Color The Natural World

This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”

“An anthology of nature writing by people of color, providing deeply personal connections to—or disconnects from—nature.” —NPR From African American to Asian American, indigenous to immigrant, “multiracial” to “mixed-blood,” the diversity of cultures in this world is matched only by the diversity of stories explaining our cultural origins: stories of creation and destruction, displacement and heartbreak, hope and mystery. With writing from Jamaica Kincaid on the fallacies of national myths, Yusef Komunyakaa connecting the toxic legacy of his hometown, Bogalusa, LA, to a blind faith in capitalism, and bell hooks relating the quashing of multiculturalism to the destruction of nature that is considered “unpredictable”—among more than thirty-five other examinations of the relationship between culture and nature—this collection points toward the trouble of ignoring our cultural heritage, but also reveals how opening our eyes and our minds might provide a more livable future. Contributors: Elmaz Abinader, Faith Adiele, Francisco X. Alarcón, Fred Arroyo, Kimberly Blaeser, Joseph Bruchac, Robert D. Bullard, Debra Kang Dean, Camille Dungy, Nikky Finney, Ray Gonzalez, Kimiko Hahn, bell hooks, Jeanne Wakatsuki Houston, Pualani Kanaka’ole Kanahele, Robin Wall Kimmerer, Jamaica Kincaid, Yusef Komunyakaa, J. Drew Lanham, David Mas Masumoto, Maria Melendez, Thyllias Moss, Gary Paul Nabhan, Nalini Nadkarni, Melissa Nelson, Jennifer Oladipo, Louis Owens, Enrique Salmon, Aileen Suzara, A. J. Verdelle, Gerald Vizenor, Patricia Jabbeh Wesley, Al Young, Ofelia Zepeda “This notable anthology assembles thinkers and writers with firsthand experience or insight on how economic and racial inequalities affect a person’s understanding of nature . . . an illuminating read.” —Bloomsbury Review “[An] unprecedented and invaluable collection.” —Booklist

Relax and reconnect in the pages of this coloring adventure! In the whimsical pages of Color the Natural World you can wander from temperate forests and oceans to deserts and prairies. You’ll meet a host of intricately-drawn animals and birds, like the northern pygmy-owl of the Pacific Northwest forest, a fox from the Great Plains, and the California gull. And you’ll encounter a fun mix of bugs, fish, and plants, like the sea urchins found in the Pacific coast, the cacti of the deserts in the Southwest, and a family of Monarch butterflies. Along the way you’ll discover the mindfulness and joy that comes through creativity. Grab your pens and get ready to take a journey through the natural world!

Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison’s work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate’s novels and brings to the fore an unequaled engagement between race and nature. Morrison’s ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere, are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.

In this richly illustrated love letter to the wild places and natural wonders of North Carolina, Tom Earnhardt, writer and host of UNC-TV's Exploring North Carolina and lifelong conservationist, seamlessly ties deep geological time and forgotten species from our distant past to the unparalleled biodiversity of today. With varied topography and a climate that is simultaneously subtropical, temperate, and subarctic, he shows that North Carolina is a meeting place for living things more commonly found far to the north and south. Highlighting the ways in which the state is a unique ecological crossroads, Earnhardt's research, insightful writing, and stunning photography will both teach and inspire. Crossroads of the Natural World invites readers to engage a variety of topics, including the impacts of invasive species, the importance of forested buffers along our rivers, the role of naturalists, and the challenges facing the state in a time of climate change and sea-level rise. By sharing his own journey of more than sixty years, Earnhardt entices North Carolinians of every age to explore the natural diversity of our state.

The acclaimed science writer “curates a visually striking, riotously colorful photographic display…of physical patterns in the natural world” (Publishers Weekly, starred review). Though at first glance the natural world may appear overwhelming in its diversity and complexity, there are regularities running through it, from the hexagons of a honeycomb to the spirals of a seashell and the branching veins of a leaf. Revealing the order at the foundation of the seemingly chaotic natural world, Patterns in Nature explores not only the math and science but also the beauty and artistry behind nature’s awe-inspiring designs. Unlike the patterns we create, natural patterns are formed spontaneously from the forces that act in the physical world. Very often the same types of pattern and form—such as spirals, stripes, branches, and fractals—recur in places that seem to have nothing in common, as when the markings of a zebra mimic the ripples in windblown sand. But many of these patterns can be described using the same mathematical and physical principles, giving a surprising unity to the kaleidoscope of the natural world. Richly illustrated with 250 color photographs and anchored by accessible and insightful chapters by esteemed science writer Philip Ball, Patterns in Nature reveals the organization at work in vast and ancient forests, powerful rivers, massing clouds, and coastlines carved out by the sea. By exploring similarities such as the branches of a tree and those of a river network, this spectacular visual tour conveys the wonder, beauty, and richness of natural pattern formation.

Twenty-five species of sharks — carefully researched, skillfully rendered, and ready to color — ranging from the tiny cookiecutter shark (11¼ inches) to the monstrous whale shark (up to 65 feet). Also includes hammerhead, tiger, blue, leopard, great white, more. Captioned information on habitat, size, distinguishing characteristics, other data.

Originally published in 1814, Werner's Nomenclature of Colours is a remarkable guide to the colors of the natural world. This edition includes additions by Patrick Syme, a Scottish artist who used the book to create scientifically accurate color charts for field use. With over 100 color swatches and detailed descriptions of each color, this book is an invaluable resource for artists, scientists, and nature lovers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.