Constantinopolis Istanbul

"Studies the reconstruction of Byzantine Constantinople as the capital city of the Ottoman empire following its capture in 1453, delineating the complex interplay of socio-political, architectural, visual, and literary processes that underlay the city's transformation"--Provided by publisher.

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.

The fall of Constantinople to the Ottomans in 1453 marked the end of a thousand years of the Christian Roman Empire. Thereafter, world civilisation began a process of radical change. The West came to identify itself as Europe; the Russians were set on the path of autocracy; the Ottomans were transformed into a world power while the Greeks were left exiles in their own land. The loss of Constantinople created a void. How that void was to be filled is the subject of this book. Michael Angold examines the context of late Byzantine civilisation and the cultural negotiation which allowed the city of Constantinople to survive for so long in the face of Ottoman power. He shows how the devastating impact of its fall lay at the centre of a series of interlocking historical patterns which marked this time of decisive change for the late medieval world. This concise and original study will be essential reading for students and scholars of Byzantine and late medieval history, as well as anyone with an interest in this significant turning point in world history.

This book examines how the museum concept has expanded beyond the boundaries of a single building into the historic city itself through the process of musealization. By discussing the Sultanahmet district on Istanbul’s historic peninsula, the author provides insight into this important global phenomenon.

Robert College of Constantinople is the oldest American school still in existence in its original location outside the borders of the United States. The history of the College includes 160 years of originality, innovations and astonishing development that impacted the history of Armenia, Bulgaria, Greece, the Ottoman Empire and the United States of America.

Urban theory traditionally links modernity to the city, to the historical emergence of certain forms of subjectivity and the rise of important developments in culture, arts and architecture. This is often in response to technological, economic and societal transformations in the nineteenth- and early twentieth-centuries in select Euro-American metropolises. In contrast, non-Western cities in the modern period are often considered through the lens of Westernization and development. How do we account for urban modernity in "other" cities? This book seeks to highlight cultural creativity by examining the diverse and shifting ways Istanbulites have defined themselves while they debate, imagine, build and consume their city. It focuses on a series of exhibitionary sites, from print press/photography, cinema/films, exhibitions of architectural heritage, theme parks and museums, and explores the links between these popular depictions through shared practices of representation. In doing so it argues that understanding how the future is imagined through images and interpretations of the past can broaden current theoretical thinking about Istanbul and other cities. In line with postcolonial calls for a comparative urbanism that decouples understanding of the modern from its privileged association with Western cities, this book offers a new perspective on the lens of urban modernity. It will appeal to urban geographers and historians, cultural studies scholars, art historians and anthropologists as well as planners, architects and artists.

Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.

In this book, Patricia Blessing explores the emergence of Ottoman architecture in the fifteenth century and its connection with broader geographical contexts. Analyzing how transregional exchange shaped building practices, she examines how workers from Anatolia, the Mediterranean, the Balkans, and Iran and Central Asia participated in key construction projects. She also demonstrates how drawn, scalable models on paper served as templates for architectural decorations and supplemented collaborations that involved the mobility of workers. Blessing reveals how the creation of centralized workshops led to the emergence of a clearly defined imperial Ottoman style by 1500, when the flexibility and experimentation of the preceding century was levelled. Her book radically transforms our understanding of Ottoman architecture by exposing the diverse and fluid nature of its formative period. It also provides the reader with an understanding of design, planning, and construction processes of a major empire of the Islamic world.