Cold War Camera

Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz

Martha Langford and John Langford examine their father's apparently innocuous photographic experience, revealing the complexity of both the images and their creator. An intelligent and personal look at the ways that the historical and the private are represented and remembered, A Cold War Tourist and His Camera stages the family slide show as you've never seen it before.

This lavishly photographed and authoritative book presents the secret history of Soviet subminiature spy cameras during the Cold War. It is a history that could only have been written by the veteran KGB technical intelligence officers who created and used the cameras in secret operations. With 350 photographs, the book reveals the history, development, and operational use of more than ninety secret cameras used by two of the world's most formidable intelligence services--the KGB (Komitet Gosudarstvennoy Bezopasnosti [Committee for State Security]) and GRU (Glavnoye Razvedyvatel'noye Upravleniye [Foreign Military Intelligence Agency of the Soviet Army])--for secretly copying documents, and for surveillance and compromise. Every major camera system used by the KGB, and several used by the GRU are included. A bonus at the end of the book is an exhaustive glossary on KGB and GRU photographic systems and optical devices. This book is a must-have for camera collectors, military enthusiasts, historians, and counterintelligence officers.

This lavishly illustrated and authoritative book presents the secret history of Stasi and Warsaw Pact subminiature spy cameras used during the Cold War. It is a history that could only have been written through the collaboration of veteran Stasi technical intelligence officers and the world's foremost historians on Cold War spy cameras and tradecraft. With more than 450 photographs, the book reveals the history, development, and operational use of more than 70 secret cameras as used by one of the world's most formidable intelligence services--East German Stasi, or MfS--for secretly copying documents, and for surveillance and compromise. Every major camera system used by the Stasi is covered. A bonus at the end of the book is an exhaustive glossary of Stasi and Warsaw Pact photographic systems and optical devices. This book is a must-have for camera collectors, military enthusiasts, historians, and counterintelligence officers.

"Spy, subminiature and detective cameras have long held a fascination for collectors and the general public alike, who often associate these cameras with the Cold War period of the 1950s. The desire to make small and disguised cameras, however, goes back much further, as far as the 1860s - although it was not until the more sensitive plates of the 1880s and, later, rollfilms were developed that subminiature cameras began to appear in all sorts of shapes and sizes. Many such cameras are still being made for covert use and industrial espionage" -- Dust jacket.

This book describes how the United States Air Force tactical reconnaissance units operated from the end of World War II until the 1970s. This was an immensely active period that also included major conflicts in Korea and Vietnam. It was also a period of rapid technological development in aircraft and photographic techniques. The book includes the following: Introduction: The post war period in Europe and the East. The Korean Conflict and the role of the 67th TRW from 1950 to 1954. The role of the highly secret RF-86 missions over Red China and the Soviet Far East in the early to mid '50s. Also the RB-57A missions out of Bitburg and Yokota flying clandestinely over the Soviet Union and the RF-100A missions that were flown over the Soviet Union from Turkey, Rhine Maine and Yokota. United States Air Forces in Europe. The Cuban Missile Crisis and the role of the RF-101 Voodoos and RB-66s. Highly Illustrated with 164 colour & 221 Mono photos, 13 colour profiles and 9 colour insignia. Profiles designed by Robbie Robson.

Books about war and the pictures that came out of conflict usually concentrate on the picture content. But behind every picture there is a camera – and that’s what this book is about. Profusely illustrated throughout with pictures of the cameras, rather than the pictures they took, it looks at 100 years of conflict from the Crimean War to the Korean War. It begins in the days when a photographer needed to be more of a scientist than an artist, such were the difficulties of shooting and processing any photograph. It ends with the cameras whose compact dimensions, versatility and ease of use meant that photographers could largely forget the science and concentrate on the art. Some cameras simply recorded events. Others defined and changed the way those events proceeded. These were the cameras that went to war, and this is their story.