Colonialism In The Middle East 1798 1958

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

EU–Middle East relations are multifaceted, varied and complex, shaped by historical, political, economic, migratory, social and cultural dynamics. Covering these relations from a broad perspective that captures continuities, ruptures and entanglements, this handbook provides a clearer understanding of trends, thus contributing to a range of different turns in international relations. The interdisciplinary and diverse assessments through which readers may grasp a more nuanced comprehension of the intricate entanglements in EU–Middle East relations are carefully provided in these pages by leading experts in the various (sub)fields, including academics, think-tankers, as well as policymakers. The volume offers original reflections on historical constructions; theoretical approaches; multilateralism and geopolitical perspectives; contemporary issues; peace, security and conflict; and development, economics, trade and society. This handbook provides an entry point for an informed exploration of the multiple themes, actors, structures, policies and processes that mould EU–Middle East relations. It is designed for policymakers, academics and students of all levels interested in politics, international and global studies, contemporary history, regionalism and area studies.

A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. "Grandly conceived . . . urgently written and urgently needed. . . . No one studying the relations between the metropolitan West and the decolonizing world can ignore Mr. Said's work.' --The New York Times Book Review In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

Within two years of their abortive invasion of the Suez Canal zone in 1956, British troops once again intervened in a major Middle Eastern country. The Jordan intervention of July 1958 took place despite the steady decline of the British position in the country over the previous three years. This book examines why the government led by Harold Macmillan remained ready to use military force to prop up the regime of King Hussein even though the United States had emerged as the main Western power in the Middle East after 1956. Incorporating a variety of archival material, Blackwell provides new historical insights into the origins of the Anglo-American use of military power to protect their interests in the Middle East.

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.

From the author of the bestselling The State of the World Atlas, here is an essential tool for understanding the Middle East and its pivotal role in global politics. As Western powers attempt to redraw the map of the region, Dan Smith uses his forensic skills to unravel the history of this arena of confrontation and instability, from the Ottoman Empire to the present day. With customarily acute analysis, he highlights key issues and maps their global implications to explain why the Middle East has become, and will remain, the focal point for foreign policy. The atlas covers a wide range of topics, including: imperial legacies ethnic and religious differences US presence and policies Arab-Israeli wars Israel and Palestine Iran and Iraq military spending the Kurds Libya and the USA oil and water.

A study of key themes in the history of the British Empire by one of the senior figures in the field.