Constance Verity Saves The World

For Constance Verity, saving the world isn’t the hard part. It’s keeping her new, ordinary life from falling apart along the way that’s going to be tricky. This is the next book in the witty Constance Verity trilogy, which Booklist named a Top 10 SF/Fantasy book of 2016. Constance successfully became an ordinary person. People warned her it would be boring—and they were right. That’s exactly why Connie loves it. But there’s an Adventurer-shaped hole in the cosmos now, and a lot of interested parties eager to fill it. Not all of those candidates are fit for the role, and if The Adventurer falls into the wrong hands, it can lead to chaos and destruction. Constance still has all the skills of her old life, but she’s no longer chosen. Yet when the fate of the world is at stake, she sets off, reluctantly, to keep the forces of evil from stealing the destiny she abandoned.

Constance Verity has been saving the world since she was seven, and she’s sick of it. She sets off on one last adventure to reset her destiny and become the one thing she’s never been: ordinary. Ever since she was granted a wish at birth by her fairy godmother, Constance Verity has become the world’s great adventurer. She is a master of martial arts, a keen detective, and possesses a collection of strange artifacts. Constance has spent the past twenty-eight years saving the world, and she’s tired of it. All she wants is to work in an office and date a nice, normal guy. And she’s figured a way out. The only problem is that saving the world is Constance’s destiny. She’s great at it, and there are forces at work to make sure she stays in the job. Then again, it’s also her destiny to have a glorious death.

The third and final book of Constance Verity’s epic adventure in which saving the world is easy—everything that comes after is the tricky part. The Adventurer. The Great Snurkab. The Caretaker. Constance Verity returns, having accepted and secured her place in the universe while juggling her expanded life. Until she comes up against The Caretaker’s nemesis, a foe she can’t just beat the hell out of, Connie must defeat the idea of inevitable entropy, the end of everything. Impossible you may think, but Connie always has an angle, and this time it’s by upping her game, by stopping enough calamities, by answering every tug at her innate sense of adventure, she can build up enough power to counteract the end of the universe. The problem is, she’s still a human woman, and even she can’t keep this up for long. As she starts to fade her friends figure out a way to help: Destroy the world.

Witness the epic battle of the cyclops! Visit the endangered dragon preserve! Please, no slaying. Solve the mystery of The Mystery Cottage, if you dare! Buy some knick knacks from The Fates! They might come in handy later. On a road trip across an enchanted America, Helen and Troy will discover all this and more. If the curse placed upon them by an ancient god doesn't kill them or the pack of reluctant orc assassins don't catch up to them, Helen and Troy might reach the end their journey in one piece, where they might just end up destroying the world. Or at least a state or two. A minotaur girl, an all-American boy, a three-legged dog, and a classic car are on the road to adventure, where every exit leads to adventure. Whether they like it or not.

The sixtieth anniversary edition of Frantz Fanon’s landmark text, now with a new introduction by Cornel West First published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon’s The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West’s introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon’s most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said’s Orientalism and The Autobiography of Malcolm X.

From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel . . . Ned Henry is badly in need of a rest. He’s been shuttling between the 21st century and the 1940s searching for a Victorian atrocity called the bishop's bird stump. It’s part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid over a hundred years earlier. But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump back to the Victorian era to help Verity put things right—not only to save the project but to prevent altering history itself.

Or What You Will is an utterly original novel about how stories are brought forth from Hugo, Nebula, and World Fantasy Award-winning author Jo Walton. He has been too many things to count. He has been a dragon with a boy on his back. He has been a scholar, a warrior, a lover, and a thief. He has been dream and dreamer. He has been a god. But “he” is in fact nothing more than a spark of idea, a character in the mind of Sylvia Harrison, 73, award-winning author of thirty novels over forty years. He has played a part in most of those novels, and in the recesses of her mind, Sylvia has conversed with him for years. But Sylvia won't live forever, any more than any human does. And he's trapped inside her cave of bone, her hollow of skull. When she dies, so will he. Now Sylvia is starting a new novel, a fantasy for adult readers, set in Thalia, the Florence-resembling imaginary city that was the setting for a successful YA trilogy she published decades before. Of course he's got a part in it. But he also has a notion. He thinks he knows how he and Sylvia can step off the wheel of mortality altogether. All he has to do is convince her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“The stories here are the raw heart of Michael Moorcock. They are the spells that first drew me and all the numerous admirers of his work with whom I am acquainted into Moorcock’s luminous and captivating web.” –from the Foreword by Alan Moore, creator of V for Vendetta When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero–weak in body, subtle in mind, dependent on drugs for the vitality to sustain himself–with great crimes behind him and a greater destiny ahead: a rock-and-roll antihero who would channel all the violent excesses of the sixties into one enduring archetype. Now, with a major film in development, here is the first volume of a dazzling collection of stories containing the seminal appearances of Elric and lavishly illustrated by award-winning artist John Picacio–plus essays, letters, maps, and other material. Adventures include “The Dreaming City,” “While the Gods Laugh,” “Kings in Darkness,” “Dead God’s Homecoming,” “Black Sword’s Brothers,” and “Sad Giant’s Shield.” An indispensable addition to any fantasy collection, Elric: The Stealer of Souls is an unmatched introduction to a brilliant writer and his most famous–or infamous–creation. “The most significant UK author of sword and sorcery, a form he has both borrowed from and transformed.” –The Encyclopedia of Fantasy From the Trade Paperback edition.