Coming Of Age

Adulthood is taken for granted. It connotes the end of childhood, the resolution to the “storm and stress” period of adolescence. This conception is strongly entrenched in the sociology of youth and the sociology of the life course as well as in the policy arena. At the same time, adulthood itself remains unarticulated; journey’s end remains conceptually fixed and theoretically uncontested. Adulthood, then, is both central to the social imagination and neglected as an area of sociological investigation, something that has been noted by sociologists over the last four decades. Going beyond the overwhelmingly psychological literature, this book draws on original qualitative research and theories of social recognition and thus presents a first step towards filling an important gap in our understanding of the meaning of adulthood.

The story of films is the story of human development. From the very first story that defined the birth of our civilization—the Sumerian Epic of Gilgamesh, a story of immortality, aging and death—comes a tale of why we age. We are a species of storytellers. The stories we tell to each other define who we are. However, since we are living in a world marked by age apartheid, our interaction with people across different generations is becoming more limited. As a result, the information we gain about older people comes mostly from secondary sources. For the general public, films remain the most accessible form of information regarding getting older. From the early exposure of cartoons to more elaborate dramas, our knowledge of what it means to become old relies on our exposure to films. This volume provides insight into how accurate these representations are in line with current knowledge that we have about aging and older adults. Arguing that films present a simplified view of aging, this analysis relies on scientific evidence to explore why and how such stereotypes affect us. Stereotypes have the ability of being internalized and becoming prescriptive of our behavior. Numerous studies have attempted different ways of understanding the impact films have on aging. Theories as seemingly disparate as feminism and disability have contributed to our understanding of how stereotypes influence our aging process. This text builds upon this knowledge and provides new insights by applying current gerontological knowledge—the science of aging—to unpack and analyze the images of aging that films are providing. By readdressing this focus on gerontological theories—as diverse as biology and psychology—the book readdresses an overlooked approach.

Pulitzer Prize winner Studs Terkel presents an extraordinary documentary of the 20th century, captured with a haunting voice and cadence that only he could achieve. Wise, contemplative, and wondrous, Coming of Age is Terkel in high form--compassionate, generous, always insightful--"(a) kind of national prose poem, a chorus of cacophonous voices offering a jagged, emotionally charged portrait of our times" (San Francisco Chronicle Book Review).

"Much hand-wringing has occurred over the so-called failure of young people to grow up today. This volume persuasively shows the range of forces that shape the protracted transition to adulthood. An excellent and enjoyable read." --Deborah Carr, Professor of Sociology, Rutgers University, and editor of the Encyclopedia of the Life Course and Human Development. "The essays in this volume are written with great verve and intelligence, grounded in extensive fieldwork and careful data analysis." --Frank Furstenberg, Professor of Sociology in the Population Studies Center at the University of Pennsylvania

A girl is lured into fanaticism in this psychological thriller with “stunning twists”—by the New York Times–bestselling author of Turn of Mind (San Francisco Chronicle). Never one to conform, Anna always had trouble fitting in. Earnest and willful, she quickly learned, as a young girl, how to hide her quirks from her parents and friends. But at sixteen, a sudden melancholia takes hold of her life. Then the Goldschmidts move in next door. The new neighbors are active members of a religious cult, and Anna is awestruck by both their son, Lars, and their fervent violent prophecies for the Tribulation at the End of Days. Within months, Anna’s life—her family, her home, her very identity—will undergo profound changes. But when her newfound beliefs threaten to push her over the edge, she must find her way back to the center, in this “crisp meditation on the deadly mixture of mental illness and religious charlatanism” (San Francisco Chronicle). “LaPlante crafts prose that cuts to the quick and is the perfect vehicle for this dark tale. . . . A compelling read.” —The Seattle Times

This book explores the ways in which a range of recent American novelists have handled the genre of the 'coming-of-age' novel, or the Bildungsroman. Novels of this genre characteristically dramatise the vicissitudes of growing up and the trials and tribulations of young adulthood, often presented through depictions of immediate family relationships and other social structures. This book considers a variety of different American cultures (in terms of race, class and gender) and a range of contemporary coming-of-age novels, so that aesthetic judgements about the fiction might be made in the context of the social history that fiction represents. A series of questions are asked:* Does the coming-of-age moment in these novels coincide with an interpretation of the 'fall' of America?* What kind of national commentary does it therefore facilitate?* Is the Bildungsroman a quintessentially American genre?* What can it usefully tell us about contemporary American culture? Although the focus is on the conte

Coming of Age at the End of Nature explores a new kind of environmental writing. This powerful anthology gathers the passionate voices of young writers who have grown up in an environmentally damaged and compromised world. Each contributor has come of age since Bill McKibben foretold the doom of humanity’s ancient relationship with a pristine earth in his prescient 1988 warning of climate change, The End of Nature. What happens to individuals and societies when their most fundamental cultural, historical, and ecological bonds weaken—or snap? In Coming of Age at the End of Nature, insightful millennials express their anger and love, dreams and fears, and sources of resilience for living and thriving on our shifting planet. Twenty-two essays explore wide-ranging themes that are paramount to young generations but that resonate with everyone, including redefining materialism and environmental justice, assessing the risk and promise of technology, and celebrating place anywhere from a wild Atlantic island to the Arizona desert, to Baltimore and Bangkok. The contributors speak with authority on problems facing us all, whether railing against the errors of past generations, reveling in their own adaptability, or insisting on a collective responsibility to do better.