Clothes Make The Man

In this book, the author explores medieval society's fascination with the cross-dressed woman. The author examines a wide variety of religious, literary, and historical sources, which record interpretations of sartorial attempts to overcome gender hierarchy and also illustrate, mainly through the device of inversion, a remarkably sustained desire to examine and reexamine the nature of social gender identities.

Dressing for success in business and life is described and shown with 300 plus color photos no matter what type of organization you work for, Traditional, Business Casual or Casual dress and includes materials, colors, fit, style, and tailoring principles that apply to every outfit you ever wear. White begins with suits, dress shirts and ties as well as blazers/sports jackets. That is followed by casual attire for companies that dress in jeans, t-shirts, casual pants, polo shirts, shorts and sneakers. He includes outerwear and winter coats. The book begins with how to be well-dressed for a job interview because first you have to look like someone they want to hire, then how to dress every day so you always look promotable even while working on weekends, holidays and casual Fridays, including the notorious Christmas party. He gives three simple rules to follow that make it easy to dress for success at work and in our social lives. To appeal to women, he explains everything from suits to swim trunks again with hundreds of photos to show you how to look great at wedding receptions or on a pizza and beer date. This is the only book you'll ever need to look successful and great at work and play!

Is the story of the often hilarious experiences of The Art Guys as they traveled across the country in their guise as human billboards.

"Clothes Don't Maketh The Man". You must be wondering if you read this line right. A famous proverb says otherwise. If a man turned up wearing distress denim for a board meeting or wore a formal suit for a casual coffee or date, he would be judged for being inappropriately dressed. What if there was an explanation as to why he was not suitably dressed for the occasion? Isn't a man constantly judged and labeled according to what he does, how he looks, how he speaks or behaves. He is expected to be a good provider, a passionate lover, a decent man, a loving father, a good son, a supportive brother, and a great husband. Phew exhausting isn't it? Every man at every stage of his life strives to give his best towards his personal and professional commitments. This book is about understanding a man beyond his external appearance discovering him beyond how the world looks at him and judges him. What is the definition of an ideal man? What goes about making him loved desired and respected. Take this journey with the author to find out. This book is an ode to every man out there, going about his life making a difference.

It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal