Cokemachineglow Writing Around Music 2005 2015

Irreverent, cultishly adored, and dearly missed, the music writers at cokemachineglow produced some of the greatest, weirdest, funniest, sharpest criticism of the 21st century, and have gone on to write for major publications. In that sweet spot online before streaming and social media, people discovered music on blogs and webzines. A few have gone corporate, and nearly all the rest have disappeared. None are more missed than cokemachineglow - founded by a Canadian music writer in 2002, it grew to encompass a motley crew of brilliant, idiosyncratic writers and draw an intense readership of music fans. These critics have now published books and written for outlets like The New York Times, New York Magazine, The Guardian, Village Voice, Film Comment, Pitchfork, Esquire and GQ, among many other accomplishments, but there's never been - and never will be - another masthead so beloved and anarchic, writing that isn't just describing music but creating a culture, a narrative, a way of speaking that is hugely influential in how we hear, talk and tweet online. Featuring a brand new introductory essay by editor Clayton Purdom.

The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience. “Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we’d lost—or should I say ‘guardian angel’?” —BLAKE BUTLER, author "In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it." —MOLLY SODA, artist "Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations." —CHELSEA HODSON, author of Tonight I'm Someone Else "Love is a source of radical questioning whose only enemy is indifference. Claire Donato’s fever dream of a novel goes toe to toe with today’s anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies." —JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato’s fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with "Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian", a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York

A gripping, unforgettable memoir from one of the best, most original writers of the 21st century. Blake Butler has changed the world of language with his mind-melting literary thrillers, and now he brings his abilities to bear on the emotional world. "Terrifyingly intense and eerily spiritual ...The best book I’ve read this year." —LOS ANGELES TIMES "[5 stars] ... Extraordinary and raw ... the triumph of his book lies in its compassion." —THE TELEGRAPH "Molly is a dark, gorgeously crafted read. It contains a tremendous amount of pain, and the loss of life, loss of potential, loss of what could have been weighs heavy. That Butler makes it out the other side whole enough to tell this story is the glimmer of hope that sustains the reader in the end." —ATLANTA JOURNAL-CONSTITUTION “Molly is so vital, so full of force ... [it] guts the cliché description of someone with mental illness ... [a] gorgeous, sad memoir." —SLATE "A powerfully sad book ... Writers are often praised as 'fearless,' but Butler is not. In Molly, he makes fear his companion. That is the only way to write, and to live." —THE NEW YORKER "Shattering ... The result is a brutal yet beautiful look at the ravages of mental illness and the complexities of grief." —PUBLISHER'S WEEKLY “I’m not sure I’ve ever been so totally consumed by any book—the way I was by Molly.” —INTERVIEW "The most immediate feeling of life I've ever had reading a book—a life lived at the desk and out in the world, a life of openness and secrets. "Make art for me," Molly wrote to Blake. "I will read it all." I breathed along with every word." —PATRICIA LOCKWOOD "How to praise a book of such wounded beauty as Blake Butler's phenomenal Molly? The same way one would a life lost early: with love and sincerity and anger and wonder and lithely elegant and observant insights that remind us and inspire us, as Butler precisely does, to live and to love ourselves." —JOHN D'AGATA "Molly is a brilliant and brutal book. Blake Butler fearlessly takes on love and grief and the mysteries of this world and the next." —EMMA CLINE "A dark miracle—actual evidence that what we can never know, what we could never imagine about the one we love, is what binds us to them, beyond death." —MICHAEL W. CLUNE "I was gripped from the start by this memoir's urgent honesty. Blake Butler turned a story that was almost unspeakable into a narrative at once brutal and loving, broken and solid." —CATHERINE LACEY Blake Butler and Molly Brodak instantly connected, fell in love, married and built a life together. Both writers with deep roots in contemporary American literature, their union was an iconic joining of forces between two major and beloved talents. Nearly three years into their marriage, grappling with mental illness and a lifetime of trauma, Molly took her own life. In the days and weeks after Molly’s death, Blake discovered shocking secrets she had held back from the world, fundamentally altering his view of their relationship and who she was. A masterpiece of autobiography, Molly is a riveting journey into the darkest and most unthinkable parts of the human heart, emerging with a hard-won, unsurpassedly beautiful understanding that expands the possibilities of language to comprehend and express true love. Unrelentingly clear, honest and concise, Molly approaches the impossible directly, with a total empathy that has no parallel or precedent. A supremely important work that will be taught, loved, relied on and passed around for years to come, Blake Butler affirms now beyond question his position at the very top rank of writers.

Gordon Downie, lead singer and lyricist for the popular Canadian rock band The Tragically Hip, released his first solo record, Coke Machine Glow in Spring 2001. Alongside the album, his first book of poetry and prose under the same title was published, including the lyrics to the sixteen songs on the record. Now, on the 20th anniversary year of Coke Machine Glow, fans have more to delight in: an audiobook of Coke Machine Glow and a brand new album by Downie, released posthumously. Coke Machine Glow is a rich, haunting collection that reveals both the public and private selves of one of Canada's most enigmatic musicians. In poetry that is urban, gritty and political, as well as romantic, nostalgic and whimsical, Downie allows us a glimpse inside his world. With his acute and observing eye, he gives us snapshots of his life, both on the road and at home; he writes of loneliness and isolation; of longing and desire; of the present and the past; of dreams and nightmares; love lost and love of family. Ultimately, this book is about the distances that bridge and separate us. Layered and deceptively simple, imbued with Downie's wit, insight, anger, compassion and rock'n'roll edge, Coke Machine Glow is a remarkable debut from a remarkable creator.

An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming. Collected autofictions from mainstays of literary art and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text. Featuring: Aiden Arata Nathan Dragon David Fishkind Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvilli BR Yeager

The first print biography of one of Canada's most famous and impactful bands, The Tragically Hip, explores how the group has helped define today's cultural conversations, including Gord Downie's inspirational story and his role in reconciliation with Indigenous people.

Two years ago Wilson left his old boss alive in exchange for a clean slate, keeping up his end of the bargain and staying off the grid. Then, thousands of miles from the city he once escaped, a man comes calling on Wilson with a gun in hand and a woman in his trunk. Wilson is pulled back into his old life as a "grinder" to work under the radar to quietly find out who is responsible for a dangerous mobster's missing nephews and this time all bets are off.

(Guitar Recorded Versions). FOB's fifth CD is chock-full of collaborators, including Elvis Costello and Lil Wayne. Our matching folio features transcriptions of all 13 tracks, including: America's Suitehearts * Headfirst Slide into Cooperstown on a Bad Bet * I Don't Care * She's My Winona * Tiffany Blews * West Coast Smoker * and more.