Constructing Revolution

With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910-1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931-1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.

Through a critical review of existing related theories and models, the authors address gaps in existing workforce management studies and propose a conceptual model to improve the management of workers in the construction industry.

Rising concerns about agricultural productivity and food security in rapidly changing economic and environmental contexts have led to renewed interest in agricultural development. But the extent to which new policies and programs will enable socially just and environmentally sustainable futures for rural communities remains a matter of intense debate. This book contributes to such debates by critically examining the intersection of agricultural histories, heterogeneous social contexts and new technological developments in rural communities across the Global South. It shows how experiences of the previous Green Revolution can inform new agricultural programs and enable equitable and participatory development in rural places. Through close engagement with rural communities, this book ensures that rural voices become part of the debate on agricultural development and suggests pathways for building on the gains of the Green Revolution without necessarily repeating its problematic social, technological and environmental aspects. This book was published as a special issue of the International Journal of Agricultural Sustainability.

This masterful comparative history traces the West’s revolutionary tradition and its culmination in the Communist revolutions of the twentieth century. Unique in breadth and scope, History’s Locomotives offers a new interpretation of the origins and history of socialism as well as the meanings of the Russian Revolution, the rise of the Soviet regime, and the ultimate collapse of the Soviet Union. History’s Locomotives is the masterwork of an esteemed historian in whom a fine sense of historical particularity never interfered with the ability to see the large picture. Martin Malia explores religious conflicts in fifteenth- and sixteenth-century Europe, the revolutions in England, American, and France, and the twentieth-century Russian explosions into revolution. He concludes that twentieth-century revolutions have deep roots in European history and that revolutionary thought and action underwent a process of radicalization from one great revolution to the next. Malia offers an original view of the phenomenon of revolution and a fascinating assessment of its power as a driving force in history.

Reinterpreting the emergence of the Soviet state, Holquist situates the Bolshevik Revolution within the continuum of mobilization and violence that began with World War I and extended through Russia's civil war, thereby providing a genealogy for Bolshevik political practices that places them clearly among Russian and European wartime measures.

An exploration of the ways that shifting relations between materiality and language bring about different forms of politics in Tehran In Revolution of Things, Kusha Sefat traces a dynamism between materiality and language that sheds light on how the merger of the two permeates politics. To show how shifting relations between things and terms form the grounds for different modes of action, Sefat reconstructs the political history of postrevolutionary Iran at the intersection of everyday objects and words. Just as Islamism fashioned its own objects in Tehran during the 1980s, he explains, tyrannical objects generated a distinct form of Islamism by means of their material properties; everyday things from walls to shoes to foods were active political players that helped consolidate the Islamic Republic. Moreover, President Rafsanjani’s “liberalization” in the 1990s was based not merely on state policies and post-Islamist ideologies but also on the unlikely things—including consumer products from the West—that engendered and sustained “liberalism” in Tehran. Sefat shows how provincial vocabularies transformed into Islamist and post-Islamist discourses through the circulation of international objects. The globalization of objects, he argues, was constitutive of the different forms that politics took in Tehran, with each constellation affording and foreclosing distinct modes of agency. Sefat’s intention is not to alter historical facts about the Islamic Republic but to show how we can rethink the matter of those facts. By bringing the recent “material turn” into conversation with the canons of structural analysis, poststructuralist theory, sociolinguistics, and Middle East studies, Sefat offers a unique perspective on Iran’s revolution and its aftermath.

Examining the social and political history of workers and entrepreneurs engaged in constructing the French capital from 1763-1815, this book argues that Paris construction was a core sector in which 'archaic' and 'innovative' practices were symbiotically used by guilds, the state, and enterprises to launch the commercial revolution in France.