Concordia

"Published for the Montreal Institute for Genocide and Human Rights Studies at Concordia University."

Public scholarship - sharing research with audiences outside of academic settings - has become increasingly necessary to counter the rise of misinformation, to fill gaps from cuts to traditional media, and to increase the reach of important scholarship by making it available to the public. Engaging in these efforts often comes with the risk of harassment and threats - especially for women, people of colour, queer communities, and precariously employed workers. Engage in Public Scholarship! provides constructive guidance on how to translate research into inclusive public outreach while ensuring that such efforts are accessible for a range of abilities as well as safer for those involved. In clear and helpful language, Alex Ketchum discusses practices and planning for a great range of educational activities - from in-person and online events, conferences, and lectures, to publishing and working with the media, to social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book serves as a concise approach to the key challenges and benefits of feminist and accessible public scholarship by surveying debates and offering solutions. Examining the needs for long-term preservation and impact, Ketchum discusses issues relating to digital sustainability, maintenance, the concept of "openness," and how to be mindful of exclusionary barriers that impede access. A useful and readable guidebook for scholars, students, and content creators, Engage in Public Scholarship! offers both encouragement and toolkits for reaching audiences and sharing knowledge in practical and more equitable ways.

In 1869, Concordia, Kansas, was declared the county seat of what would become Cloud County. At first, the town existed only on paper as a project being pushed by James M. Hagaman and a small group of partners. Once development started, Concordia rapidly grew to become a center of commerce south of the Republican River that eventually attracted four railroad lines. It became a town of landmarks, including several famous hotels, two opera houses, Nazareth Convent, and a thriving downtown area. Characters in the story of Concordia include French Canadian immigrants, nuns, pilots, quarreling newspaper editors, German prisoners of war, and politician Frank Carlson. Readers can enjoy visiting the community’s past in the pages of Images of America: Concordia.

About the Book Concordia: A Society for the 21st Century is a story of a fictional country recently founded. A journalist from the U.S. is given carte-blanche to delve into all of this new nation's institutions, governmental, commercial and cultural, and to report everything he has seen. This is by any standard, an evocative read whether or not one agrees with its premise.

An updated edition of the Lutheran Confessions with resources designed to aid understanding and study of the Book of Concord containing comprehensive introductions, thorough annotations and explanations, timeline, indexes, essays, and much more. Now in a beautiful duo-tone leather pocket edition.

On January 13, 2012, the Costa Concordia — a thousand foot long luxury cruise ship, twice the size of the Titanic — ventured into shallow water and smashed into the rocks of a tiny island off the coast of Italy, throwing the four thousand passengers and crew members into a state of chaos. The captain and officers all abandoned ship, leaving the few remaining castaways to fend for themselves as the boat toppled onto its side and water flooded into the passenger decks. In the wee hours of the night, newlyweds Benji Smith and Emily Lau feared for their lives, desparate and terrified after a malfunctioning lifeboat left them stranded on the sinking ship. By this point, the other lifeboats had all gone. They had been left behind. This thoughtful memoir — hailed by The Daily Telegraph as "a compelling, minute-by-minute account of the chaotic evacuation" — tells the remarkable story of the couple's harrowing escape, as they clung to a rope and rappelled down the hull of the doomed vessel. But the astonishing story continues, as they find themselves stranded in Rome and ignored by the United States Embassy. With only the clothes on their backs, they relied upon the kindness of strangers to help them find food and shelter, clothing and medical attention. And finally a ticket home. But even then, in the safety of their own home, they would find their sleep haunted by nightmares and their days crippled by anxiety and insecurity. And even as they struggled to overcome PTSD, they would simultaneously find themselves in a battle with the news media to even have their story told. Praised by Newsweek/The Daily Beast for its "honest reflection and frightening detail", this gripping, triumphant story is ultimately a spiritual tale, the story of a pair of survivors who find hope and meaning in the aftermath of a tragedy.

Attending to the 'Cry of the Earth' requires a critical appraisal of how we conceive our relationship with the environment, and a clear vision of how to apprehend it in law and governance. Addressing questions of participation, responsibility and justice, this collective endeavour includes marginalised and critical voices, featuring contributions by leading practitioners and thinkers in Indigenous law, traditional knowledge, wild law, the rights of nature, theology, public policy and environmental humanities.Such voices play a decisive role in comprehending and responding to current global challenges. They invite us to broaden our horizon of meaning and action, modes of knowing and being in the world, and envision the path ahead with a new legal consciousness. A valuable reference for students, researchers and practitioners, this book is one of a series of publications associated with the Earth System Governance Project. For more publications, see www.cambridge.org/earth-system-governance.

Holmes entered the cabinet / of the respectable reverend / (who was in fact a closet naturalist) / and found so many Victorian things. In the early 2000s flarf poetry emerged as an avant-garde movement that generated disturbing and amusing texts from the results of odd internet searches. In Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry. Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emulation, adaptation, reboot, mimicry, abhorrence, cringe, and love. Erasures of massive volumes of prose by John Stuart Mill and John Ruskin become concise poems of condensed sadness; a reboot of Christina Rossetti’s “Goblin Market” is told from the perspective of a ten-year-old boy with an imaginary albatross pal; recovered fragments from an apocryphal book of Victorian nonsense verse are pieced together; a Leonard Cohen song about Queen Victoria is offered in a steampunk rendering; and a meditative guinea pig delivers a dramatic monologue in the vein of Robert Browning. Camlot moves through Victorian literature as a collector in a curiosity shop, seeking the oddest forms of feeling in language to shape them into peculiarly affective poems.