Coastal Encounters

Coastal Encounters opens a window onto the fascinating world of the eighteenth-century Gulf South. Stretching from Florida to Texas, the region witnessed the complex collision of European, African, and Native American peoples. The Gulf South offered an extraordinary stage for European rivalries to play out, allowed a Native-based frontier exchange system to develop alongside an emerging slave-based plantation economy, and enabled the construction of an urban network of unusual opportunity for free people of color. After being long-neglected in favor of the English colonies of the Atlantic coast, the colonial Gulf South has now become the focus of new and exciting scholarship. ø Coastal Encounters brings together leading experts and emerging scholars to provide a portrait of the Gulf South in the eighteenth century. The contributors depict the remarkable transformations that took place?demographic, cultural, social, political, and economic?and examine the changes from multiple perspectives, including those of Native Americans, Europeans, and Africans; colonizers and colonized; men and women. The outstanding essays in this book argue for the central place of this dynamic region in colonial history.

In Encounters on the Opposite Coast Markus Vink offers a detailed narrative of the first half century of cross-cultural interaction between the Dutch East India Company (VOC) and the Nayaka state of Madurai in southeast India (c. 1645-1690).

Nordamerika - Kolonialzeit - Landschaft - Raumkonzepte - soziale Konstruktion.

Part anthropological history, part informed critique, Encounters examines the relations between the people of southeastern Labrador and the many visitors who have come to fish, heal the sick, and extract the region's resources. John Kennedy presents the latest archaeological, genealogical, and ethno-historical research that changes scholarly understandings of southeastern Labrador. Departing from the conventional view that coastal Labrador has distinct Inuit and non-Inuit regions, he argues that the coast should be viewed as a continuum of "Inuitness." Encounters unravels the social implications of the region's complex mercantile fishery, describes how twentieth-century military and resource development have impacted Labrador's seasonal economy, and suggests that Newfoundland continues to use Labrador as a colony. Kennedy uses field research he conducted in 2013 to describe the origins, current economies, and future challenges of the region's tiny villages. Although he is a strong supporter of Aboriginal land claims, Kennedy explores the impact of identity politics in the region, showing how land claims based solely on geography can unintentionally create inequities. Drawing on decades of field and archival research, Kennedy demonstrates how Aboriginal politics are transforming society in southeastern Labrador, empowering local people to overcome the stigmas of history and finally acknowledge their Inuit ancestry.

Blending global scope with local depth, this book throws new light on important themes. Spanning four centuries and vast space, it combines the history of ideas with particular histories of encounters between European voyagers and Indigenous people in Oceania (Island Southeast Asia, New Guinea, Australia, New Zealand, and the Pacific Islands).

Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.

This volume, the result of ongoing collaborations between Australian and French anthropologists, historians and linguists, explores encounters between Pacific peoples and foreigners during the longue durée of European exploration, colonisation and settlement from the sixteenth century to the twentieth century. It deploys the concept of `encounter¿ rather than the more common idea of `first contact¿ for several reasons. Encounters with Europeans occurred in the context of extensive prior encounters and exchanges between Pacific peoples, manifest in the distribution of languages and objects and in patterns of human settlement and movement. The concept of encounter highlights the mutuality in such meetings of bodies and minds, whereby preconceptions from both sides were brought into confrontation, dialogue, mutual influence and ultimately mutual transformation. It stresses not so much prior visions of `strangers¿ or `others¿ but the contingencies in events of encounter and how senses other than vision were crucial in shaping reciprocal appraisals. But a stress on mutual meanings and interdependent agencies in such cross-cultural encounters should not occlude the tumultuous misunderstandings, political contests and extreme violence which also characterised Indigenous-European interactions over this period.