Common Property The Golden Age And Empire In Acts 2 42 47 And 4 32 35

Joshua Noble focuses on the rapid appearance and disappearance in Acts 2 and 4 of the motif that early believers hold all their property in common, and argues that these descriptions function as allusions to the Golden Age myth. Noble suggests Luke's claims that the believers “had all things in common” and that “no one claimed private ownership of any possessions”-a motif that does not appear in any biblical source- rather calls to mind Greek and Roman traditions that the earliest humans lived in utopian conditions, when “no one ... possessed any private property, but all things were common.” By analyzing sources from Greek, Latin, Jewish, and Christian traditions, and reading Acts 2:42-47 and 4:32-35 as Golden Age allusions, Noble illustrates how Luke's use of the motif of common property is significant for understanding his attitude toward the Roman Empire. Noble suggests that Luke's appeal to this myth accomplishes two things: it characterizes the coming of the Spirit as marking the beginning of a new age, the start of a “universal restoration” that will find its completion at the Second Coming of Christ; and it creates a contrast between Christ, who has actually brought about this restoration, and the emperors of Rome, who were serially credited with inaugurating a new Golden Age.

The Holy Spirit, being given as a gift in the opening chapters of Acts, initiates and sustains the early Jesus community, empowering their teaching, unity, meals, sharing of possessions and worship.

The Pauline collection for the poor in Jerusalem is the most famous example of financial support for geographically distant groups in early Christianity. Recent assessments of the Pauline collection have focused on patronage to explain the social relations between Jerusalem and the Pauline groups and the strategies adopted by Paul. Through a comparison with the Greco-Roman world and a close reading of the texts, this study challenges the recent approach and proposes that other factors shaped Paul’s stance. Paul was interested in reassuring the Corinthians about the financial outcome of the collection and dispelling doubts that he might take advantage of them. The collection was an action modeled on divine generosity and an exchange within a reciprocal relationship between Christian groups. This study also surveys intergroup support between Christian groups in the first three centuries CE. This practice involved churches from most of the Mediterranean Basin and was known even outside of Christian circles. Transfers of money were organized according to a consistent pattern modeled on local charitable practices. The Pauline collection had similar characteristics and can be seen as part of this widespread economic practice.

The ancient cento-genre was prone to be used on all kinds of subjects. New texts were created out of the classical epics. Empress Eudocia followed this practice and composed the story of Jesus in lines lifted almost verbatim from Homer’s epics. Jesus and his relevance to her audience is thus presented within the confines of style and vocabulary offered by the Iliad and Odyssey. The lines picked to convey her theology are often clustered around key Homeric motifs or type scenes, such as warfare, homecoming, feast, reconciliation, hospitality. Jesus waging war against all evil and Hades in particular runs throughout this Homeric and simultaneously biblical epic. The story starts in the Old Testament which is conceived as a divine counsel on Mt. Olympus where a plan to save sinful humanity is presented. The narrative then follows the biographic lines of the canonical gospels, with John’s Gospel holding pride of place in the way she renders and interprets the Jesus-story. The story told suspends both the geography and time of Jesus. Eudocia preaches the story she tells. She emerges in this poem as one of the most, if not the most prolific female theologian and preacher in the first Christian centuries.

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The Acts of the Apostles joins the Gospel of Luke with the ministry of Paul. The author shows how this masterful storyteller worked his magic, drawing on first-century literary techniques of narration and characterization.