Civilisations First Contact The Cult Of Progress

Companion to the major new BBC documentary series CIVILISATIONS, presented by Mary Beard, David Olusoga and Simon Schama Oscar Wilde said 'Life imitates Art far more than Art imitates Life.' Was he right? In Civilisations, David Olusoga travels the world to piece together the shared histories that link nations. In Part One, First Contact, we discover what happened to art in the great Age of Discovery, when civilisations encountered each other for the first time. Although undoubtedly a period of conquest and destruction, it was also one of mutual curiosity, global trade and the exchange of ideas. In Part Two, The Cult of Progress, we see how the Industrial Revolution transformed the world, impacting every corner, and every civilisation, from the cotton mills of the Midlands through Napoleon's conquest of Egypt to the decimation of both Native American and Maori populations and the advent of photography in Paris in 1839. Incredible art - both looted and created - relays the key events and their outcomes throughout the world.

Looking at how art responded to the age of progress in the 19th Century, David Olusoga shows us how Art struggled to depict the Industrial revolution, and how it became a tool to record the fates supposedly doomed people. It ends in Paris of the late 19th Century as artists being to try to make sense of the new world that had been so quickly created. It ends with the man who tried to escape that new world - Gauguin.

'A groundbreaking and important book that will surely reframe our understanding of the Great War' David Lammy 'A genuinely groundbreaking piece of research' BBC History 'Meticulously researched and beautifully written' Military History Monthly In a sweeping narrative, David Olusoga describes how Europe's Great War became the World's War – a multi-racial, multi-national struggle, fought in Africa and Asia as well as in Europe, which pulled in men and resources from across the globe. Throughout, he exposes the complex, shocking paraphernalia of the era's racial obsessions, which dictated which men would serve, how they would serve, and to what degree they would suffer. As vivid and moving as it is revelatory and authoritative, The World's War explores the experiences and sacrifices of four million non-European, non-white people whose stories have remained too long in the shadows.

Winner of the Book of the Year, Children's Illustrated and Non-Fiction at The British Book Awards, 2021 Shortlisted for Waterstones Book of the Year 2020 A short, essential introduction to Black British history for readers of 12+ by award-winning historian and broadcaster David Olusoga. When did Africans first come to Britain? Who are the well-dressed black children in Georgian paintings? Why did the American Civil War disrupt the Industrial Revolution? These and many other questions are answered in this essential introduction to 1800 years of the Black British history: from the Roman Africans who guarded Hadrian’s Wall right up to the present day. This children's version of the bestseller Black and British: A Forgotten History is illustrated with maps, photos and portraits. Macmillan Children's Books will donate 50p from every copy sold to The Black Curriculum.

Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today. “The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture

Across the Middle East, the Mediterranean and the Nile Delta, awe-inspiring, monstrous ruins are scattered across the landscape - vast palaces, temples, fortresses, shattered statues of ancient gods, carvings praising the eternal power of long-forgotten dynasties. These ruins - the remainder of thousands of years of human civilization - are both inspirational in their grandeur, and terrible in that their once teeming centres of population were all ultimately destroyed and abandoned. In this major book, Richard Miles recreates these extraordinary cities, ranging from the Euphrates to the Roman Empire, to understand the roots of human civilization. His challenge is to make us understand that the cities which define culture, religion and economic success and which are humanity's greatest invention, have always had a cruel edge to them, building systems that have provided both amazing opportunities and back-breaking hardship. This exhilarating book is both a pleasure to read and a challenge to us all to think about our past - and about the present.

Examines the history of mankind during the Neolithic Age, and presents evidence that the Stone Age human was more advanced than science originally thought. Includes figures and photographs.

In 'What Makes Civilization?', archaeologist David Wengrow provides a vivid account of the 'birth of civilization' in ancient Egypt and Mesopotamia (today's Iraq). These two regions, where many foundations of modern life were laid, are usually treated in isolation. Now, they are brought together within a unified history.