City Stages

In every major city, there exists a complex exchange between urban space and the institution of the theatre. City Stages is an interdisciplinary and materialist analysis of this relationship as it has existed in Toronto since 1967. Locating theatre companies – their sites and practices – in Toronto’s urban environment, Michael McKinnie focuses on the ways in which the theatre has adapted to changes in civic ideology, environment, and economy. Over the past four decades, theatre in Toronto has been increasingly implicated in the civic self-fashioning of the city and preoccupied with the consequences of the changing urban political economy. City Stages investigates a number of key questions that relate to this pattern. How has theatre been used to justify certain forms of urban development in Toronto? How have local real estate markets influenced the ways in which theatre companies acquire and use performance space? How does the analysis of theatre as an urban phenomenon complicate Canadian theatre historiography? McKinnie uses the St. Lawrence Centre for the Arts and the Toronto Centre for the Performing Arts as case studies and considers theatrical companies such as Theatre Passe Muraille, Toronto Workshop Productions, Buddies in Bad Times, and Necessary Angel in his analysis. City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences. The result is a comprehensive and empirical examination of the relationship between the theatrical arts and the urban spaces that house them.

This exploration of rock ’n’ roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock ’n’ roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider’s view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.

Why do some cities grow and expand, while others dwindle and decline? Why is Milwaukee a town of the past, while Minneapolis-St. Paul seems reborn and infused with future dynamism? And what do Milwaukee and the Twin Cities have to tell us about other cities' prospects, the trials and destinies of industrial Cleveland and post-industrial Austin? Anthony Orum's new book tells the story of these cities and, at the same time, of all cities. Here the urban past, present, and future are woven into one compelling tale. Orum traces the shift in the sources of urban growth from entrepreneurs to institutions and highlights the emergence of local government as a prominent force—indeed, as an institution—in shaping the trajectory of the urban industrial heartland. This complex trajectory includes all aspects of urban boom and bust: population trends, economic prosperity, politics and culture, as well as hard-to-pin-down qualities like a city's collective hope and vision. Interspersing social theory, historical ethnography, and comparative analysis to help explain the fates of different cities, Orum lucidly portrays factory openings, labor strikes, elections, evictions, urban blight, white flight, recession, and rejuvenation to show the core histories—and future shape—of cities beyond the particulars presented in these pages. The reader will discover the key people and politics of cities along with the forces that direct them. With a rich variety of sources including newspapers, diaries, census materials, maps, photo essays, and, perhaps most captivating, original oral histories, City-Building in America is ideal for anyone interested in urban transformation and for courses in urban sociology, urban politics, industrial sociology, social change, and social mobility.

The term "Green City" has many different meanings to different people. There is no universal solution that can be applied to every city. Adaptable, responsive, and innovative solutions that differ from one place to another enable Green Cities to emerge in various forms and enable us to recognize the variation and dynamism of cities. Green Development considers how to improve and manage the overall quality and health of water, air, and land in urban spaces; its correlation with hinterlands and wider systems; and the resultant benefits derived by both the environment and residents. This tool kit is a reference for Asian Development Bank staff, consultants, and city leaders that introduces key concepts of Green City development and identifies crosscutting issues that help in designing urban programs to support city development in a green and sustainable manner. It outlines a three-step city assessment framework and provides a summary of existing tools and resources for green and sustainable development.

This book explores how the English rural has been represented in contemporary theatre and performance. Exploring a range of plays, forms, and contexts of theatre production, Representing the Rural celebrates the lively engagement with rurality on English stages since 2000, constituting the first full study of theatrical representations of rural life. Interdisciplinary in its approach, this book draws on political philosophy and cultural geography in its definitions of rurality and Englishness, and works with key theoretical concepts such as nostalgia and ethnonationalism. Covering a range of perspectives from the country garden in Mike Bartlett’s Albion to agricultural labour in Nell Leyshon’s The Farm, the enclosure acts in D.C. Moore’s Common to Black rural history in Testament’s Black Men Walking, the book shows how theatre and performance can open up different ways of reading rural geographies, histories, and lives. While Representing the Rural is aimed at students and researchers of theatre and performance, its interdisciplinary scope means that it has wider appeal to other disciplines in the arts and humanities, including geography, politics, and history.

The rapid growth of IoT and its applications in smart cities pose significant challenges for academic scholars. The increasing number of interconnected devices and the massive amounts of data they generate strain traditional networks, leading to inefficiencies and security vulnerabilities. Additionally, the centralized control plane in Software Defined Networks (SDN) presents a single point of failure, hindering network performance, while IoT devices themselves are susceptible to attacks, compromising user data and privacy. To address these pressing issues, Network-Enabled IoT Applications for Smart City Services offers a compelling solution. Edited by Dr. K. Hemant Kumar Reddy, Dr. Diptendu SinhaRoy, and Tapas Mishra, this book advocates leveraging SDN to handle high-frequency data streams effectively. It also proposes the integration of blockchain technology to enhance security and reliability in IoT applications, offering a roadmap for scholars to improve network efficiency, security, and reliability in IoT and smart city domains. With their extensive expertise, the authors provide academic scholars with a comprehensive and innovative resource that inspires further research and development in this evolving field, enabling them to make significant contributions to the advancement of IoT and smart city technologies.

"Performing the Intercultural City explores how Toronto--a representative global city in the first country in the world to adopt a policy of official multiculturalism--stages its diversity through its many intercultural theater companies and troupes. By examining the ways in which Indigenous, Filipino, Latino/a and Afro-Caribbean Canadian theater in Toronto has developed play structures based on culturally specific forms of expression, Performing the Intercultural City analyzes the ways in which theater companies from a variety of marginalized communities of color in Toronto have worked across cultural difference to produce a new kind of intercultural performance"--