Coins Of The Roman Revolution 49 Bc Ad 14

Coins of the best-known Roman revolutionary era allow rival pretenders to speak to us directly. After the deaths of Caesar and Cicero (in 44 and 43 BC) hardly one word has been reliably transmitted to us from even the two most powerful opponents of Octavian: Mark Antony and Sextus Pompeius - except through coinage and the occasional inscription. The coins are an antidote to a widespread fault in modern approaches: the idea, from hindsight, that the Roman Republic was doomed, that the rise of Octavian-Augustus to monarchy was inevitable, and that contemporaries might have sensed as much. Ancient works in other genres skilfully encouraged such hindsight. Augustus in the Res Gestae, and Virgil in Georgics and Aeneid, sought to flatten the history of the period, and largely to efface Octavian's defeated rivals. But the latter's coins in precious metal were not easily recovered and suppressed by Authority. They remain for scholars to revalue. In our own age, when public untruthfulness about history is increasingly accepted - or challenged, we may value anew the discipline of searching for other, ancient, voices which ruling discourse has not quite managed to silence. In this book eleven new essays explore the coinage of Rome's competing dynasts. Julius Caesar's coins, and those of his `son' Octavian-Augustus, are studied. But similar and respectful attention is given to the issues of their opponents: Cato the Younger and Q. Metellus Scipio, Mark Antony and Sextus Pompeius, Q. Cornificius and others. A shared aim is to understand mentalities, the forecasts current, in an age of rare insecurity as the superpower of the Mediterranean faced, and slowly recovered from, division and ruin.

A richly illustrated introduction to the contribution of Roman and provincial coinage to the history of this period, aimed at undergraduates.

A richly-illustrated introduction to the various ways in which coins can help illuminate the history of the Roman republic.

Under the Roman Republic, the minting of coinage was assigned to individual moneyers, many of whom are known only by their coins. Harlan sets out to interpret the significance of the various designs, also to examine the role of the moneyer and the corresponding implications for the Republic itself.

In Coinage in the Roman Economy, 300 B.C. to A.D. 700, noted classicist and numismatist Kenneth W. Harl brings together these two fields in the first comprehensive history of how Roman coins were minted and used.

A revolution has occurred in the field of Roman coin values since the publication of the 1970 edition of this catalogue.

Rome was an empire of images, especially images that bolstered their imperial identity. Visual and material items portraying battles, myths, captives, trophies, and triumphal parades were particularly important across the Roman empire. But where did these images originate and what shaped them? Empire of Images explores the development of the Roman visual language of power in the Republic in Iberian Peninsula, the Gallic provinces, and Greece and Macedonia, centering the development of imperial imagery in overseas conquest. Drawing on a range of material evidence, this book argues that Roman imperial imagery developed through prolonged interaction with and adaptation by subjugated peoples. Despite their starring role in Roman imagery, the populations of Rome’s provinces continuously reinterpreted and reimagined Roman images of power to navigate their membership in the new imperial community, and in doing so, contributed to the creation of a universal visual language that continues to shape how Rome is understood.