Collected Works Of C G Jung Volume 15

Nine essays, written between 1922 and 1941, on Paracelsus, Freud, Picasso, the sinologist Richard Wilhelm, Joyce's Ulysses, artistic creativity generally, and the source of artistic creativity in archetypal structures.

The Spirit in Man, Art and Literature offers unique and penetrating insights into the lives and opinions of some of the most significant players in the cultural life of the twentieth century. Carl Gustav Jung was at the heart of that cultural life, pioneering, along with Freud, a new interpretation of what it meant to be human in the modern age. This volume reveals the full range of Jung's involvement in this process, from his famous analysis of 'Psychology and Literature' to his landmark texts on Joyce's Ulysses and Picasso's paintings. Jung writes of Freud from the perspective of one who was "permitted a deep glimpse into the mind of this remarkable man," and through the memories and opinions recorded in The Spirit in Man, Art and Literature, the reader is offered a similar privilege.

As a current record of all of C. G. Jung's publications in German and in English, this volume will replace the general bibliography published in 1979 as Volume 19 of the Collected Works of C. G. Jung. In the form of a checklist, this new volume records through 1990 the initial publication of each original work by Jung, each translation into English, and all significant new editions, including paperbacks and publications in periodicals. The contents of the respective volumes of the Collected Works of C. G. Jung and the Gesammelte Werke (published in Switzerland) are listed in parallel to show the interrelation of the two editions. Jung's seminars are dealt with in detail. Where possible, information is provided about the origin of works that were first conceived as lectures. There are indexes of all publications, personal names, organizations and societies, and periodicals.

This volume has become known as perhaps the best introduction to Jung's work. In these famous essays. "The Relations between the Ego and the Unconscious" and "On the Psychology of the Unconscious," he presented the essential core of his system. Historically, they mark the end of Jung's intimate association with Freud and sum up his attempt to integrate the psychological schools of Freud and Adler into a comprehensive framework. This is the first paperback publication of this key work in its revised and augmented second edition of 1966. The earliest versions of the Two Essays, "New Paths in Psychology" (1912) and "The Structure of the Unconscious" (1916), discovered among Jung's posthumous papers, are published in an appendix, to show the development of Jung's thought in later versions. As an aid to study, the index has been comprehensively expanded.

Considered one of Jung's most controversial works, Answer to Job also stands as Jung's most extensive commentary on a biblical text. Here, he confronts the story of the man who challenged God, the man who experienced hell on earth and still did not reject his faith. Job's journey parallels Jung's own experience--as reported in The Red Book: Liber Novus--of descending into the depths of his own unconscious, confronting and reconciling the rejected aspects of his soul. This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London. Described by Shamdasani as "the theology behind The Red Book," Answer to Job examines the symbolic role that theological concepts play in an individual's psychic life.

A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century’s most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung’s practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title “artist.” But the long-awaited and landmark publication, in 2009, of C.G. Jung’s The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of “thinking in images” in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung’s visual works and allowed scholars to engage with the legacy of Jung’s creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung’s visual efforts from early childhood to adult life while illuminating the close relation of Jung’s lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung’s engagement with visual art as maker, collector, and analyst.