigation did not go unnoticed, however, and Tom O'Donnell would not allow himself to be caught easily. Seeing as his original plan was to murder Jane as well, he saw no reason not to carry out this act, thus removing the last obstacle to the life he had plotted and murdered to obtain. With everything and almost everyone telling her that her quest was futile, and with a remorseless killer determined to take any action necessary to remain free, time was not on Jane Alexander's side. In fact, she would come to learn that very little was on her side at all.

Jane Addams was the first American woman to receive the Nobel Peace Prize. Now Citizen, Louise W. Knight's masterful biography, reveals Addams's early development as a political activist and social philosopher. In this book we observe a powerful mind grappling with the radical ideas of her age, most notably the ever-changing meanings of democracy. Citizen covers the first half of Addams's life, from 1860 to 1899. Knight recounts how Addams, a child of a wealthy family in rural northern Illinois, longed for a life of larger purpose. She broadened her horizons through education, reading, and travel, and, after receiving an inheritance upon her father's death, moved to Chicago in 1889 to co-found Hull House, the city's first settlement house. Citizen shows vividly what the settlement house actually was—a neighborhood center for education and social gatherings—and describes how Addams learned of the abject working conditions in American factories, the unchecked power wielded by employers, the impact of corrupt local politics on city services, and the intolerable limits placed on women by their lack of voting rights. These experiences, Knight makes clear, transformed Addams. Always a believer in democracy as an abstraction, Addams came to understand that this national ideal was also a life philosophy and a mandate for civic activism by all. As her story unfolds, Knight astutely captures the enigmatic Addams's compassionate personality as well as her flawed human side. Written in a strong narrative voice, Citizen is an insightful portrait of the formative years of a great American leader. “Knight’s decision to focus on Addams’s early years is a stroke of genius. We know a great deal about Jane Addams the public figure. We know relatively little about how she made the transition from the 19th century to the 20th. In Knight’s book, Jane Addams comes to life. . . . Citizen is written neither to make money nor to gain academic tenure; it is a gift, meant to enlighten and improve. Jane Addams would have understood.”—Alan Wolfe, New York Times Book Review “My only complaint about the book is that there wasn’t more of it. . . . Knight honors Addams as an American original.”—Kathleen Dalton, Chicago Tribune

Examines how the rights and duties of Roman citizens in private life, were affected by certain basic differences in their formal status. Thereby, throws into sharper focus Roman conceptions of citizenship and society.

Jane Fonda has grabbed the headlines most of her life - from 1960s sex kitten to feminist champion and from Miss Army Recruiting 1962 to outspoken anti-Vietnam protestor. This biography exposes her scandalous life and covers her films, family, politics, men and marriages.

While the past decade proved to be some of the most tumultuous times in modern US history, the Black community has been resilient, opening up dialogues and sustaining advocacy. Nowhere has this been more apparent than at the Obie Award-winning The Fire This Time Festival in New York City. Since being founded in 2009, this theatre festival has become the destination for emerging and early career playwrights from the African diaspora. Inequality in education and healthcare, skewed and negative images of Black people in mainstream media, racism in policing, widespread gentrification and its effects on multi-generational Black neighbourhoods, and the growth of Black love; these conversations have been happening in the US, and The Fire This Time Festival has borne witness. 25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theatre reflects this fantastic legacy, containing 25 ten-minute plays originally produced by the eponymous festival. Together, these pieces bookend the Black experience in the US from 2009 to the present day: from the hope for further progress and equity under the Obama administration, to the existential threat faced by Black people under the Trump presidency. Edited and curated by Kelley Nicole Girod, the anthology divides the plays into seven thematic sections concerning multi-faceted aspects of the Black experience, featuring work by seminal writers such as Katori Hall, Antoinette Nwandu, Dominique Morisseau, C.A. Johnson, and Marcus Gardley. Both timely and timeless, 25 Plays from The Fire This Time Festival presents an exciting, eclectic mix of twenty-first century theater that is perfect for study, performance, and reflection.

In the early 1880s, proponents of what came to be called “the social gospel” founded what is now known as social ethics. This ambitious and magisterial book describes the tradition of social ethics: one that began with the distinctly modern idea that Christianity has a social-ethical mission to transform the structures of society in the direction of social justice. Charts the story of social ethics - the idea that Christianity has a social-ethical mission to transform society - from its roots in the nineteenth century through to the present day Discusses and analyzes how different traditions of social ethics evolved in the realms of the academy, church, and general public Looks at the wide variety of individuals who have been prominent exponents of social ethics from academics and self-styled “public intellectuals” through to pastors and activists Set to become the definitive reference guide to the history and development of social ethics Recipient of a CHOICE Outstanding Academic Title for 2009 award

The study of emotions has attracted anew the interest of scholars in various disciplines, igniting a lively public debate on the constructive and destructive power of emotions in society as well as within each of us. Most of the contributors to this volume do not hail from the United States but look at the nation from abroad. They explore the role of emotions in history and ask how that exploration changes what we know about national and international history, and in turn how that affects the methodological study of history. In particular they focus on emotions in American history between the 18th century and the present: in war, in social and political discourse, as well as in art and the media. In addition to case studies, the volume includes a review of their fields by senior scholars, who offer new insights regarding future research projects.