Columbia Dictionary Of Modern European Literature
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Columbia Dictionary of Modern European Literature
Author | : Horatio Smith |
Publsiher | : Unknown |
Total Pages | : 899 |
Release | : 1947 |
Genre | : Literature, Modern |
ISBN | : 0231014910 |
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Columbia Dictionary of Modern European Literature
Author | : Jean Albert Bédé,William Benbow Edgerton |
Publsiher | : Columbia University Press |
Total Pages | : 932 |
Release | : 1980 |
Genre | : Literary Criticism |
ISBN | : 0231037171 |
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With more than 1800 critical entries on the writers and literatures of 33 languages, this work presents the entire range of modern European writing -- from the symbolist and modernist works rooted in the last decades of the nineteenth century; through the avant-garde and existentialist movement to Barthes, Blanchot, Breton, and continental thought pertinent today.
Columbia Dictionary of Modern European Literature
Author | : Horatio Smith |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1963 |
Genre | : Literature, Modern |
ISBN | : OCLC:1148620169 |
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Columbia Dictionary of Modern European Literature
Author | : Horatio Smith |
Publsiher | : Sagwan Press |
Total Pages | : 922 |
Release | : 2018-02-07 |
Genre | : History |
ISBN | : 1376970414 |
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Study Guide for Selma Lagerlof s The Outlaws
Author | : Gale, Cengage Learning |
Publsiher | : Gale, Cengage Learning |
Total Pages | : 20 |
Release | : 2024 |
Genre | : Literary Criticism |
ISBN | : 9781410354877 |
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A Study Guide for Selma Lagerlof's "The Outlaws," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
A Reference Guide for English Studies
Author | : Michael J. Marcuse |
Publsiher | : Univ of California Press |
Total Pages | : 2816 |
Release | : 2023-11-10 |
Genre | : Electronic Book |
ISBN | : 9780520321878 |
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The Novel and Europe
Author | : Andrew Hammond |
Publsiher | : Springer |
Total Pages | : 361 |
Release | : 2016-10-05 |
Genre | : Literary Criticism |
ISBN | : 9781137526274 |
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This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.
The Nonconformists
Author | : Brian K. Goodman |
Publsiher | : Harvard University Press |
Total Pages | : 363 |
Release | : 2023-06-20 |
Genre | : History |
ISBN | : 9780674292949 |
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How risky encounters between American and Czech writers behind the Iron Curtain shaped the art and politics of the Cold War and helped define an era of dissent. “In some indescribable way, we are each other’s continuation,” Arthur Miller wrote of the imprisoned Czech playwright Václav Havel. After a Soviet-led invasion ended the Prague Spring, many US-based writers experienced a similar shock of solidarity. Brian Goodman examines the surprising and consequential connections between American and Czech literary cultures during the Cold War—connections that influenced art and politics on both sides of the Iron Curtain. American writers had long been attracted to Prague, a city they associated with the spectral figure of Franz Kafka. Goodman reconstructs the Czech journeys of Allen Ginsberg, Philip Roth, and John Updike, as well as their friendships with nonconformists like Havel, Josef Škvorecký, Ivan Klíma, and Milan Kundera. Czechoslovakia, meanwhile, was home to a literary counterculture shaped by years of engagement with American sources, from Moby-Dick and the Beats to Dixieland jazz and rock ’n’ roll. Czechs eagerly followed cultural trends in the United States, creatively appropriating works by authors like Langston Hughes and Ernest Hemingway, sometimes at considerable risk to themselves. The Nonconformists tells the story of a group of writers who crossed boundaries of language and politics, rearranging them in the process. The transnational circulation of literature played an important role in the formation of new subcultures and reading publics, reshaping political imaginations and transforming the city of Kafka into a global capital of dissent. From the postwar dream of a “Czechoslovak road to socialism” to the neoconservative embrace of Eastern bloc dissidence on the eve of the Velvet Revolution, history was changed by a collision of literary cultures.