Conflicting Images Of Man

In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.

A compelling expose of the truth behind society's racial and sexual stereotypes of black men, this book offers a wide historical perspective and insights into such recent racially charged events as the Clarence Thomas hearings, the O.J. Simpson trial, and the Million Man March. Hutchinson brilliantly counters the image of black men as a population entrenched in crime, drugs, and violence.

An important ethnographic analysis of motherhood in one Melanesian society

This volume’s predominant theme is bourgeois mentality and its historical development. The works of Lope de Vega, Calderón, Cervantes, and Shakespeare, among others, are analyzed within the historical framework of the decline of feudalism and the rise of the absolute regimes. Those of Moliére and Goethe are set against the background of an evolving and consolidating bourgeois society in Western Europe.

This book addresses the idea of 'civility' as a manifestation of the fluidity and ambivalence of imperial power as reflected in British colonial literature and culture. Discussions of Anglo-Indian romances of 1880-1900, E.M. Forster's The Life to Come and Leonard Woolf's writings show how the appeal to civility had a significant effect on the constitution of colonial subject-hood and reveals 'civility' as an ideal trope for the ambivalence of imperial power itself.