Conflict Power And Multitude In Machiavelli And Spinoza

Conflict, Power and Multitude in Machiavelli and Spinoza explores Spinoza's political philosophy by confronting it with that of Niccolò Machiavelli. Filippo Del Lucchese conducts a study of the relationship between Machiavelli and Spinoza from a perspective at once philosophical, historical and political. The book begins by showing how closely tied the two thinkers are in relation to realism. Del Lucchese then goes on to examine the theme of conflict as a crucial element of an understanding of Machiavelli and Spinoza's conceptions of modernity. The book concludes with an examination of the concept of 'multiplicity' and 'plural' expressions of politics, namely Machiavelli's popolo and Spinoza's multitudo. Overall, the Machiavelli-Spinoza axis offers a fruitful perspective through which to analyse the relationship between contending ideas of modernity from a historical point of view, and provides an original point of departure for discussing some key theoretical, political and juridical notions that have resurfaced in contemporary debates.

The Political Philosophy of Niccolo Machiavelli is a clear account of Machiavelli's thought, major theories and central ideas. Geared towards the specific requirements of students who need to reach a sound understanding of Machiavelli's ideas, it is the ideal companion to the study of this influential and challenging philosopher.

Papers from a conference held 6-7 December 2013 at the Italian Academy for Advanced Studies at Columbia University to mark the five-hundredth anniversary of the publication of The Prince.

Reconstructs the origins of the idea that social conflict, and not concord, makes political communities powerful.

By radically re-reading the 'Theological Political Treatise', Dimitris Vardoulakis argues that Spinoza's Epicurean influence has profound implications for his conception of politics and ontology. This reconsideration of Spinoza's political project, set within a historical context, lays the ground for an alternative genealogy of materialism.

Spinoza's political thought has been subject to a significant revival of interest in recent years. As a response to difficult times, students and scholars have returned to this founding figure of modern philosophy as a means to help reinterpret and rethink the political present. Spinoza's Authority Volume II makes a significant contribution to this ongoing reception and utilization of Spinoza's 1670s Theologico-Political and Political treatises. By taking the concept of authority as an original framework, this books asks: How is authority related to law, memory, and conflict in Spinoza's political thought? What are the social, historical and representational processes that produce authority and resistance? And what are the conditions of effective resistance? Spinoza's Authority Volume II features a roster of internationally established theorists of Spinoza's work, and covers key elements of Spinoza's political philosophy.

Presenting a detailed reinterpretation and reconstruction of the political thought of Niccolò Machiavelli, Machiavelli and the Politics of Democratic Innovation uses original readings of Machiavelli's texts to develop a new theoretical model of democratic practice. The book critically and creatively juxtaposes certain concepts drawn from Machiavelli's work in order to produce new political insights. Christopher Holman identifies two unique ideas in Machiavelli through his rearrangement of Machiavellian concepts. The first, drawn primarily from The Prince, is an image of the individual human being as a creative subject that seeks the exteriorization of desire via political creation. The second, drawn primarily from The Discourses on Livy, is an image of the democratic republic as a form of regime in which this desire for creative self-expression is universalized, all citizens being able to affirm their psychic orientation toward innovation through their equal access to political institutions and orders. Such institutions and orders, to the extent that they function as media for the expression of a fundamental human creativity, must be arranged so that they are capable of continual interrogation and refinement. In the final instance, a new ethical ground for the normative defense of democratic life is constructed, one grounded in the orientation of individual beings toward novelty and innovation.