Composers Since 1900

Two hundred and twenty composers included.

Forty seven new biographies and updating of information on one hundred and seventy two composers appearing in Composers Since 1900.

Contains profiles of more than 200 composers and notes their most important compositions.

This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.

A comprehensive study of modern music which explores its development from 1900 to the present day. Entries on each composer give critical consensus, a brief biography and list of works in order of composition. The author has also written The Complete Book of Classical Music.

**** One of the most celebrated references on the music of this century, cited in BCL3, Sheehy, and Walford. Beginning with January 1, 1900, it illuminates every significant day in music history, highlighting debuts, deaths, performances, and an abundance of entertaining music trivia. This edition revises and combines the 1971 fourth edition and its 1986 supplement with descriptive chronologies from 1985 through 1991. It retains the now classic preface to the fourth edition, the Letters and Documents section that includes letters to Slonimsky from Schoenberg, Ives, Varese, and George Bernard Shaw, and the Dictionary of Terms. This edition celebrates Slonimsky's 100th birthday (April 27th). Annotation copyright by Book News, Inc., Portland, OR

Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.

This book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material, it also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electroacoustic music. The book includes a bibliography and discography covering the work of ninety composers.