Clarissa Preface Hints Of Prefaces And Postscript

The seven volumes of the first edition of Clarissa were published in three instalments during the twelve months from December 1747 to December 1748. Richardson wrote a Preface for Volume I and a Postscript for Volume VII, and William Warburton supplied an additional Preface for Volume III (or IV).[1] A second edition, consisting merely of a reprint of Volumes I-IV was brought out in 1749. In 1751 a third edition of eight volumes in duodecimo and a fourth edition of seven volumes in octavo were published simultaneously. For the third and fourth editions the author revised the text of the novel, rewrote his own Preface and Postscript, substantially expanding the latter, and dropped the Preface written by Warburton. The additions to the Postscript, like the letters and passages 'restored' to the novel itself, are distinguished in the new editions by points in the margin.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Clarissa: Preface, Hints of Prefaces, and Postscript" by Samuel Richardson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Whilst drawing to some extent on recent theoretical studies, this book restores Clarissa to its largely neglected eighteenth-century context.