Class Of 1844 Harvard Col

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The third volume of this major series opens with Fuller's decision in early 1842 to resign her post as editor of The Dial, after she realized she would never be paid for her work there. It closes with her in New York, having accepted Horace Greeley's invitation to work as a book reviewer for The Daily Tribune. Her position was nearly without precedent for a woman, and she wrote enthusiastically of her job that it provided "a more various view of life than any I ever before was in." She found herself in a larger world: the new tasks of daily journalism replaced the demands of The Dial, and a mass audience replaced her coterie of intellectual readers. These were prolific years for Fuller, during which she wrote on a wide variety of subjects, and the letters chronicle her progress on a number of projects, among them her travel book, Summer on the Lakes, in 1843, which grew out of a trip to the Midwest; her translation of Bettina von Arnim's Die Günderode; and her essays on contemporary poetry, fiction, and drama. She devoted the fall of 1844 to expanding "The Great Lawsuit," an essay she had written for The Dial; the letters document how the piece grew to become her most important book—Woman in the Nineteenth Century, a provocative study of woman's role in American life.