Complete Works Of Isaac Babel

"A celebration of literary genius framed by 20th-century tragedy."--Richard Bernstein, New York Times Finally in paperback, this "monumental collection; gathers all of Babel's deft and brutal writing, including a wide array of previously unavailable material, from never-before-translated stories to plays and film scripts" (David Ulin, Los Angeles Times). Reviewing the work in The New Republic, James Woods wrote that this groundbreaking volume "represents a triumph of translating, editing, and publishing. Beautiful to hold, scholarly and also popularly accessible, it is an enactment of love." Considered one of the greatest writers of the twentieth century, Isaac Babel has left his mark on a generation of readers and writers. This book will stand as Babel's final, most enduring legacy. Winner of the Koret Jewish Book Award; A New York Times Notable Book, a and Library Journal Best Book, a Washington Post Book World Rave, a Village Voice Favorite Book of the Year.

Presents the collected short stories of a master of the form, along with his letters, plays, diaries, and screenplays.

Often revolving around the tortured dilemmas faced by Jews within the ruthless Soviet state, this title contains such classic works as the Red Cavalry cycle and Babel's diaries, as well as several previously untranslated stories and screenplays.

(Kashirina), M. N. Berkov, Iosif Stalin, Vyacheslav Polonsky, Clara Malraux, Kornei Chukovsky, Erwin Sinko, Antonina Pirozhkova, Dmitry Furmanov, and others. Many of these materials appear in English for the first time." ""Criticism" brings together five major assessments of Babel's legacy, by Viktor Shklovsky, Semyon Budyonny, Lionel Trilling, Efraim Sicher, and Gregory Freidin." "A Chronology and a Selected Bibliography complete this Norton Critical Edition." --Book Jacket.

Throughout his life Isaac Babel was torn by opposing forces, by the desire both to remain faithful to his Jewish roots and yet to be free of them. This duality of vision infuses his work with a powerful energy from the earliest tales including 'Old Shloyme' and 'Childhood', which affirm his Russian-Jewish childhood, to the relatively non-Jewish world of his collection of stories entitled 'Red Cavalry'. Babel's masterpiece, 'Red Cavalry' is the most dramatic expression of his dualism and in his simultaneous acceptance and rejection of his heritage heralds the great American-Jewish writers from Henry Roth to Saul Bellow and Philip Roth.

I WISH TO RESTORE to public memory certain features of a man endowed with great goodness of spirit, a passionate interest in people, and a miraculous gift for depicting them." So begins A. N. Pirozhkova's moving memoir of her life with Isaac Babel, perhaps the Soviet Union's greatest writer, and one of the literary world's most lively and endearing characters. Pirozhkova was the only female engineer working on Stalin's grand Moscow subway project when she met Babel in 1932 and they spent the next eight years as husband and wife. At His Side is populated with Babel's wide circle of friends - among them Maxim Gorky, Sergey Eisenstein, and André Malraux - and includes some wonderful vignettes, as when Babel accompanies a cantankerous Boris Pasternak on a long train ride to Germany to receive a literary prize. But it is Babel himself, the affable and always witty writer, who is given vivid life on this pages. And then, in 1940, Stalin's secret police arrive at the door to take Babel away, and there begins the long and sorrowful aftermath to the story. After a mock trial, Babel was summarily executed, but his fate was kept from Pirozhkova and for years she was led to believe he was alive - and writing - in a Siberian prison camp. It was not until 1952 that she learned that Babel was dead, but even then the authorities played with the truth, claiming he'd died of a heart attack. It was only after the collapse of the Soviet Union that Pirozhkova learned the true circumstances of Babel's murder. "Babel lives in his wife’s lucid yet adoring prose. We are with her, at his side"--New York Times Book Review "This glimpse into Babel’s last few years on earth, written by the person closest to him, will be a treasured possession" --Richard Bernstein The New York Times

A literary cult figure on a par with Franz Kafka, Isaac Babel has remained an enigma ever since he disappeared, along with his archive, inside Stalin's secret police headquarters in May of 1939. Made famous by Red Cavalry, a book about the Russian civil war (he was the world's first "embedded" war reporter), another book about the Jewish gangsters of his native Odessa, and yet another about his own Russian Jewish childhood, Babel has been celebrated by generations of readers, all craving fuller knowledge of his works and days. Bringing together scholars of different countries and areas of specialization, the present volume is the first examination of Babel's life and art since the fall of communism and the opening of Soviet archives. Part biography, part history, part critical examination of the writer's legacy in Russian, European, and Jewish cultural contexts, The Enigma of Isaac Babel will be of interest to the general reader and specialist alike.

Hailed as the first great Soviet writer, Isaac Babel was at once a product and a victim of violent revolution. In tales of Cossack marauders and flashy Odessa gangsters, he perfectly captured the raw, edgy mood of the first years of the Russian Revolution. Masked, reckless, impassioned, charismatic, Babel himself was as fascinating as the characters he created. At last, in renowned author Jerome Charyn, Babel has a portraitist worthy of his quicksilver genius. Though it traces the arc of Babel’s charmed life and mysterious death, Savage Shorthand bursts the confines of straight biography to become a meditation on the pleasures, torments, and meanings of Babel’s art. Even in childhood, Babel seemed destined to leave a mark. But it was only when his mentor, Maxim Gorky, ordered him to go out into the world of revolutionary Russia that Babel found his true voice and subject. His tales of the bandit king Benya Krik and the brutal raids of the Red Cavalry electrified Moscow. Overnight, Babel was a celebrity, with throngs of admirers and a train of lovers. But with the rise of Stalin, Babel became a living ghost. Charyn brilliantly evokes the paranoid shadowland of the first wave of Stalin’s terror, when agents of the Cheka snuffed out artists like candle flames. Charyn’s chilling account of the circumstances of Babel’s death–hidden and lied about for decades by Stalin’s agents–finally sets the record straight. For Jerome Charyn, Babel is the writer who epitomizes the vibrancy, violence, and tragedy of literature in the twentieth century. In Savage Shorthand, Charyn has turned his own lifelong obsession with Babel into a dazzling and original literary work.