City Lights

Printed with glow-in-the-dark ink and illustrated with cut-paper artwork, each of these cozy bedtime board books feature a die-cut moon that, once charged by light, literally shines over each page. Set on a bedside table, the glowing city scenes and nighttime critters in each book make for perfect bedtime reading. Full color.

A NEW YORK TIMES NOTABLE BOOK It is 1901 and Buffalo, New York, stands at the center of the nation's attention as a place of immense wealth and sophistication. The massive hydroelectric power development at nearby Niagara Falls and the grand Pan-American Exposition promise to bring the Great Lakes “city of light” even more repute. Against this rich historical backdrop lives Louisa Barrett, the attractive, articulate headmistress of the Macaulay School for Girls. Protected by its powerful all-male board, “Miss Barrett” is treated as an equal by the men who control the life of the city. Lulled by her unique relationship with these titans of business, Louisa feels secure in her position, until a mysterious death at the power plant triggers a sequence of events that forces her to return to a past she has struggled to conceal, and to question everything and everyone she holds dear. Both observer and participant, Louisa Barrett guides the reader through the culture and conflicts of a time and place where immigrant factory workers and nature conservationists protest violently against industrialists, where presidents broker politics, where wealthy “Negroes” fight for recognition and equality, and where women struggle to thrive in a system that allows them little freedom. Wrought with remarkable depth and intelligence, City of Light remains a work completely of its own era, and of ours as well. A stirring literary accomplishment, Lauren Belfer's first novel marks the debut of a fresh voice for the new millennium and heralds a major publishing event.

In 1967, Charlie Chaplin told, 'I think I like 'City Lights' the best of all my films.' Based on archival research of Chaplin's production records, this work offers a history of the film's production and reception, as well as an examination of the film itself, with special attention to the sources of the final scene's emotional power.

Now in its third edition, City Lights: Urban-Suburban Life in the Global Society is the most interdisciplinary urban studies book on the market. It skillfully blends social science perspectives with insights from the visual arts and humanities to provide a comprehensive introduction to cities, suburbs, and post-suburban areas and how they work. Motivating students to develop their own perspectives on the issues, author E. Barbara Phillips provides an extended discussion of "doing social science," systematically showing how scholarly controversy and public debates over urban-suburban policy are rooted in deep-seated differences: in ideologies, research methods, theoretical orientations, academic disciplines, and/or levels of analysis. Featuring a unique combination of serious scholarship and an accessible, engaging writing style, City Lights, Third Edition, is ideal for courses in urban sociology, urban studies, urban growth and development, urban theory, and urban history. It incorporates many helpful pedagogical features, including almost 200 photographs and illustrations, real-life case studies, excerpts from classic works, key terms, and suggestions for further learning. In addition, end-of-chapter projects encourage students to apply what they have learned by participating in research, activism, or other civic pursuits in their own communities. Thoroughly revised and updated, the third edition features * A focus on the U.S. city but also a global emphasis throughout, with in-depth profiles of such cities as Kyoto, Cordóba, Shanghai, Mumbai, and Mexico City; numerous global-local links; and a new chapter (5) on global urbanization and the urban system * Updated statistical data * Detailed coverage of the Internet's influence on personal, political, and economic relations * Discussions of numerous new topics including the impact of terrorism on cities, new immigrants in the U.S. and elsewhere, gated communities, building "green," and the "New Urbanism" in the U.S * Analyses of recent political, social, and economic changes--including economic downturns--and their effects on urbanites and suburbanites in the U.S. and worldwide

In 1967, Charlie Chaplin told, 'I think I like 'City Lights' the best of all my films.' Based on archival research of Chaplin's production records, this work offers a history of the film's production and reception, as well as an examination of the film itself, with special attention to the sources of the final scene's emotional power.

With a poet's clear eye and a journalist's curiosity about how a city works, Dan Barry shows us New York as no other writer has seen it. Evocative, intimate, piercing, and often funny, the essays in City Lights capture everyday life in the city at its most ordinary and extraordinary. Wandering the city as a columnist for The New York Times, Barry visits the denizens of the Fulton Fish Market on the eve of its closing; journeys with an obsessed guide through the secret underground of abandoned subway stops, tunnels, and aqueducts; touches down in bars, hospitals, churches, diners, pools, zoos, memorabilia-stuffed apartments, at births and funerals, the places where people gather, are welcomed, or depart; talks to the ex-athlete who caught the falling baby, the performance artist who works as a mermaid, the octogenarian dancers who find quiet joy in their partnership, and the guy who waves flags over the Cross-Bronx Expressway to wish drivers safe passage. Along the way, Barry offers glimpses of New York's distant and recent past. He explains why the dust-coated wishbones hanging above the bar at McSorley's Old Ale House belong to the doughboy ghosts of World War I. He recalls a century of grandeur at the Plaza Hotel through the tales of longtime doormen who will soon be out of a job. He finds that an old man's quiet death opens back into a past that the man had spent his life denying. And, from the vantage of the Circle Line cruise around Manhattan, he joins tourists as they try to make sense of still-smoldering ruins in Lower Manhattan three weeks after September 11, 2001. Each story in City Lights illuminates New York, as it was and as it is: always changing, always losing and renewing parts of itself, every street corner an opportunity for surprise and revelation.

You are holding a collection of stories, the aim of this collection is to equip and inspire you to make a positive impact in your own community, through relationships and creative initiatives. In this material, you will read about Dave and Will who developed gardens on wasteland in inner city London council estates, encouraging residents to be part of the process of renewal and creativity by growing plants and vegetables. Will hosts community harvest feasts, bringing together local residents to eat their own locally-grown produce. Andy in his 20s, started a lunch club for isolated elderly people, rallying his student friends to help serve homemade meals in a borrowed church hall. Pauline responded to a news bulletin about the lack of housing for refugees and asylum seekers, by setting up homes across North London to provide safe housing. Annie set up regular meals in her church building for homeless people and rough sleepers. Mark started a football club for local lads from an estate in London, most of whom were from extremely difficult backgrounds and not in education or employment. Countless others have weeded gardens for families referred by social services, mentored children in foster care and painted a wall in a refuge. Abroad, Mick and Ruby moved into an inner city slum community in the heart of Manilla for 9 years with their young children. At the heart of City Lights are stories and friendships. Find out more about City Lights. regenerateuk.co.uk