Confederate Sheet Music Imprints
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Sheet Music of the Confederacy
Author | : Robert I. Curtis |
Publsiher | : McFarland |
Total Pages | : 523 |
Release | : 2024-03-28 |
Genre | : Music |
ISBN | : 9781476650760 |
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The creation of the Confederate States of America and the subsequent Civil War inspired composers, lyricists, and music publishers in Southern and border states, and even in foreign countries, to support the new nation. Confederate-imprint sheet music articulated and encouraged Confederate nationalism, honored soldiers and military leaders, comforted family and friends, and provided diversion from the hardships of war. This is the first comprehensive history of the sheet music of the Confederacy. It covers works published before the war in Southern states that seceded from the Union, and those published during the war in Union occupied capitals, border and Northern states, and foreign countries. It is also the first work to examine the contribution of postwar Confederate-themed sheet music to the South's response to its defeat, to the creation and fostering of Lost Cause themes, and to the promotion of national reunion and reconciliation.
Confederate Sheet music Imprints
Author | : Frank W. Hoogerwerf |
Publsiher | : Brooklyn, N.Y. : Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York |
Total Pages | : 198 |
Release | : 1984 |
Genre | : Music |
ISBN | : UOM:39015010376484 |
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Confederate Sheet Music
Author | : E. Lawrence Abel |
Publsiher | : McFarland |
Total Pages | : 264 |
Release | : 2015-06-14 |
Genre | : History |
ISBN | : 9781476606385 |
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During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South’s beliefs was obvious; as one music publisher said, “The South must not only fight her own battles but sing her own songs and dance to music composed by her own children.” Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.
Bugle Resounding
Author | : Bruce C. Kelley,Mark A. Snell |
Publsiher | : University of Missouri Press |
Total Pages | : 272 |
Release | : 2004-10-12 |
Genre | : History |
ISBN | : 9780826264206 |
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In the mid-nineteenth century the United States was musically vibrant. Rising industrialization, a growing middle class, and increasing concern for the founding of American centers of art created a culture that was rich in musical capital. Beyond its importance to the people who created and played it is the fact that this music still influences our culture today. Although numerous academic resources examine the music and musicians of the Civil War era, the research is spread across a variety of disciplines and is found in a wide array of scholarly journals, books, and papers. It is difficult to assimilate this diverse body of research, and few sources are dedicated solely to a rigorous and comprehensive investigation of the music and the musicians of this era. This anthology, which grew out of the first two National Conferences on Music of the Civil War Era, is an initial attempt to address that need. Those conferences established the first academic setting solely devoted to exploring the effects of the Civil War on music and musicians. Bridging musicology and history, these essays represent the forefront of scholarship in music of the Civil War era. Each one makes a significant contribution to research in the music of this era and will ultimately encourage more interdisciplinary research on a subject that has relevance both for its own time and for ours. The result is a readable, understandable volume on one of the few understudied—yet fascinating—aspects of the Civil War era.
Confederate Imprints Unofficial publications Vol 2 pt 3 Sheet music compiled by Richard B Harwell
Author | : Marjorie Crandall |
Publsiher | : Unknown |
Total Pages | : 528 |
Release | : 1955 |
Genre | : American literature |
ISBN | : UOM:39015058003537 |
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Cataloging Sheet Music
Author | : Music Library Association. Working Group on Sheet Music Cataloging Guidelines |
Publsiher | : Scarecrow Press |
Total Pages | : 228 |
Release | : 2003 |
Genre | : Language Arts & Disciplines |
ISBN | : 0810847507 |
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Discussions are designed to expand the music cataloger's understanding of publishing practices peculiar to sheet music. While much of the content emphasizes the description of the music, there are also sections devoted to subject access to illustrations, first-line/chorus/refrain text, illustrators, engravers, and publishers, and extensive reproductions of title pages from the 18th through mid-20th centuries, accompanied by examples of the cataloging, are also included.
Bibliographical Handbook of American Music
Author | : Donald William Krummel |
Publsiher | : University of Illinois Press |
Total Pages | : 288 |
Release | : 1987 |
Genre | : Music |
ISBN | : 0252014502 |
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Confederate Minds
Author | : Michael T. Bernath |
Publsiher | : Univ of North Carolina Press |
Total Pages | : 432 |
Release | : 2010-07-10 |
Genre | : History |
ISBN | : 0807895652 |
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During the Civil War, some Confederates sought to prove the distinctiveness of the southern people and to legitimate their desire for a separate national existence through the creation of a uniquely southern literature and culture. Michael Bernath follows the activities of a group of southern writers, thinkers, editors, publishers, educators, and ministers--whom he labels Confederate cultural nationalists--in order to trace the rise and fall of a cultural movement dedicated to liberating the South from its longtime dependence on Northern books, periodicals, and teachers. By analyzing the motives driving the struggle for Confederate intellectual independence, by charting its wartime accomplishments, and by assessing its failures, Bernath makes provocative arguments about the nature of Confederate nationalism, life within the Confederacy, and the perception of southern cultural distinctiveness.