Concubinage And Servitude In Late Imperial China

In the long course of late imperial Chinese history, servants and concubines formed a vast social stratum in the hinterland along the Grand Canal, particularly in urban areas. Concubinage and Servitude in Late Imperial China is a survey of the institutions and practice of concubinage and servitude in both the general populace and the imperial palace, with a focus on the examination of Ming-Qing political and socioeconomic history through the lives of this particular group of distinct yet associated individuals. The persistent theme of the book is how concubines, appointed by patriarchal polygamy, and servants, laboring under the master-servants hierarchy, experienced interactions and mobility within each institution and in associating with the other. While reviewing how ritual and law treated concubines and servants as patriarchal possessions, the author explores the perspectives available for individualconcubines and servants and the limitations in their daily circumstances, searching for their “positional powers” and “privilege of the inferiors” in the context of Chinese culture during the Ming-Qing time period. For a list of the book's tables and their sources, please see: http://www.wou.edu/wp/hsiehb/

Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.

Exploring eight centuries of private life in China, anthropologist Francesca Bray counters Western perceptions of subservient Oriental women and reveals that female heirarchies within Chinese families reinforced the power of wives, whose responsibilities included ritual activities, financial management, and the education of children. Illus.

Homoerotic Sensibilities in Late Imperial China is the richest exploration to date of late imperial Chinese literati interest in male love. Employing primary sources such as miscellanies, poetry, fiction and 'flower guides', Wu Cuncun argues that male homoeroticism played a central role in the cultural life of late imperial Chinese literati elites. Countering recent arguments that homosexuality was marginal and disparaged during this period, the book also seeks to trace the relationship of homoeroticism to status and power. In addition to historical portraits and analysis, the book also advances the concept of 'sensibilities' as a method for interpreting the complex range of homoerotic texts produced in late imperial China.

This groundbreaking book analyzes marriage and family reform in twentieth-century China. Lisa Tran’s examination of changes in the perception of concubinage explores the subtle, yet very meaningful, shifts in the construction of monogamy in contemporary China. Equally important is her use of court cases to assess how these shifts affected legal and social practice. Tran argues that this dramatic story has often been overlooked, leading to the mistaken conclusion that concubinage remained largely unchanged or quietly disappeared in “modern” China. Customarily viewed as a minor wife because her “husband” was already married, a concubine found her legal status in question under a political order that came to be based on the principles of monogamy and equality. Yet although the custom of concubinage came under attack in the early twentieth century, the image of the concubine stirred public sympathy. How did lawmakers attack the practice without jeopardizing the interests of concubines? Conversely, how did jurists protect the interests of women without appearing to sanction concubinage? How law and society negotiated these conflicting interests dramatically altered existing views of monogamy and marriage and restructured gender and family relations. As the first in-depth study of the meaning and practice of monogamy and concubinage in modern China, this book makes an important contribution to our understanding of Chinese society and legal norms. In addition, by crossing the “1949 divide,” it compares the Guomindang’s designation of concubinage as adultery with the Chinese Communist Party’s treatment of it as bigamy, and draws out the legal implications for the practice of concubinage as well as for women who were concubines. Poised at the intersection of Chinese history, women’s history, and legal history, this book makes a unique and significant contribution to the scholarship in all three fields.

This accessible text offers a comprehensive survey of women’s history in China from the Neolithic period through the end of the Qing dynasty in the early twentieth century. Rather than providing an exhaustive chronicle of this vast subject, Bret Hinsch pinpoints the themes that characterized distinct periods in Chinese women’s history and delves into the perception of female identity in each era. Moving beyond the traditional focus on the late imperial era, Hinsch explores how gender relations have developed and changed since ancient times. His chronological look at the most important female roles in every major dynasty showcases not only the constraints women faced but also their vast accomplishments throughout the millennia. Hinsch’s extensive use of Chinese-language scholarship lends his book a fresh perspective rare among Western scholars. Professors and students will find this an invaluable textbook for Chinese women’s studies and an excellent supplement for courses in gender studies and Chinese history.

Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony—rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.

In this study of desire in Late Imperial China, Martin W. Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates. Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire.