Competition Monologues Book Two

This collection of 40 monologues for men and women contains a wide variety of characters, genres and lengths. The monologues also include approximate timing, timing, character/story background, and performance suggestions. (Adapted from back cover).

This second volume of Competition Monologues is, like the first volume, designed specifically for young actors 18-28 years old. The selections are again drawn from American plays produced by professional regional theatres across the nation during the past few years. Because of this the scripts, with few exceptions, cannot be readily found in published form, and the monologues are therefore infrequently performed and highly original. As a result of suggestions from numerous coaches and drama teachers across the nation who have used the first volume in their classes and workshops, the editor has included longer selections in this second volume. Hopefully this will help the general reader and theatre practitioner to gain an understanding of the range and quality of solid dramatic writing which characterizes the contemporary American theatre and enable acting instructors to use the selections as longer exercises in their general acting and theatre performance classes. The reference section has been completely updated to reflect the wealth of material which has recently appeared in the monologue and auditioning field. The combination of originality and vital dramatic writing makes this anthology unique in the field as a resource book for young actors.

This is a unique anthology of monologues specifically suited to the competitive situation of auditioning for plays and contests. Includes an introduction to the actor with helpful suggestions for selection of monologues as well as audition tips and a resource appendix.

Wanna make them laugh? From her best-selling Ultimate Audition Book for Teens: 111 One-Minute Monologues to this masterful new collection, writer/actor/coach Janet B. Milstein has a proven track record for success. This new series adds a cool twist to the monologue process every piece was written for a specific student in a specifically sticky situation. In a specialized 30-day workshop, Janet dared the students to laugh at themselves by turning their anxiety into hilarity. What it meant for them was personalized monologues that resulted in callbacks and awards. What it means for you is award winning material you can relate to and perform with confidence. So, when it comes to choosing your audition pieces, why settle for less than Winners! FEATURES OF THIS BOOK INCLUDE: All one-minute monologues and under to fit auditions and competitions All comic material Specifically for ages 4 to 12 No foul language or subject matter A female-to-male monologue ratio that more accurately reflects the classroom A special section on how to use the book & tips on selecting monologues Authentic material you can relate to because it was written for real students Award-winning monologues that are new to the public, but have been put to the test Written by best-selling monologue book author, Janet B. Milstein Great for auditions, competitions, showcases, and acting classes

(Limelight). This book is written for the beginning or seasoned playwright, as well as for actors (or anyone) wishing to attempt their first ten-minute play. Every aspect of writing a ten-minute play is covered, from perking with an idea, to starting the play, to developing it, to effective rewriting, to completing it, even to how to get the most out of readings of your play once you've finished it. Writing the 10-Minute Play also reveals the best ways to market your play and includes an extensive listing of ten-minute play contests. The guide contains many in-depth interviews with international playwrights who have had substantial success with their ten-minute plays, as well as publishers of ten-minute plays and producers of ten-minute play festivals. Included as well are several award-winning ten-minute plays, followed by a discussion by the respective playwrights on how they went about creating their play, from start to finish. The final chapter offers tips and suggestions from artistic directors of ten-minute play festivals and from well-known playwrights whose ten-minute plays have received awards and publishing deals.