Come On Down To My Place And Get Something To Eat

"Celebrating an American heritage: tailgating at historically black colleges and universities (HBCUs) homecomings and football games before, after the game, in the parking lots and on the campuses; recipes for appetizers, entrees, desserts and homecoming spirits; made in batches and in style."

A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The myths given in this book are part of a large body of material collected among the Cherokee, chiefly in successive field seasons from 1887 to 1890, inclusive, and comprising more or less extensive notes, together with original Cherokee manuscripts, relating to the history, archeology, geographic nomenclature, personal names, botany, medicine, arts, home life, religion, songs, ceremonies, and language of the tribe. Contents: Historical Sketch of the Cherokee Stories and Story-tellers The Myths Cosmogonic Myths Quadruped Myths Bird Myths Snake, Fish, and Insect Myths Wonder Stories Historical Traditions Miscellaneous Myths and Legends

Osborne joined the Confederate Army in the spring of 1861. He had no idea what he was getting into. Before he was captured in April 1865, he had been in numerous battles. In his diaries, he constantly complained about the miles and miles of marching through the countryside. He and his fellow soldiers seldom had enough food or supplies. He helped scour battlefields after the fighting, searching for food, weapons, ammunition, and supplies. Letter writing was an everyday ocurrence. Often his poor health required him to help guard the ammunition train or aid with the sick and wounded in various hospitals. Some of his writings about fighting, especially at Antietam and Gettysburg, make us wonder how any of the soldiers survived the war.

In The Rest of the Dream, Lyman Johnson, grassroots civil rights leader, tells his own story. All four of Johnson's grandparents were slaves in Tennessee. Yet his father was a college graduate, principal of a black school, and the inspiration for his son's love of justice. Lyman Johnson was born in 1906 during the darkest days of segregation. He learned from his father not to sit in the "crow's nest" reserved for blacks in his hometown movie theater. This refusal to accept second-class citizenship became a guiding principle in Johnson's life. Johnson was almost forty-three when he won admission to graduate study at the University of Kentucky in 1949. Crosses were burned on campus. Because of his family commitments, he returned to his teaching position in Louisville and never completed his doctorate. Thirty years later the university that fought to keep him out awarded him an honorary doctor of letters degree. Johnson earned his doctorate the hard way—by saying no to the crow's nest and other marks of inequality. Johnson's graphic recall of people and incidents and his storyteller's talent for narrative make this record of a unique American life filled with suspense, humor, tragedy, and triumph.

Dreiser's careful preservation of his papers bears new fruit with the publication of his personal diaries for the years 1902-26. This volume presents all seven of Dreiser's hitherto unpublished American diaries, the intermittent journals he kept during the most productive years of his literary career. Together they constitute a revealing self-portrait as well as a valuable commentary on the American scene during the first quarter of the twentieth century. They offer reflections on turn-of-the-century Philadelphia, the American South and Mid-West, Greenwich Village of the nineteen-teens, and Hollywood of the twenties. The diaries begin in 1902, when Dreiser was at a low point after the "suppression" of Sister Carrie, and continue until 1926, when he was enjoying the greatest success of his career with An American Tragedy. This publication constitutes in its entirety a new source for biographical and critical study. This is particularly true of the diaries covering Dreiser's experience in Philadelphia, Greenwich Village, and with Helen Richardson—all of which were not available to previous biographers. The present Introduction by Professor Riggio is the first biographical narrative to make use of these materials. Future biographers will now be able to speak with more assurance of Dreiser's whereabouts, the people he knew, what he was reading, which writings were in progress, and of his fascinating private affairs in general. In addition, these diaries will be of interest to students of Dreiser's literary art, as they reveal subtle aspects of how Dreiser viewed the external world and transmuted it in his daily creative efforts.