Conceiving A New Republic

He also examines their struggle to revive the experiment with the Lodge Federal Elections bill of 1890 - the last serious attempt at civil rights legislation until the 1950s.".

The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).

This volume provides an investigation of the dynamics of reproduction. Using reproduction as an entry point the authors examine how cultures are produced, contested, and transformed as people imagine their collective future in the creation of the next generation.

NEW YORK TIMES BESTSELLER • From the author of A. Lincoln, a major new biography of one of America’s greatest generals—and most misunderstood presidents Winner of the William Henry Seward Award for Excellence in Civil War Biography • Finalist for the Gilder-Lehrman Military History Book Prize In his time, Ulysses S. Grant was routinely grouped with George Washington and Abraham Lincoln in the “Trinity of Great American Leaders.” But the battlefield commander–turned–commander-in-chief fell out of favor in the twentieth century. In American Ulysses, Ronald C. White argues that we need to once more revise our estimates of him in the twenty-first. Based on seven years of research with primary documents—some of them never examined by previous Grant scholars—this is destined to become the Grant biography of our time. White, a biographer exceptionally skilled at writing momentous history from the inside out, shows Grant to be a generous, curious, introspective man and leader—a willing delegator with a natural gift for managing the rampaging egos of his fellow officers. His wife, Julia Dent Grant, long marginalized in the historic record, emerges in her own right as a spirited and influential partner. Grant was not only a brilliant general but also a passionate defender of equal rights in post-Civil War America. After winning election to the White House in 1868, he used the power of the federal government to battle the Ku Klux Klan. He was the first president to state that the government’s policy toward American Indians was immoral, and the first ex-president to embark on a world tour, and he cemented his reputation for courage by racing against death to complete his Personal Memoirs. Published by Mark Twain, it is widely considered to be the greatest autobiography by an American leader, but its place in Grant’s life story has never been fully explored—until now. One of those rare books that successfully recast our impression of an iconic historical figure, American Ulysses gives us a finely honed, three-dimensional portrait of Grant the man—husband, father, leader, writer—that should set the standard by which all future biographies of him will be measured. Praise for American Ulysses “[Ronald C. White] portrays a deeply introspective man of ideals, a man of measured thought and careful action who found himself in the crosshairs of American history at its most crucial moment.”—USA Today “White delineates Grant’s virtues better than any author before. . . . By the end, readers will see how fortunate the nation was that Grant went into the world—to save the Union, to lead it and, on his deathbed, to write one of the finest memoirs in all of American letters.”—The New York Times Book Review “Ronald White has restored Ulysses S. Grant to his proper place in history with a biography whose breadth and tone suit the man perfectly. Like Grant himself, this book will have staying power.”—The Wall Street Journal “Magisterial . . . Grant’s esteem in the eyes of historians has increased significantly in the last generation. . . . [American Ulysses] is the newest heavyweight champion in this movement.”—The Boston Globe “Superb . . . illuminating, inspiring and deeply moving.”—Chicago Tribune “In this sympathetic, rigorously sourced biography, White . . . conveys the essence of Grant the man and Grant the warrior.”—Newsday

Of all the great “what if” scenarios in American history, the aftermath of the presidential election of 1880 stands out as one of the most tantalizing. The end of the Civil War and the assassination of Abraham Lincoln had thrown the future of Lincoln’s vision for the country into considerable doubt; the years that followed—marked by impeachment, constitutional change, presidential scandals, and the contested election of 1876—saw Republicans fighting to retain power as they transitioned into the party of “big business.” Enter James A. Garfield, a seasoned politician known for his advocacy of civil rights, who represented the last potential Reconstruction presidency: truly, Benjamin T. Arrington suggests in this book, the last “Lincoln Republican.” The story of the presidential election of 1880, fully explored for the first time in The Last Lincoln Republican, is a political drama of lasting consequence and dashed possibilities. A fierce opponent of slavery before the war, Garfield had fought for civil rights for African Americans for years in Congress. Holding true to the original values of the Republican Party, Garfield wanted to promote equal opportunity for all; meanwhile, Democrats, led by Winfield Scott Hancock, sought to return the South to white supremacy and an inferior status for African Americans. With its in-depth account of the personalities and issues at play in 1880, Arrington’s book provides a unique perspective on how this critical election continues to resonate through our national politics and culture to this day. A close look at the contest of 1880 reveals that Garfield’s victory could have been the start of a period of greater civil rights legislation, a continuation of Lincoln’s vision. This was the choice made by the American people—and, as The Last Lincoln Republican makes poignantly clear, the great opportunity forever lost when Garfield was assassinated just a few months into his term.

The Journal of the Civil War Era Volume 2, Number 4 December 2012 TABLE OF CONTENTS Articles Mark Fleszar "My Laborers in Haiti are not Slaves": Proslavery Fictions and a Black Colonization Experiment on the Northern Coast, 1835-1846 Jarret Ruminski "Tradyville": The Contraband Trade and the Problem of Loyalty in Civil War Mississippi K. Stephen Prince Legitimacy and Interventionism: Northern Republicans, the "Terrible Carpetbagger," and the Retreat from Reconstruction Review Essay Roseanne Currarino Toward a History of Cultural Economy Professional Notes T. Lloyd Benson Geohistory: Democratizing the Landscape of Battle Book Reviews Books Received Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.

The newest volume in the Oxford History of the United States series, The Republic for Which It Stands argues that the Gilded Age, along with Reconstruction--its conflicts, rapid and disorienting change, hopes and fears--formed the template of American modernity.

The Civil War did not end with Confederate capitulation in 1865. A second phase commenced which lasted until 1871—not Reconstruction but genuine belligerency whose mission was to crush slavery and create civil and political rights for freed people. But as Gregory Downs shows, military occupation posed its own dilemmas, including near-anarchy.